Category Archives: Finnish Opera

Episode 250. Julian Long Introduces Jorma Hynninen (Listeners’ Favorites)



(Leavin’ on a jet plane this afternoon, so posting a day or so early!)

It is a wonderful thing when friends share a favorite singer. Such is the case with my friend of long-standing, Julian Long (once one reaches a certain age, one no longer uses the term “old friend”). As part of this month’s series of Listeners’ Favorites episodes, Julian has been kind enough to record a new intro for a Countermelody episode that I posted three years ago as a birthday tribute to the marvelous Finnish baritone Jorma Hynninen, who on April 3 will celebrate his 83rd birthday. Unlike me, Julian heard Hynninen many times in both opera and, especially, recital. This episode focuses on Hynninen’s prowess as a singer of art song, beginning with some choice German Lieder recordings, but ultimately focusing on the songs of his native Finland. We hear Hynninen in performances across the span of his entire career, from 1968 through 2015. Needless to say, their great compatriot Jean Sibelius is foregrounded, but, there are a surprising number of fascinating composers in this magisterial country whose work also rewards exploration. If the music of Oskar Merikanto, Yrjö Kilpinen, Erik Bergman, Selim Palmgren, Fredrik Pacius, Väino Hannikainen, Taneli Kuusisto, or Toivo Kuula is not familiar to you, prepare to be delighted, surprised, and moved by the depth and variety of their creation. Soile Isokoski also joins Hynninen in an excerpt from the cantata Der Ochs und sein Hirte by Hynninen’s multi-talented pianist Rolf Gothóni, who is heard in many of the selections. The program concludes with Hynninen’s perusal of both pop standards and tango, both sung in Finnish. Don’t mind Julian and me as we go off to individually nurse our mutual crush!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford.


Episode 209. Nordic Tracks I: Orchestral Songs



Inspired by my holiday in Denmark last week, today I inaugurate a new series on Countermelody called “Nordic Tracks,” featured music from Scandinavia and the Nordic countries. There has always been a wealth of vocal music from Sweden, Denmark, Norway, Finland, and Iceland, and in this episode I focus exclusively on orchestral songs, a genre which I also featured in a special episode last fall. Of course there are the usual standbys by Grieg and Sibelius and Nielsen, but also featured is the work of less-celebrated composers, beginning with the romantics and post-romantics (Wilhelm Stenhammar, Ture Rangström) and through to the present day (Aulis Sallinen, the late Kaija Saariaho). The singers are some of the greatest ever to raise their voices in song, including Kirsten Flagstad, Soile Isokoski, Birgit Nilsson, Hugo Hasslo, Elisabeth Söderström, Eric Sædén, Karita Mattila, Anne Sofie von Otter, and many others. It’s highly likely that you will encounter singers (Gitta-Maria Sjöberg, Kirsten Schultz) and composers (Fartein Valen, Laci Boldemann, Poul Schierbeck) that you may have never heard before (I know I did!) Oh, yes, and it’s all topped off with a bit of Björk!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 67. Good Bye 2020 (and Good Riddance!)



Is there anyone out there who will not be relieved to bid farewell to 2020, this annus horribilis? I know I’ll be delighted to kick its ass out the door. How to make any sense of this year of pandemic, panic, political shenanigans, poverty, racial injustice, climate disaster and general global upheaval? I have no answers, except to return to music. The episode begins with a mini-tribute to Broadway great Rebecca Luker, who lost her hard-fought against ALS on December 23rd. Then I return to the year 1935, since, as I discovered as I was preparing my mom’s birthday episode a couple weeks ago, so many interesting musicians were born in that year. Some of those artists are still with us, others died some time ago, while still others were among the many casualties of 2020. I take a journey through the composers (Arvo Pärt, Aulis Sallinen, Nicholas Maw, Peter Schat, Josep Soler, Giya Kancheli, and Peter Schickele [aka P.D.Q. Bach]) and singers (Helga Pilarczyk, Sherrill Milnes, Dominic Cossa, Arlene Saunders, Albert Remedios, and Teresa Berganza) born in that year, and conclude with those beloved artists Mirella Freni and Luciano Pavarotti (both of whom were also born in 1935) in an extended excerpt from a live 1975 performance of La bohème, that exemplifies near-perfection, operatically speaking. Let’s “tak a cup o’ kindness yet” at the passing of this challenging year as we also look forward to a new year better in every imaginable way than its predecessor!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available, including a new extra episode further exploring today’s topic.

Links to related Countermelody episodes:

Episode 64: Jorma Hynninen in Opera (Features the baritone in several operas by Aulis Sallinen): www.countermelodypodcast.com/episode-64-jorma-hynninen-in-opera

Two episodes in memory of Mirella Freni:

Episode 25: Freni on the Fringe (Freni sings unexpected repertoire): www.countermelodypodcast.com/episode-25-freni-on-the-fringe-mirella-in-memoriam-ii

Episode 24: Freni in Duet (Freni with various distinguished partners): www.countermelodypodcast.com/episode-24-freni-in-duet

And three episodes devoted to great artists that we have lost recently:

Episode 59: In Memoriam Rosanna Carteri: www.countermelodypodcast.com/episode-59-rosanna-carteri

Bonus Episode 5: In Memoriam Christiane Eda-Pierre (available to my Patreon subscribers at any level of support): www.patreon.com/posts/42459803

Episode 15: Hail and Farewell (a tribute to all the great musicians who died in 2019): www.countermelodypodcast.com/episode-15-hail-and-farewell

 


Episode 64. Jorma Hynninen in Opera (Great Baritones I)



This is the first of two episodes I have planned in honor of the great Finnish baritone Jorma Hynninen, who turns 80 in 2021. The focus today is on his work in opera. His stylistic range was unusually large: during the years in which he appeared internationally he triumphed in roles ranging from Mozart to Verdi to the title role in Eugene Onegin in opera houses around the world. What is perhaps less well-remembered is that he also was a phenomenal Pelléas and also a distinguished Wagnerian, singing Wolfram, Amfortas, and Kurwenal, among other parts. All of these are featured in today’s episode, as well as arias and scenes from operas by Strauss, Dallapiccola, and Hindemith. Jorma Hynninen made his greatest contribution to the field, however, in his legendary creations in the world of Finnish opera. The second portion of the program features excerpts of his performances in works by pioneers Leevi Madetoja and Aarre Merikanto and continues with roles he created in operas by Aulis Sallinen and Einojuhani Rautavaara. Though he retired from opera in 2012, he continues to concertize in Finland; in the fall of 2019 he embarked on a brief concert tour with a voice nearly untouched by the years. Mirella Freni, Hildegard Behrens, and Victoria de los Ángeles are also featured in the episode. Join me in an exploration of the operatic career of this extraordinary singer.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available, including a new extra episode further exploring today’s topic.