Tag Archives: Henri Ghéon

Episode 340. Roberta Alexander: Dutch Treat



Nothing brings me greater joy than when a deep exploration into the artistry of a favorite singer yields even more delights than I could have possibly imagined. And when I have a personal friendship with that singer, my cup truly runneth over. A week ago the music world once again celebrated the birthday of the treasurable soprano Roberta Alexander. Today, in a belated birthday tribute, I offer recordings of Roberta singing the music of composers of The Netherlands, where she has made her adoptive home since the mid-1970s. As befits Roberta Alexander’s eclecticism, the range of musical styles is wide, ranging from the baroque oratorio Joseph, by Willem de Fesch, to the romanticism of early 20th-century composers Hendrik Andriessen, Alphons Diepenbrock, and Julius Röntgen, to the more astringent (yet still lush and colorful) idiom of Robert Heppener and Willem Frederik Bon. Prepare yourself to be swept away by these magnificent works in brilliant performances recorded between 1979 and 2000 in which Roberta Alexander is joined by fellow singers Claron McFadden and Nico van der Meel, and accompanied by Bernard Haitink, Rudolf Jansen, David Porcelijn, Ed Spanjaard, and Jed Wentz. If you are thinking of passing this episode by because of the obscure repertoire, I encourage you to take a chance, not only because these recordings present Alexander in all her glory, but because you will get to hear fascinating music by composers you might not have heard before, ranging from a dramatic Baroque seduction scene between Joseph and Potiphar’s wife, to an erotically-charged setting of Verlaine, to exquisite settings of meditative texts for the Lenten season.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.


Episode 191. Music for Holy Week



Welcome to all listeners both old and new to the podcast! This week I am focusing on music related to the Christian observation of Holy Week: oratorios, motets, cantatas, songs and song cycles, even operas from Renaissance to contemporary, performed by a wide range of singers. Alongside podcast favorites Jennie Tourel, Roberta Alexander, Eugene Holmes, Hugues Cuénod, Mitsuko Shirai, Muriel Smith, and others, I also feature performances by recently departed vocal giants Virginia Zeani and James Bowman (both of whom will be foregrounded in next week’s episode), as well as the sublime British mezzo-soprano Diana Montague, who celebrates her birthday this week. We also hear her husband, the magnificent tenor David Rendall, as well as their extraordinarily gifted son, baritone Huw Montague Rendall, whom I was privileged to meet in Berlin this past week. We also hear a variety of settings of the 13th century Stabat Mater text from Giovanni Felice Sances in the 17th century to the more thorny twentieth-century idiom of the Swiss Frank Martin and the African American Julia Perry. Contemplative art songs by Schubert, Wolf, Hindemith, Finzi, and Andriessen round out the episode.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.