Tag Archives: Josef Krips

Episode 397. Anna Reynolds Sings Bach and Mahler

September 26, 2025Art Song, Forgotten Divas, Full-Figured Baroque, Great Contraltos, Gustav Mahler, In Memoriam, Johann Sebastian Bach, Lieder, Mezzo Madness, Music for a World in Crisis Series, Needle Drop, Orchestral SongsAchim von Arnim, Anna Reynolds, Clemens Brentano, Das klagende Lied, Das Lied von der Erde. Lieder eines fahrenden Gesellen, Des Knaben Wunderhorn, Gabor Kaposy, Geoffrey Parsons, Gustav Mahler, Helen Donath, Hermann Scherchen, Johann Sebastian Bach, Josef Krips, Karl Richter, Lieder und Gesänge aus der Jugendzeit, Lorin Maazel, Peter Schreier, Richard Leander, Richard Volkmann, Rudolf Kempe, Teresa Żylis-Gara, Wyn Morriscountermelody

Podcast: Play in new window | Download (Duration: 1:54:05 — 123.3MB) | Embed

Subscribe: Spotify | TuneIn | RSS | More

Podcast (https-countermelody-blubrry-net-feed-podcast): Play in new window | Download (Duration: 1:54:05 — 123.3MB) | Embed

Subscribe: RSS

As many of you know, my beloved mother died this past week. I’ve been trying for two days now to put together a memorial episode that would do justice to the many divergent aspects of the woman that she was. Alas, I have not yet been able to rise to the challenge, so instead, I offer a recently published bonus episode devoted to the exceptional English contralto Anna Reynolds (05 June 1930 – 24 February 2014), a true servant of her art. She was an extraordinarily eclectic interpreter, blessed with a caramel voice and a vivid interpretive sense. I have chosen music by Bach and Mahler to highlight the qualities that made her so special, and which served the ethos of both of these composers remarkably well. These are among the finest interpretations of the vocal music of either Bach or Mahler that you will ever encounter. Today’s guest artists include soprano Helen Donath and tenor Peter Schreier, pianist Geoffrey Parsons, and conductors Hermann Scherchen, Josef Krips, Lorin Maazel, Benjamin Britten, Wyn Morris, Rudolf Kempe, and Karl Richter. May this exceptional artist and her colleagues bring a sense of peace, grace, and repose to all of us who so desperately need it.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 85. George Shirley @ 87

April 18, 2021African American Singers, Art Song, BHM2023WK4, Black History Month, Happy Birthday, Lieder, Mezzo Madness, Needle Drop, Operetta, Renata Scotto, Richard Strauss, Richard WagnerAlessandro Scarlatti, Benjamin Britten, Claude Debussy, Colin Davis, David Garvey, Elisabeth Soderstrom, Erich Leinsdorf, Fernando Previtali, Ferruccio Busoni, Georg Solti, George Shirley, Georges Bizet, Giacomo Puccini, Howard Swanson, Igor Stravinsky, Ilva Ligabue, Jacques Offenbach, Jascha Horenstein, Jess Thomas, Jesus Lopez-Cobos, Joanna Neal, John Pritchard, Josef Krips, Josephine McGill, Judith Raskin, Karl Weigl, Langston Hughes, Leontyne Price, Pierre Boulez, Renata Scotto, Richard Strauss, Richard Wagner, Shirley Verrett, Sylvia Olden Lee, Thomas Schippers, Wayne Sanders, Wolfgang Amadeus Mozartcountermelody

Podcast: Play in new window | Download (Duration: 1:22:20 — 91.2MB) | Embed

Subscribe: Spotify | TuneIn | RSS | More

Today I finally get to pay tribute to one of the singers who was a formative influence on me as a budding opera and vocal aficionado. George Shirley, born on April 18, 1934 in Indianapolis, Indiana, was one of the most versatile tenors of the second half of the twentieth century, and a pathbreaker as the first African American tenor to sing at the Metropolitan Opera. I first encountered him through his matchless portrayal of Pelléas in Debussy’s Pelléas et Mélisande opposite Elisabeth Söderström. But his Mozart is equally celebrated: the podcast also features live and studio recordings of George Shirley as Tamino (opposite Judith Raskin), Don Ottavio, Ferrando (opposite Leontyne Price), as well as his extraordinary Idomeneo. Extant live performances of George Shirley including assumptions of roles as diverse as Don José (opposite Shirley Verrett), David in Die Meistersinger, Pinkerton (opposite an incandescent young Renata Scotto), Mephistopheles in Busoni’s Doktor Faust, and even Bacchus in Ariadne auf Naxos. All of these are included in the episode, as are rare song recordings from throughout his career. Raise a glass to the great George Shirley, and join me in thanking him for having shared his extraordinary artistic gift with us for all these years!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.

Episode 31. Janet Baker (Mezzo Madness II)

April 19, 2020Art Song, Lieder, Mezzo Madness, Needle Drop, SchubertAnthony Lewis, Ariodante Dopo notte, Brahms Komm bald, Carmen, Che farò senza Euridice, Das Lied von der Erde, Die Götter Griechenlands, Dominick Argento, Dusty Springfield, Eduard Mörike, Edvard Grieg, Ernest Lush, Fauré Le Secret, Friedrich Rückert, From the Diary of Virginia Woolf, Gabriel Faure, Geoffrey Pratley, George Frideric Handel, Georges Bizet, Gluck Orfeo ed Euridice, Gustav Mahler, Handel Ariodante, Handel Tamerlano, Hugo Wolf, Ich bin der Welt abhanden gekommen, Johann Mayrhofer, Johann Sebastian Bach, Johannes Brahms, Josef Krips, Kathleen Raine, Kerstin Meyer, London Bach Society, Mahler Das Lied von der Erde, Mahler Ich bin der Welt abhanden gekommen, Mahler Rückert-Lieder, Mahler Von der Schönheit, Marjory Kennedy-Fraser, Martin Isepp, Matthäus-Passion, Maurice Ravel, Michael Tilson Thomas, Mörike-Lieder, Orfeo ed Euridice, Paul Hamburger, Paul Steinitz, Peter Aston, Rafael Kubelik, Ralph Vaughan Williams, Ravel Trois poèmes de Stéphane Mallarmé, Raymond Leppard, Robert Louis Stevenson, Rückert-Lieder, Schubert Abendstern, Songs of Travel, St. Matthew Passion, Stan Vincent, Tchaikovsky Adieu forêts, The Maid of Orleans, Virginia Woolf, Wolf Verborgenheitcountermelody

Podcast: Play in new window | Download (Duration: 2:06:12 — 136.8MB) | Embed

Subscribe: Spotify | TuneIn | RSS | More

Few singers have more affected my life in a more fundamental way than the great Janet Baker. This episode seeks to pay humble tribute to that exceptional artist. I have sought long and hard to find repertoire and performances that my listeners might not have heard before. While this is not an exhaustive survey (methinks a second JB episode is lurking around the corner), I do touch on many of the cornerstones of her repertoire, including Ralph Vaughan Williams, Franz Schubert, Johannes Brahms, Johann Sebastian Bach, George Frideric Handel, Christoph Willibald Gluck, Gabriel Fauré, Dominick Argento, and Gustav Mahler. I also feature composers less often associated with her, including Edvard Grieg, Pyotr Il’yich Tchaikovsky, Hugo Wolf, and Peter Aston. Her musical collaborators represented in the episode include Martin Isepp, Paul Hamburger, Josef Krips, Rafael Kubelik, Colin Davis, Geoffrey Parsons, Anthony Lewis, and Michael Tilson Thomas, among others. I present to you The High Priestess of Song. (I also pay passing tribute to the Swedish mezzo-soprano Kerstin Meyer, who died this past week at the age of 92, and Dusty Springfield, whose 81st birthday we celebrated posthumously this week.)

Countermelody is a podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your support at whatever level you can afford.