Podcast: Play in new window | Download (Duration: 1:19:01 — 84.0MB) | Embed
Subscribe: Google Podcasts | Spotify | Stitcher | TuneIn | RSS | More
We need a laugh right now. At least I did, and that was the inspiration for today’s episode. I have long cherished the art of truly terrible singing, and this episode acknowledges that fixation, as well as celebrating some of its prime practitioners. I cover a wide range of genres, from opera to self-styled pop music. Along the way we hear such paragons of bad singing as Wing, Olive Middleton, Congress Woman Malinda Jackson Parker, Mari Lyn, Mrs. Miller, Sirach Van Bodegraven, The Shaggs, and (my personal favorite) Natalia de Andrade. These artists were never ones to be hemmed in by the confinements of good taste, solid vocal technique, or a composer’s intentions: they let their souls run rampant over their material, providing us with a unique experience in the process. Please accept this tribute in the spirit in which it is intended: respectfully, yet with equal parts shock, awe, disgust, and envy.
Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your support at whatever level you can afford.