Tag Archives: Don Giovanni

Episode 127. Maria Ewing in Memoriam (Black History Month 2022)



The exceptional, distinctive Maria Ewing died of cancer on January 9 at her home outside of her native Detroit at the age of 71. Even before her death, I had been planning an episode on Maria Ewing, who last fall received an enormous amount of press as the mother of actor and director Rebecca Hall, whose latest film, Passing, was hitting the screens in a big way. The film is about two light-skinned Black friends in the 1920s, one of whom makes the conscious decision to present as white. The implication in much of the press was that Maria Ewing had done the same and was being taken to task for having done so. In actuality, Maria Ewing spoke frequently about her father’s apparent African American roots, and never actively tried to hide her (at times murky) family history. But, I submit to you, this is not the real story. In this episode, the first of my Black History Month 2022 series, I attempt to present as full a musical portrait of the artist as possible, allowing listeners to experience the unique musical and dramatic genius (and I use the term advisedly) of this fascinating artist. Few singers can survive comparison with Maria Callas. Maria Ewing, for all her demonstrable flaws, was one of the few artists that merit such a comparison. In this episode we hear Ewing in a wide range of material, from Purcell’s Dido to Puccini’s Tosca, with a nod to her two most famous roles, Carmen and Salome; an emphasis on both her Mozart portrayals and a focus on her aplomb with French music; and a sampling of her flair for pop music and jazz. I also discuss her sometimes controversial vocalism and role assumptions which in turn led to her blanket dismissal by her detractors. But in the end, it is her fascinating combination of carnality and innocence which made her unique. I remain, as I always have been, a devoted member of Club Ewing. This is a long-overdue Countermelody tribute to a unique and irreplaceable singer.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 124. Dave’s Picks



Today’s special episode is in honor of my best friend, partner-in-crime and Corona-lockdown buddy, the distinguished theater scholar and author David Savran, who this week once again celebrated another journey around the sun. I invited him to be the first guest in a new series I will be presenting on Countermelody featuring colleagues and friends speaking about the music (and the singers!) that have most deeply affected and inspired them. Perhaps it’s not surprising that in the nearly two decades that we have known each other, that David’s taste in music and singers often falls neatly in step with mine. But there are many other musical paths and byways that he has explored that have taken him in quite different directions. Our spirited dialogue is punctuated by music that spoke to him most deeply in the first 25 years of his life. We hear samples of everything and everyone from Sammy Davis, Jr. to Grace Slick, from Cathy Berberian to Joni Mitchell, from Lisa della Casa to Nina Hagen, from Alfred Drake to Frank Zappa. The episode also constitutes a fascinating exploration of the role that memory and nostalgia play in the creation of musical tastes and preferences. Happy Birthday, Davey, and thanks for being my guest!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

 


Episode 105. Teresa Żylis-Gara In Memoriam



One of my very favorite singers, the Polish soprano Teresa Żylis-Gara, died on Saturday 28 August at the age of 91. I had been planning a birthday episode dedicated to her next January, but instead I present a heartfelt tribute in memoriam. Over a long career and as her voice developed, Żylis-Gara moved deftly and skillfully from performances of Baroque music through French, Russian, Verdi, and Puccini and even verismo heroines, always with her trademark vocal glamour, technical acuity and musical refinement. I offer live and studio examples of this under-recorded artist, a favorite at the Metropolitan Opera between 1968 and 1984, including early Monteverdi, Bach, and Handel, moving through her career-making assumption of Donna Elvira in Don Giovanni and touching also on her recital work, and concluding with her definitive performances of Desdemona in Otello and Richard Strauss’s Vier letzte Lieder.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Twenty-five exclusive bonus episodes are currently available to Patreon supporters.


Episode 64. Jorma Hynninen in Opera (Great Baritones I)



This is the first of two episodes I have planned in honor of the great Finnish baritone Jorma Hynninen, who turns 80 in 2021. The focus today is on his work in opera. His stylistic range was unusually large: during the years in which he appeared internationally he triumphed in roles ranging from Mozart to Verdi to the title role in Eugene Onegin in opera houses around the world. What is perhaps less well-remembered is that he also was a phenomenal Pelléas and also a distinguished Wagnerian, singing Wolfram, Amfortas, and Kurwenal, among other parts. All of these are featured in today’s episode, as well as arias and scenes from operas by Strauss, Dallapiccola, and Hindemith. Jorma Hynninen made his greatest contribution to the field, however, in his legendary creations in the world of Finnish opera. The second portion of the program features excerpts of his performances in works by pioneers Leevi Madetoja and Aarre Merikanto and continues with roles he created in operas by Aulis Sallinen and Einojuhani Rautavaara. Though he retired from opera in 2012, he continues to concertize in Finland; in the fall of 2019 he embarked on a brief concert tour with a voice nearly untouched by the years. Mirella Freni, Hildegard Behrens, and Victoria de los Ángeles are also featured in the episode. Join me in an exploration of the operatic career of this extraordinary singer.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available, including a new extra episode further exploring today’s topic.


Episode 53. Justice (In Memoriam RBG)



I awoke Saturday morning in Berlin to the apocalyptic news that Justice Ruth Bader Ginsburg had died. Once again a crisis in the United States has prompted me to quickly put together a different episode than originally planned. The late Justice Ginsburg was a particular lover of opera, and so I have decided to showcase some of her favorite operas and performers. We will hear extended scenes from La Gioconda, Le nozze di Figaro, Der Rosenkavalier, Otello, Don Giovanni, La Fanciulla del West, Fidelio, Götterdämmerung, and others in performances featuring favorite singers of hers, including Jussi Björling. Renata Tebaldi, Leontyne Price, Franco Corelli, and Cesare Siepi. Other featured singers are Gottlob Frick, Fernando Corena, Margaret Price, Leonard Warren, Arlene Saunders, Carol Neblett, Gianpiero Mastromei, Beverly Sills, Gwyneth Jones, Lucia Popp, Brigitte Fassbaender, Christiane Eda-Pierre, Elisabeth Söderström, Eileen Farrell, among many others. The episode also incorporates a memorial tribute to Maria Callas on the 43rd anniversary of her death, and to Jessye Norman on what would have been her 75th birthday.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available!


Episode 47. Sylvia Sass (Crossover Classics III)



The Hungarian soprano Sylvia Sass was a comet in the operatic firmament in the mid-1970s through the 1980s, most celebrated for singing the heaviest dramatic coloratura repertoire. In 1984 she also released a crossover album entitled Nézz körül, which I purchased when it was first released, and which amused me to no end, featuring as it did songs from “Flashdance” to “Total Eclipse of the Heart,” all sung in Hungarian. As the years have passed, and I have become more and more of a Sass fan, I have completely revised my opinion of this unusual entry into the Crossover Classics genre and now am of the opinion that Sass’s achievement on this record represents the peak of opera singers singing crossover material. Her unusual and compelling voice is heard at its most mellifluous here; her musicianship is at the complete and non-condescending service of the material, which ranges from Andrew Lloyd Webber to Quincy Jones; and the intensity of her delivery, contrasted with the sometimes tacky arrangements, makes for a unique and delectable experience. I supplement material from that album with several examples of Sass’s magisterial performances of operetta and classical music, from Mozart and Offenbach through Ferenc Erkel and Richard Strauss, pausing (regretfully only momentarily) on her matchless Verdi portrayals. Prepare for the Total Eclipse of the Kékszakállú!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available!


Episode 24. Freni in Duet (Mirella In Memoriam I)



Today, in the first of two consecutive episodes. I pay tribute to the great Mirella Freni, who died on February 7 and who would have celebrated her 85th birthday on February 27th. Celebrated for the freshness of her timbre, her musical integrity and commitment, her vocal prowess and longevity, and her expressivity, Freni sang a repertoire which covered a wide range of styles and languages. Today’s selections, from over the course of her entire career, feature her exclusively in duet, and include selections from Gianni Schicchi, I Puritani, L’Elisir d’amore, Le nozze di Figaro, La Bohème, Otello, Manon Lescaut, Don Carlo, Le due illustri rivali, Don Giovanni, and La Traviata with Alfredo Kraus, Nicolai Gedda, Gundula Janowitz, Franco Corelli, Luciano Pavarotti, Peter Dvorsky, Luis Lima, Renata Scotto, and her husband Nicolai Ghiaurov. Three selections from a rare 1977 LP of Puccini and Verdi duets with the superlative (and notorious!) Italian tenor Franco form the centerpiece of this loving tribute.

Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com