Tag Archives: Lorraine Hunt Lieberson

Episode 459. The Art of Steven Blier

May 2, 2026African American Singers, Art Song, Black History Month, Black History Month 2026, Broadway, Canadian Singers, Comic Relief, Great Baritones, Great Contraltos, Great Tenors, Honor Your Mentors, Lieder, Listeners' Favorites, Music for a World in Crisis Series, Needle Drop, Pop Icons, Protest Songs, Queer Pride, Schubert, Singers of Color, Spirituals, Twentieth Century Music, Twentieth Century Opera, Young SingersAlbert Roussel, Andre Previn, Andy Razaf, Arias and Barcarolles, Billy Strayhorn, Brett Polegato, Carlos López Buchardo, Catherine Martin, Charles Ives, Chris DeBlasio, Christopher Trakas, Cinco canciones negras, Corinne Winters, Cyndia Sieden, Darius de Haas, Eduard Toldrà, Emile Louis, Emmanuel Chabrier, Ernst Schulze, Eubie Blake, Eugène Adenis, Federico De Michaelis, Felix Gasbarra, Franz Schubert, George Gershwin, Greg Utzig, Gustavo Caraballo, Hal Cazalet, Haroldo Barbosa, Ira Gershwin, James Baker, Janet de Almeida, Jennifer Aylmer, Jerome Kern, John LaTouche, John Musto, Johnny Mercer, Joseph Kaiser, Joshua Blue, Jules Massenet, Kurt Ollmann, Kurt Weill, Leonard Bernstein, Lisa Vroman, Lorraine Hunt Lieberson, Louise Bogan, Marc Blitzstein, Marianne Moore, Mark Adamo, Mark Campbell, Michael Barrett, Moses Hogan, New York Festival of Song, Niccolò Machiavelli, NYFOS, P.G. Wodehouse, Pardon My English, Paul de Kock, Paul Demouth, Perry Brass, Rafael Merello, Recuerdo, René Chalupt, Sasha Cooke, Shea Owens, Sitting Pretty, Stephanie Blythe, Steven Blier, Sylvia McNair, The AIDS Quilt Songbook, Trinitat Catasús, Virgil Thomson, William Burden, William Sharp, Xavier Montsalvatge, Yvette Guilbertcountermelody

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There was only one way to follow up my interview with the iconic, the unique Steven Blier published earlier this week, and that is with an episode dedicated to his dazzling at the keyboard and his accomplishments as the co-founder and artistic director of NYFOS, the New York Festival of Song, which is just concluding its 38th season. Going all the way back to Steve’s first recordings in the late 1980s, I have compiled a setlist that is a testament to his love of song, and his ever-expanding interests in that field. Performances both live and studio, many of them straight from Steve’s own archives, feature composers ranging from Franz Schubert to Leonard Bernstein, Eubie Blake to Albert Roussel, Eduard Toldrà to Marc Blitzstein, and Billy Strayhorn to Kurt Weill , including work commissioned specifically by and for Blier and NYFOS. And that’s just the tip of the iceberg. These are performed by vocal colleagues of Steven’s past and present, including William Sharp, Lorraine Hunt Lieberson, Darius de Haas, Stephanie Blythe, Christopher Trakas, Corinne Winters, Kurt Ollmann, Lisa Vroman, Federico De Michelis, Joshua Blue, Sasha Cooke, Brett Polegato, and many, many others. Kudos to this magnificent artist who has enriched all of our lives!

Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 458. From Ear to Ear: A Conversation with Steven Blier

April 27, 2026African American Singers, Art Song, Behind the Iron Curtain, Black History Month, Black History Month 2026, Broadway, Countermelody Conversations, Forgotten Divas, Giacomo Puccini, Giuseppe Verdi, Great Baritones, Honor Your Mentors, In Memoriam, Interview, Listeners' Favorites, Mezzo Madness, Music for a World in Crisis Series, Needle Drop, NYCO Divas, Operetta, Pop Icons, Protest Songs, Queer Pride, Richard Strauss, Singers of Color, Twentieth Century Music, Verismo, Voiceless Wonders, Young SingersAchim von Arnim, Alex Levine, Alfred Maria Willner, Andrew Owens, Ángel de Saavedra, Arthur Sullivan, Banalités, Bertolt Brecht, Carlo Zangarini, Conchita, Die Dreigroschenoper, Francesco Maria Piave, Francis Poulenc, František Jílek, Fritz Lampi, Georg Jokl, George Harrison, Gertrude Stein, Giacomo Puccini, Giuseppe Adami, Giuseppe Verdi, Gloria Davy, Guillaume Apollinaire, H.D., Hana Janků, Heinz Reichert, Hoagy Carmichael, I Will Breathe a Mountain, Ira Gershwin, Johnny Mercer, Judy Kaye, Julia Bullock, Kate Lindsey, Kenneth Alwyn, Kurt Weill, La forza del destino, La rondine, Lady in the Dark, Leonard Bernstein, Loris Gavarini, Lorraine Hunt Lieberson, Martha Schlamme, Maurizio Vaucaire, Michael Bartlett, Patricia Brooks, Paul Bowles, Pierre Bernac, Pierre Louÿs, Rex Koury, Riccardo Zandonai, Richard Strauss, Ruben Rengel, Samuel Matlovsky, Steven Blier, The Pirates of Penzance, Theo Hoffman, Three Penny Opera, Valerie Masterson, W.S. Gilbert, William Bolcom, William Sharpcountermelody

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Today a new segment of Countermelody Conversations that has been months in the offing! One of the ineffable delights of hosting Countermelody over the years is the connection it has brought me with my listeners, fans, and subjects, including some extraordinary (and sometimes famous) musicians and people. One of the podcast’s most devoted fans is a man that I have held in adulation for years: pianist and educator Steven Blier, co-founder of the New York Festival of Song, now concluding its 38th season. Powered by Blier’s vision, musical insight, and an intrepid sense of stretching boundaries, NYFOS has revolutionized the genre of the song recital. Last November, Steven’s extraordinary memoir, From Ear to Ear: A Pianist’s Love Affair with Song, was published to great acclaim by W.W. Norton. A few years ago I, as the host of Countermelody, received a fan letter from this man whom I have admired for decades. Since then, I pay him a visit whenever I return to New York and have also taken in every NYFOS concert I possibly can. This past February, almost exactly two months ago, in the depths of New York’s ungodly deep freeze and the week before NYFOS’s powerful concert entitled “Fugitives,” I paid a visit to Steve at the Upper West Side apartment he shares with his husband Jim, and we resumed our ongoing conversation about music and song. And this time I brought my mic along! Our widen-ranging and in-depth conversation covers the gamut from many topics and personalities discussed in the book, punctuated throughout by fascinating musical examples, including by frequent NYFOS collaborators Kate Lindsey, Theo Hoffman, Cyndia Sieden, William Sharp, and Julia Bullock, with special focus on the late Lorraine Hunt Lieberson. As a lover of great singers of the past, I am also deeply moved and amused by our discussion of Steve’s encounters with Valerie Masterson, Martha Schlamme, Patricia Brooks, and others. I am naming this week “Steven Blier Week” at Countermelody, for on Friday I shall bring you “The Art of Steven Blier,” an additional episode featuring nearly forty years of recorded performances of Steven Blier, both live and in the studio.

Episode 459. The Art of Steven Blier

April 1, 2026African American Singers, Art Song, Black History Month, Black History Month 2026, Broadway, Canadian Singers, Comic Relief, Crossover, Great Baritones, Great Contraltos, Great Tenors, Honor Your Mentors, In Memoriam, Lieder, Listeners' Favorites, Mezzo Madness, Music for a World in Crisis Series, Needle Drop, Pop Icons, Queer Pride, Schubert, Singers of Color, Twentieth Century Music, Twentieth Century Opera, Young SingersAlbert Roussel, Andre Previn, Andy Razaf, Arias and Barcarolles, Billy Strayhorn, Brett Polegato, Carlos López Buchardo, Catherine Martin, Charles Ives, Chris DeBlasio, Christopher Trakas, Cinco canciones negras, Corinne Winters, Cyndia Sieden, Darius de Haas, Eduard Toldrà, Emile Louis, Emmanuel Chabrier, Ernst Schulze, Eubie Blake, Eugène Adenis, Federico De Michaelis, Felix Gasbarra, Franz Schubert, George Gershwin, Greg Utzig, Gustavo Caraballo, Hal Cazalet, Haroldo Barbosa, Ira Gershwin, James Baker, Janet de Almeida, Jennifer Aylmer, Jerome Kern, John LaTouche, John Musto, Johnny Mercer, Joseph Kaiser, Joshua Blue, Jules Massenet, Kurt Ollmann, Kurt Weill, Leonard Bernstein, Lisa Vroman, Lorraine Hunt Lieberson, Louise Bogan, Marc Blitzstein, Marianne Moore, Mark Adamo, Mark Campbell, Michael Barrett, Moses Hogan, New York Festival of Song, Niccolò Machiavelli, NYFOS, P.G. Wodehouse, Pardon My English, Paul de Kock, Paul Demouth, Perry Brass, Rafael Merello, Recuerdo, René Chalupt, Sasha Cooke, Shea Owens, Sitting Pretty, Stephanie Blythe, Steven Blier, Sylvia McNair, The AIDS Quilt Songbook, Trinitat Catasús, Virgil Thomson, William Burden, William Sharp, Xavier Montsalvatge, Yvette Guilbertcountermelody

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There was only one way to follow up my interview with the iconic, the unique Steven Blier published earlier this week: with an episode dedicated to recordings of his exceptional pianism, necessarily highlighting his accomplishments as the co-founder and artistic director of NYFOS, the New York Festival of Song, which is just concluding its 38th season. Going all the way back to Steve’s first recordings in the late 1980s, I have compiled a setlist that is a testament to his love of song and his ever-expanding interests in that field. Performances both live and studio, many of them straight from Steve’s own archives, feature composers ranging from Franz Schubert to Eubie Blake, including work commissioned specifically by and for Blier and NYFOS. These are performed by vocal colleagues of Steven’s past and present, including William Sharp, Lorraine Hunt Lieberson, Darius de Haas, Stephanie Blythe, Christopher Trakas, Corinne Winters, Kurt Ollman, Lisa Vroman, Federico De Michelis, Joshua Blue, Sasha Cooke, Brett Polegato, and many, many others. Kudos to this magnificent artist who has enriched all of our lives!

Episode 345. A Lenten Litany of Bach Contraltos

March 28, 2025African American Singers, Black History Month, Black History Month 2025, Forgotten Divas, Full-Figured Baroque, Great Contraltos, Great Tenors, Holiday Music, Johann Sebastian Bach, Listeners' Favorites, Mezzo Madness, Music for a World in Crisis Series, Needle Drop, Singers in Old Age, Singers of ColorAdolf Bruck, Aldo Baldin, Alfreda Hodgson, Anna Reynolds, Arleen Augér, Birgit Finnilä, Brigitte Fassbaender, Carol Brice, Carolyn Watkinson, Charles O’Connell, Christian Friedrich Henrici, Craig Smith, Daniel Saidenberg, Diethard Hellmann, Easter Oratorio, Elena Obraztsova, Else Brems, Friedel Beckmann, Günther Ramin, György Lehel, Helmut Winschermann, Helmuth Rilling, Jennie Tourel, Johann Sebastian Bach, Johannes-Passion, John Newmark, Julia Hamari, Karl Richter, Kathleen Ferrier, Lorraine Hunt Lieberson, Marian Anderson, Matthäus-Passion, Mogens Wöldike, Norma Lerer, Osteroratorium, Peter Schreier, Philip Ledger, Picander, Ria Bollen, Samuel Mayes, St. John Passion, St. Matthew Passioncountermelody

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Over the course of the past year, I have done a number of episodes on contraltos singing a wide range of material. Toward the end of last year, I did a program on Bach contraltos, which featured just a few of the best (and my favorite) contraltos in this genre. At the time, I had an overflowing cornucopia of material and today I have reorganized and expanded that material to bring you a set of Bach arias particularly appropriate for the Lenten Season. And thus I present to you today, arias from the Passions sung by Julia Hamari, Marian Anderson (pictured), and Friedel Beckmann, but also cantata arias by such eminent contraltos as Kathleen Ferrier, Lorraine Hunt Lieberson, Carol Brice, Jennie Tourel, Carolyn Watkinson, Ria Bollen, Brigitte Fassbaender, Norma Lerer, Alfreda Hodgson, Birgit Finnilä, Elena Obraztsova (yes, you read correctly!), Anna Reynolds, and Else Brems. Non-contralto guest appearances include Arleen Augér, Peter Schreier, and Aldo Baldin. If you are not a Christian, fear not, for behold, there is much in Bach’s music that draws the listener in on any number of levels, not just (or even primarily) a theological one.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 328. Mezzos in Extremis

January 27, 2025Art Song, Bel canto, Forgotten Divas, French Opera, Full-Figured Baroque, Great Contraltos, Happy Birthday, Lieder, Listeners' Favorites, Mezzo Madness, Music for a World in Crisis Series, Needle Drop, Richard Wagner, Twentieth Century Music, Twentieth Century Opera, Verismo, Voiceless Wonders, Wolfgang Amadeus MozartAdalbert von Chamisso, Alfonse Royer, Allen Rogers, Amilcare Ponchielli, Arrigo Boito, Benjamin Britten, Brigitte Fassbaender, Bruno Seidler-Winkler, Carlo Sabajno, Carmen, Cavalleria Rusticana, Charles Mackerras, Christophe Rousset, Cosi fan tutte, Craig Smith, Delia de Martis, Die Walküre, Dunja Vejzović, Édouard Blau, Édouard Lalo, Eugène Scribe, Eva Randová, Fedora Barbieri, Francesco Jannetti, Frauenliebe und -leben, Friedel Beckmann, Gabriela Preissová, Gaetano Donizetti, Gary Karr, George Frideric Handel, Georges Bizet, Giovanni Targioni-Tozzetti, Giovanni Verga, Giulietta Simionato, Guido Menasci, Gustave Vaëz, Hartmut Höll, Henri Meilhac, Hercules, Irene Minghini-Cattaneo, Irina Arkhipova, Její pastorkyňa, Jennie Tourel, Jenůfa, Johann Sebastian Bach, Joyce DiDonato, Karl Alwin, Karl Böhm, La Gioconda, Leos Janacek, Lorenzo da Ponte, Lorraine Hunt Lieberson, Louis De Froment, Lovro von Matačić, Ludovic Halévy, Margarete Klose, Mark Ermler, Mikhail Glinka, Mitsuko Shirai, Nestor Vasil’yevich Kukol’nik, Nicolò Minato, Paula Rasmussen, Pietro Mascagni, Prosper Mérimée, Richard Wagner, Robert Schumann, Roger VIgnoles, Rosette Anday, Sarah Walker, Serse, Silvio Stampiglia, Thomas Broughton, Victor Hugo, Viorica Cortez, Vladimir Kranjčević, W.H. Auden, William Christie, Wolfgang Amadeus Mozart, Wolfgang Sawallischcountermelody

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Right after the disastrous US election of November 2024, I published an episode entitled “Mezzos on the Verge,” which featured some of my favorite mezzos in rafter-shaking performances of “on the edge” repertoire. At the time, I had enough additional material to produce a second episode, which I have called “Mezzos in Extremis.” And what better time to present that episode than as the new regime has begun its process of dismantling democracy. The material today ranges from Mozart to Britten, Handel to Janáček, Bach to Wagner, and features performances both live and studio from exceptional singers as Fedora Barbieri, Eva Randová, Margarete Klose, Irina Arkhipova, Brigitte Fassbaender, Viorica Cortez, Giulietta Simionato, Joyce DiDonato, Jennie Tourel, Lorraine Hunt Lieberson, and Dunja Vejzović, among others. I have structured the program so that the explosive expressions of insanity, fury, and rage gradually give way to the quieter (and possibly more profound) emotions of sadness, doubt, and contrition. And because I always like to compare and contrast singers, I take great joy in presenting several pairs of contrasting singers in the same repertoire: Dunja Vejzović and Paula Rasmussen in Handel’s Serse; Giulietta Simionato and Brigitte Fassbaender as Dorabella in Così; and Fedora Barbieri and Joyce DiDonato as Dejanira in Handel’s Hercules. The episode is offered in solidarity with all those who find themselves today in extreme situations.

Episode 26. Calling You (Music for a World in Crisis)

March 15, 2020Art Song, Crossover, Eileen Farrell, Giuseppe Verdi, In Memoriam, Lieder, Music for a World in Crisis Series, Needle Drop, Pop IconsAida, Alfredo Catalani, Andre Previn, Anne Roselle, Anytime Any Place Anywhere, Bagdad Cafe, Blow the Wind Southerly, Calling You, Chi Coltrane, Claudia Muzio, Danny Boy, Don Shirley, Dusty Springfield, Ebben ne andro lontana, Edvard Grieg, Eide Norena, Eileen Farrell, Elinor Ross, Frieder Weissmann, Giuseppe Verdi, Hina Spani, I Will Come to You, Il Trovatore, Its Not Easy, Janis Ian, La forza del destino, La Wally, Lee Wiley, Licinio Refice, Linden Lea, Lorraine Hunt Lieberson, Ma dall arido stelo divulsa, Martha Flowers, Meta Seinemeyer, Ned Washington, O patria mia, Ombra di nube, Peter Serkin, Rosa Ponselle, Spring Is Here, Un ballo in maschera, Våren, Victor Youngcountermelody

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The world is in chaos. We don’t know from one day to the next, or one hour to the next, what is going to happen. I am currently halfway around the world from home and wondering what the coming weeks will bring. This week I have decided to feature music that addresses reaching out to loved ones across enormous gaps of time and space, the yearning for a home lost and the ambivalence with which we face the changing seasons. But all is not hopelessness: at the end of the episode, I offer several pop songs by some of my favorite singers that address the promise of healing and reunion, no matter how difficult the process. In this episode, marking the six-month anniversary of Countermelody, I’m featuring Lorraine Hunt Lieberson, Hina Spani, Rosa Ponselle, Meta Seinemeyer, Anne Roselle, Claudia Muzio, Eidé Noréna, Eileen Farrell, Kathleen Ferrier, Martha Flowers, Janis Ian, Chi Coltrane, and Dusty Springfield. I also offer a recording I made in 2006 of “Danny Boy,” and I explain the song’s significance to me.

Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com

Episode 3. Creating Magic, Interview with Nicholas Tamagna, Part 2

October 6, 2019InterviewAkhnaten, Alpha Classics, Arrigo Boito, Arthur Johnston, As long as he needs me, Atlantic Starr, Au mont Ida, Backlash Blues, Bagdad Cafe, Benjamin Britten, Bidu Sayao, Billie Holiday, Calling You, Carnegie Hall, Cesare Siepi, Charles Gounod, Clori Tirsi e Fileno, Daniel Gundlach, Don Carlo, Edvard Grieg, Elisabeth Rethberg, Elisabeth Soderstrom, Emil Cooper, Faust, Franz Schubert, Frederick Schauwecker, Gabriela Benackova, George Frideric Handel, Georgia Brown, Giuseppe Verdi, Hector Berlioz, Hilde Güden, Hilde Gueden, Ich habe genug, Indianapolis Opera, Jacques Offenbach, Janet Baker, János Ferencsik, Jean Morel, Jean Sibelius, Johann Sebastian Bach, Johnny Burke, Judy Garland, Jukka-Pekka Saraste, Jussi Bjorling, La Belle Helene, Le Poeme Harmonique, Leather and Lace, Les Troyens, Lionel Bart, Lorraine Hunt Lieberson, Ludwig van Beethoven, Maria Vitale, Mefistofele, Nicholas McGegan, Nicholas Tamagna, Nina Simone, Oliver!, Pennies from Heaven, Peter Lieberson, Phaedra, Philharmonia Baroque, Philip Glass, Porter Carroll Jr., Reviewing the Situation, Richard Strauss, Rigoletto, Robert Merrill, Roger VIgnoles, Roméo et Juliette, Samuel Ramey, San Francisco Opera, Teddy Wilson, Thelma Votipka, Theodora, Un ballo in maschera, Vera Zorina, Verve Records, Vincent Dumestre, Who will buycountermelody

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In the second part of our interview Nicholas discusses his early experiences with music, names three of his favorite singers, and riffs further on the themes of language and communication. Musical excerpts include a performance by Leather and Lace, the rock group that featured Nicholas’s mother and aunts, and Nicholas’s youthful stage performances as Oliver and Fagin in the musical Oliver! Nicholas is also featured in recordings of Henry Purcell and Philip Glass and we also include performances by Maria Vitale, Lorraine Hunt Lieberson, Jussi Björling, and Nina Simone.