Tag Archives: Kindertotenlieder

Episode 277. Benjamin Luxon In Memoriam



Last week on July 25th, the music world was saddened by the death of the Cornish baritone Benjamin Luxon at the age of 87. I began collecting recordings of this exceptional artist a few years ago with the intention of producing an episode in his honor at some point. Here is that episode, albeit a posthumous effort now. In an episode I produced in the first few months of Countermelody in 2019, I featured the French baritone Gérard Souzay and called him “a modern troubadour.” There are very few singers of recent years to whom one could accurately apply that appellation, but Ben Luxon is emphatically one of them. Music and words simply flowed out of him, and he sang with equal aplomb in an extraordinary number of different styles: opera, oratorio, art song, Broadway, crossover, and, perhaps most immediately and delectably, folk. In opera alone his range was exceptional, covering key roles in Mozart, Verdi, Tchaikovsky, Wagner, Berg, and Britten, who wrote the title role of his television opera Owen Wingrave expressly for Luxon. In song as well he covered a vast array of repertoires, including Russian, German, and British (including Victorian ballads), including, again, many contemporary composers. Luxon’s career hit a snag in the late 1980s, when he first began experiencing hearing loss which eventually resulted in him putting a stop to his singing career. But he hardly retired: moving to the Berkshires, he became actively involved in the artistic life of the region, and founded a theatre troupe, the Sandisfield Players, while continuing to give poetry readings and spoken word performances. The program today attempts to recreate his profound versatility, and range from folk song to pop song; from orchestral song cycles to world premiere creations; art songs by Hugo Wolf, Mussorgsky, George Butterworth, Schubert, and John Ireland; to late career narration and poetry projects. Collaborators include artists such as Benjamin Britten, Bill Crofut, Galina Vishnevskaya, Leonard Bernstein, Robert Tear, Janet Baker, Seiji Ozawa, Ileana Cotrubaș, Jill Gomez, Klaus Tennstedt, Mstislav Rostropovich, and his most frequent recital collaborator, pianist David Willison.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 263. Contralto Central



Finally, the first in my long-promised series on the contralto voice! The contralto is a rara avis in the today’s opera and classical music scene, and yet back in the day, there seem to have been more of them before the public. And of course contraltos have always been a powerful presence on the popular music scene, whether in blues, disco, jazz, or as purveyors of the Great American Songbook. There is no way that I can cover all of the great (and near-great) contraltos in recorded history, but that doesn’t mean I’m not going to try! Today’s selections span a wide chronological range , even for this podcast: nearly 120 years, and include voices both fleet and monolithic (and sometimes both). We begin with a tribute to the late Polish coloratura contralto Ewa Podleś and along with way we hear the most famous contraltos like Kathleen Ferrier and Marian Anderson, and jazz and pop contraltos like Nina Simone and Cassandra Wilson. We also sample singers from the earlier twentieth century such as Ernestine Schumann-Heink, Cloe Elmo, Clara Butt, Eugenia Mantelli, Kerstin Thorborg, and Sigrid Onégin (about whom I spill some major tea!) Throughout the episode are sprinkled some of the most beautiful voices of any kind that I have ever heard: the Scottish Caroline Kaart, the Romanian Florica Cristofereanu, the Czech Věra Soukupová, the Dutch Aafje Heynis, the French Germaine Cernay, the British Norma Procter, and the Russian Valentina Levko. And if like me you have despaired of ever hearing another true contralto again in our lifetime, we hear in young Jasmin White cause for rejoicing. And if your favorites are not heard today, fear not, for this is the tip of the iceberg: many more great singers will follow when the series continues in two weeks.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford.


Episode 146. Women of Color Sing Mahler



Say their names: In Uvalde: Nevaeh Bravo, Jackie Cazares, Makenna Lee Elrod, Jose Flores, Eliana Garcia, Irma Garcia, Uziyah Garcia, Amerie Jo Garza, Xavier Lopez, Jayce Luevanos, Tess Marie Mata, Miranda Mathis, Eva Mireles, Alithia Ramirez, Annabell Guadalupe Rodriguez, Maite Rodriguez, Alexandria Aniyah Rubio, Layla Salazar, Jailah Nicole Silguero, Eliahana Cruz Torres, Rojelio Torres. In Buffalo: Celestine Chaney, Roberta A. Drury, Andre Mackniel, Katherine Massey, Margus D. Morrison, Heyward Patterson, Aaron Salter, Geraldine Talley, Ruth Whitfield, Pearl Young. All gunned down by young men who should have had no access to an assault weapon in the first place. I have no meaningful response to such cruel slaughter. When I am in the most profound mourning, I turn to the composers whose music directly confronts that despair. Today that composer is Gustav Mahler. Since the victims were almost exclusively people of color, today for solace I turn to the extraordinary voices of women of color singing the music of Mahler. Roberta Alexander, Marian Anderson, Carol Brice, Oralia Dominguez, Jessye Norman, Florence Quivar, Shirley Verrett, Lucretia West provide balm for the depths of despair that we are all feeling right now. They are joined on the podium by some of the greatest conductors of the twentieth century: Leonard Bernstein, Christoph von Dohnányi, Bernard Haitink, Paul Kletzki, Hans Knappertsbusch, Erich Leinsdorf, Zubin Mehta, Pierre Monteux, Fritz Reiner, and Frieder Weissmann.

This episode is also offered in memory of and in gratitude for the life of the great Lucretia West, who died on 21 February 2022 at the age of 99.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.