Tag Archives: Bernd Weikl

Episode 191. Music for Holy Week



Welcome to all listeners both old and new to the podcast! This week I am focusing on music related to the Christian observation of Holy Week: oratorios, motets, cantatas, songs and song cycles, even operas from Renaissance to contemporary, performed by a wide range of singers. Alongside podcast favorites Jennie Tourel, Roberta Alexander, Eugene Holmes, Hugues Cuénod, Mitsuko Shirai, Muriel Smith, and others, I also feature performances by recently departed vocal giants Virginia Zeani and James Bowman (both of whom will be foregrounded in next week’s episode), as well as the sublime British mezzo-soprano Diana Montague, who celebrates her birthday this week. We also hear her husband, the magnificent tenor David Rendall, as well as their extraordinarily gifted son, baritone Huw Montague Rendall, whom I was privileged to meet in Berlin this past week. We also hear a variety of settings of the 13th century Stabat Mater text from Giovanni Felice Sances in the 17th century to the more thorny twentieth-century idiom of the Swiss Frank Martin and the African American Julia Perry. Contemplative art songs by Schubert, Wolf, Hindemith, Finzi, and Andriessen round out the episode.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 62. Gustav Mahler’s Des Knaben Wunderhorn (Music for a World in Crisis VI)



This week I turn to the music of Gustav Mahler, specifically his orchestral settings of poems from the influential collection of folk poetry, Des Knaben Wunderhorn, collected by Achim von Arnim and Clemens Brentano and published in three separate volumes between 1805 and 1808. The themes of war, death, and humor, the latter often of the grimmest variety, pervades the texts that Mahler set. I present recordings of each of the fifteen orchestrated songs (several of which form movements of three of his symphonies) by such singers as Janet Baker, Christa Ludwig, Maureen Forrester, Lucia Popp, Brigitte Fassbaender, Irmgard Seefried, Bernd Weikl, Geraint Evans, Walter Berry, and many others, in performances conducted by Leonard Bernstein, Klaus Tennstedt, Wyn Morris, Bernard Haitink, and Adrian Boult. I also include a tribute to the Hungarian baritone István Gáti on the occasion of his 72nd birthday and a commemoration of the Dutch contralto Aafje Heynis on the fifth anniversary of her death. From chaos to transfiguration, Mahler conjures and depicts a world perhaps not far-removed from our own.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available, including a new extra episode further exploring today’s topic.