Tag Archives: Karl Richter

Episode 317. Big Baroque Christmas



Sometimes when I look back on past episodes of Countermelody, I surprise myself with how good they were, even in the early days when I was still trying to figure everything out. This episode, first posted as a bonus episode five years ago is a good example of that. Earlier that season I had coined the term “Full-Figured Baroque” to describe the “old-fashioned” style of Baroque performance that I personally prefer to what one currently hears in churches and concert halls around the world and on recordings. This episode was devoted to Baroque music composed specifically for the Christmas season, recorded between 1940 and 1992, and performed in deliciously non-period style, replete with deliberate tempi, judiciously applied vibrato, and stately ritardandi. There is a special focus on the Christmas portion of Handel’s Messiah and Bach’s Weihnachts-Oratorium and assorted cantatas for the Advent, Christmas, and Epiphany season. Singers include Janet Baker, Tom Krause, Jerry Hadley, Margaret Marshall, Francisco Araiza, Russell Oberlin, Helen Watts, William Warfield, John Shirley-Quirk, Peter Schreier, Heather Harper, Shirley Verrett, Edith Mathis, Hermann Prey, Marga Höffgen, Agnes Giebel, Kurt Equiluz, Florence Quivar, Aksel Schiøtz, Kirsten Flagstad, Christa Ludwig, Edith Mathis, Brigitte Fassbaender. Ernst Haefliger, Jennifer Vyvyan, Anna Reynolds, Judith Blegen, Fritz Wunderlich, Elly Ameling, Peter Schreier, and Gundula Janowitz. Conductors include Neville Marriner, Raymond Leppard, Colin Davis, Karl Richter, Lorin Maazel, Helmut Winschermann, Vittorio Negri, Karl Münchinger, Leonard Bernstein, Herbert von Karajan, Eugene Ormandy, Adrian Boult, Andrew Davis, and Eugen Jochum, among others. Don’t miss out on this full-figured Christmas treat!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.


Episode 291. A Bevy of Bachian Contraltos



This week I pull out all the Baroque stops (appropriately enough), to present you with an episode chock full of contraltos, all singing the music of Johann Sebastian Bach. I have chosen 28 different contraltos, active between the late 1930s and the early 2000s, who excelled in the singing and interpretation of this most spiritual, and most genius, of composers. I am dividing this episode into two separate segments, the first of which I present here, a group of singers which includes such legendary historical figures as Kathleen Ferrier and Marian Anderson, and Christa Ludwig, as well as such exceptional voices from the Americas as Maureen Forrester and Carol Smith; and, from the continent, Aafje Heynis, Germaine Cernay, Brigitte Fassbaender, Hilde Rössel-Majdan, Claudia Hellmann, Marga Höffgen, and Margarethe Bence. These women are joined by a further a group of British contraltos and mezzo-sopranos, each with distinctive and exceptional approaches to the music of Bach, including Helen Watts, Norma Procter, Maureen Lehane (for me, the big discovery of the week), and of course Janet Baker, beloved to all of us. I also pay tribute to a select group of exceptional Kapellmeister including Karl Richter, Helmuth Kahlhöfer, Fritz Werner, Kurt Thomas, and Hans Thamm, who thrived in recordings and live performances from the 1950s and beyond. If certain favorite names of yours are missing from this week’s setlist, no worries: they may well appear on next week’s episode, which continues to combine Bachian expressive profundity with plummy contralto depths.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford.


Episode 236. Howard Hart Introduces Christa Ludwig (Listeners’ Favorites VII)



My friend and fellow opera podcaster Howard Hart introduces the first of this week’s Listeners’ Favorites episodes, my 2021 tribute to the superb zwischenfach singer Christa Ludwig, who died nearly three years ago. Ludwig was a singer whose repertoire centered around the great German composers but who also sang Verdi and French repertoire with stunning results; a mezzo-soprano who was unparalleled in Wagner, Mahler, and Brahms, but who also sang the great soprano heroines of Richard Strauss; a Lieder singer of great perception and textual acuity whose supple technique nonetheless was centered on legato singing: the greatness of this artist simply cannot be overestimated. I focus on the key composers (Richard Strauss, Gustav Mahler, and Richard Wagner) and conductors (Karl Böhm, Herbert von Karajan, and Leonard Bernstein) with whom she was most closely associated, while also examining some roles that might surprise you: Cenerentola, Amneris and Marie in Wozzeck. Vocal guest stars include Gloria Davy, Victoria de los Ángeles, Reri Grist, Gundula Janowitz, Gwyneth Jones, and Ludwig’s one-time husband Walter Berry. Thank you, Howard, for lending your enthusiasm and passion to my podcast in your introduction of one of your (and my) favorite singers.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford.


Episode 87. Christa Ludwig In Memoriam



The world of singing sustained an enormous loss a week ago: the death of the great German singer Christa Ludwig on April 24 at the age of 93. A singer whose repertoire centered around the great German composers but who also sang Verdi and French repertoire with often stunning results; a mezzo-soprano who was unparalleled in Wagner, Mahler, and Brahms, but who also sang the great soprano heroines of Richard Strauss; a Lieder singer of great perception and textual acuity whose supple technique nonetheless centered on legato singing: the greatness of this artist simply cannot be overestimated. In this, the first of several episodes that, over the next few months, I will devote to one of my favorite singers, I focus on the key composers (Richard Strauss, Gustav Mahler, and Richard Wagner) and conductors (Karl Böhm, Herbert von Karajan, and Leonard Bernstein) with whom she was most closely associated, while also examining some roles that might surprise you: Cenerentola, Amneris and Marie in Wozzeck. Vocal guest stars include Gloria Davy, Victoria de los Ángeles, Reri Grist, Gundula Janowitz, Gwyneth Jones, and Ludwig’s one-time husband Walter Berry. A bonus Patreon episode published concurrently with this one explores Ludwig’s mastery in the field of Lieder.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.