Tag Archives: Éphraïm Mikhaël

Episode 367. Bernac Sings Not-Poulenc (Pride 2025)



Continuing our exploration of queer pride in classical music, I bring you the great baryton-martin Pierre Bernac (1899 – 1979), known first and foremost as a creator of some of the most exquisite mélodies of his friend and musical partner Francis Poulenc. Later Bernac became renowned as the exemplar of style and taste in the interpretation of French art song. In this episode, however, I wanted to explore his contribution as a singer of the music of composers other than Poulenc. I had already found some great orchestral song cycles by André Jolivet and Louis Beydts, as well as a sublimely anachronistic recording of a Bach cantata, but just yesterday I came upon a series of rare recordings that Bernac made in 1935 for the Ultraphone label. These include songs by Debussy and Hahn accompanied by pianists Jean Doyen and Boris Golschmann (who was the brother of the conductor Vladimir Golschmann, and whose tragic story I relate), as well as an earlier (and even more exquisite) recording of Chausson’s “Le colibri.” But perhaps the crown jewels among these early records were two duets with the exquisite French-Algerian soprano Leïla Ben Sedira which won the Grand Prix du Disque in 1936. I have folded these deeply satisfying early recordings into the setlist that I had already partially assembled for a very special episode that I hope that you will enjoy!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.


Episode 150. Francis Poulenc and Pierre Bernac [Pride 2022]



Something about this week’s episode has really gotten to me. I guess I’m just madly in love with the melodies of Francis Poulenc, and as a result, increasingly in love with the artistry of Pierre Bernac. These two formed an artistic partnership similar in intensity to that shared by Benjamin Britten and Peter Pears, except that in the case of the Gallic couple, this alliance did not include a romantic element. In spite of that, the pair achieved an artistic intimacy that is sometimes almost painfully honest. Maybe it’s that part of their story that so moves me: that two gay men, neither one sexually involved with the other, still achieved, on an altogether different plane, the deepest kind of intimacy. This episode features performances of the duo in melodies by Poulenc set to texts by Guillaume Apollinaire, Paul Éluard and Louise de Vilmorin, as well as songs by Chabrier, Debussy, Chausson, and Samuel Barber. We also hear Bernac performing Bach and Schumann in collaboration with Robert Casadesus, Charles Munch, and Roger Désormière; and Poulenc accompanying singers Denise Duval, Hugues Cuénod, Geneviève Touraine, and Bernard Kruysen in both live and studio recordings. The episode features extensive discussion, mostly from Bernac’s book on Poulenc and his songs, of Poulenc’s devotion to poetry and his very particular compositional method of getting to the heart of a poem.