Tag Archives: A Shropshire Lad

Episode 433. Lois Marshall Revisited



Yesterday, January 29th, was the 101st anniversary of the birth of the Canadian soprano (later mezzo) Lois Marshall. Marshall was in so many ways a unique and treasurable artist. Afflicted with polio as a young child, she spent much of her early life hospitalized. It was there that she discovered the expressive power of her singing voice. Following her training at the Royal Conservatory of Music in Toronto, Marshall won two prestigious vocal competitions, including the Naumburg, she was taken on by such early mentors as Arturo Toscanini and Thomas Beecham and others. Audiences were captivated by both the spontaneity and directness of her artistry. Though she made occasional appearances in opera (and in particular televised opera, where her mobility issues could be more easily managed), she was primarily known as a concert singer. Recommended by the young Glenn Gould, she quickly became a favorite with Russian audiences and created the Canadian premieres of works by Poulenc and Britten, among others. This, the fourth Countermelody episode devoted to this artist, features her in a wide range of material, including in particular work by contemporary Canadian composers including Harry Somers, Oskar Morawetz, Srul Anthony Glick, Godfrey Ridout, Harry Freedman, and Jean Coulthard. The episode also emphasizes the purity and expressiveness of her singing in Baroque music, including Handel, Bach, Purcell, and Schütz as well as her unique way on the concert platform with both art song and folk song arrangements. Collaborating artists include Leopold Stokowski, Maureen Forrester, Glenn Gould, Seiji Ozawa, John Alexander, and Thomas Beecham. Once heard, Lois Marshall will never be forgotten.

Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.


Episode 427. Representative Andrew Gray [AK] (Countermelody Conversations)



In the past I have featured interviews with wonderful guests (including Ira Siff, Janet Williams, Nicholas Tamagna, August Ventura, David Savran, and others), but they have been few and far between. The vast majority of my episodes consist of me talking solo about whatever singer or topic I am presenting on a given day. But today, alongside the new season of Countermelody, I also initiate a new series called “Countermelody Conversations,” in which I interview friends and colleagues in (and out of) the music business, discussing music, singers, singing, and all the issues that come up in such discussions. My first guest in this series is my good friend Andrew Gray. Many years (and lifetimes) ago, Andrew was a voice student of mine. Most voice teachers, when bragging about their students, tell you what opera houses they have been singing in. But Andrew is associated with an altogether different house, the Alaska State House of Representatives, of which he is a recently re-elected member. In this episode, Andrew describes how he went from being a Broadway wannabe to a politician. As he himself states, he is content that he has now found his true calling, but it is wonderful to trek that journey with him. I interviewed Andrew last summer when he and his son visited Berlin. He brought along a fascinating setlist of some of his favorite music, which we also discuss in detail. Andrew has a way of listening to and evaluating music which is distinctly different from mine, which means that he presents music and singers that you might otherwise not encounter on Countermelody. I’m so proud to have him as the first guest on this new series, for which I’m already planning subsequent conversations.

Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

 


Episode 277. Benjamin Luxon In Memoriam



Last week on July 25th, the music world was saddened by the death of the Cornish baritone Benjamin Luxon at the age of 87. I began collecting recordings of this exceptional artist a few years ago with the intention of producing an episode in his honor at some point. Here is that episode, albeit a posthumous effort now. In an episode I produced in the first few months of Countermelody in 2019, I featured the French baritone Gérard Souzay and called him “a modern troubadour.” There are very few singers of recent years to whom one could accurately apply that appellation, but Ben Luxon is emphatically one of them. Music and words simply flowed out of him, and he sang with equal aplomb in an extraordinary number of different styles: opera, oratorio, art song, Broadway, crossover, and, perhaps most immediately and delectably, folk. In opera alone his range was exceptional, covering key roles in Mozart, Verdi, Tchaikovsky, Wagner, Berg, and Britten, who wrote the title role of his television opera Owen Wingrave expressly for Luxon. In song as well he covered a vast array of repertoires, including Russian, German, and British (including Victorian ballads), including, again, many contemporary composers. Luxon’s career hit a snag in the late 1980s, when he first began experiencing hearing loss which eventually resulted in him putting a stop to his singing career. But he hardly retired: moving to the Berkshires, he became actively involved in the artistic life of the region, and founded a theatre troupe, the Sandisfield Players, while continuing to give poetry readings and spoken word performances. The program today attempts to recreate his profound versatility, and range from folk song to pop song; from orchestral song cycles to world premiere creations; art songs by Hugo Wolf, Mussorgsky, George Butterworth, Schubert, and John Ireland; to late career narration and poetry projects. Collaborators include artists such as Benjamin Britten, Bill Crofut, Galina Vishnevskaya, Leonard Bernstein, Robert Tear, Janet Baker, Seiji Ozawa, Ileana Cotrubaș, Jill Gomez, Klaus Tennstedt, Mstislav Rostropovich, and his most frequent recital collaborator, pianist David Willison.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 201. Britten – Pears (Pride 2023)



Today’s episode explores the lives and loves of two of the most significant figures in twentieth century music: Benjamin Britten, the dean of British composers and the tenor Peter Pears, his partner, lover, inspiration and muse for nearly forty years. When as a lost young gay boy I first encountered their music-making I intuited that these two men were lovers, that they represented a way forward for me out of a lonely and forlorn childhood. Whether in the many songs and cycles that Britten fashioned for him or the operatic roles, beginning with the title role of Peter Grimes, that were tailor-made for him, Pears remains the ideal interpreter of his partner’s music, possessed as he was of a distinctive (some would say peculiar) voice, supple, reedy yet surprisingly powerful, along with pinpoint musical precision, plangent expressivity and dramatic aptitude. The episode features excerpts from many of Britten’s most explicitly gay compositions, surprising for a man living in Britain while sex between men was still illegal, including the operas Peter Grimes, Curlew River, Billy Budd, and Death in Venice and his settings of poetry by Michelangelo, Shakespeare, Auden, and Francis Quarles. We also hear Pears and Britten in live and recorded performance of songs and arias by other composers, including composers Britten revered (Schumann, Schubert, Tchaikovsky, and Frank Bridge), and those of whose music he was much less fond (including Vaughan Williams and Brahms). The episode contains more biographical information than your typical Countermelody episode, and does not shy away from some of the thorniest questions that one must confront when discussing these two controversial figures. But in the end it is first and foremost a celebration of the music Britten and Pears made together and the love they shared for 40 years. The episode begins with a heartfelt (and heartbroken) tribute to the great Glenda Jackson, who died this week at the age of 87.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.