Tag Archives: Lenora Lafayette

Episode 494. A Birthday Potpourri I (Rescue Mission Edition)

October 9, 2026Uncategorized, Women ComposersAdriano Jordão, Alban Berg, Andrzej Hiolski, Ani Kavafian, Archibald MacLeish, Betty Allen, Boris Pasternak, Boris Pasternak Doctor Zhivago, Charles Baudelaire, Charles Kullman, Charles Wadsworth, Cinq poèmes de Charles Baudelaire, Claude Debussy, Die Verlobung in San Domingo, Domenico Furno, Donald Gramm, Elisabeth Soderstrom, Erich Itor Kahn, Ernesto de Curtis, Francesco Petrarca, Francis of Assisi, Franz Holetschek, Franz Liszt, Georg Büchner, Georg Friedrich Daumer, George Shirley, Gerard Souzay, Gian Carlo Menotti, Giovanni Battista Pergolesi, Hans Rosbaud, Harry Woodbourne, Heather Harper, Heinrich von Kleist, Helen Donath, Henryk Debuch, Horst Göbel, Ileana Cotrubas, Inez Matthews, Jack Brooks, Jaime Laredo, Jennie Tourel, Jessie Lamont, Johan Ludvig Runeberg, Johann Wolfgang von Goethe, Johannes Brahms, Julius Burger, Kenneth Gordon, Kurt Weill, Lennart Rönnlund, Lenora Lafayette, Leonard Bernstein, Leslie Parnas, Lost in the Stars, Magda László, Marvis Martin, Matthew Arnold, Maurice Levine, Maxwell Anderson, Miklos Rozsa, Nature Moods, Nicolas Nabokov, Nikolai Rimsky-Korsakov, Osian Ellis, Pierre Boulez, Rainer Maria Rilke, Richard Cumming, Robert Schumann, Roberta Alexander, Shirley Verrett, Song of Scheherazade, Stanley Drucker, Tan Crone, Tre Sonneti del Petrarca, Ture Rangström, Vally Weigl, Virgil Thomson, Walter Trampler, We Happy Few, Werner Egk, Wozzeckcountermelody

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It’s my birthday! And we’re heading south for a week. But never fear: I have spent the week preparing in advance a number of new episodes which will “hit the airwaves” right on schedule. And, perhaps best of all, they’re my famous potpourri episodes, that feature everything but the kitchen sink! Today’s episode is another in my “Rescue Mission” series, featuring artists who have already received full Countermelody episodes, but who are always worth revisiting. And in each case, I’m playing material that has not yet been heard on the podcast, some of it exceedingly rare! So who is up on today’s episode? First, our beloved Roberta Alexander, the first anniversary of whose death we commemorate this coming week. Also heard are a veritable torrent of other Countermelody favorites: Heather Harper, Marvis Martin, Charles Kullman, George Shirley, Donald Gramm, Betty Allen, Jennie Tourel, Lenora Lafayette, Gérard Souzay, Helen Donath (who recently make a surprise return to the stage as the Old Countess in Pique-Dame!), Inez Matthews, Elisabeth Söderström, Shirley Verrett, Andrzej Hiolski, and the recently departed Ileana Cotrubaş in an extraordinarily rare 1984 recording of one of Franz Liszt’s Petrarch Sonnets. I have reached the advanced age where receiving birthday gifts has lost its thrill and lustre, but I will never tire of sharing recordings of favorite artists that I have unearthed for our mutual enjoyment! And stay tuned for next week’s episode: a preview of forthcoming attractions coming in Season Eight (and beyond!)

Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 272. Lenora Lafayette (Listeners’ Favorites)

July 15, 2024African American Singers, Black History Month, Black History Month 2024, Giacomo Puccini, Giuseppe Verdi, Great Baritones, Great Tenors, In Memoriam, Listeners' Favorites, Mezzo Madness, Music for a World in Crisis Series, Needle Drop, Opera in Translation, Singers of Color, VerismoAbbé Prevost, Aida, Antonio Ghislanzoni, Auguste Mariette, Charles Francis Keary, Clemens Krauss, David Belasco, Domenico Oliva, Dusolina Giannini, Frederick Delius, George Byng, George Washington Cable, Georgine von Milinkovič. Georgine von Milinkovic, Giacomo Puccini, Giovanni Capurro, Giuseppe Giacosa, Giuseppe Verdi, Henri Murger, John Barbirolli, John Luther Long, Josef Gostic, Koanga, La Boheme, Lenora Lafayette, Luigi Illica, Madama Butterfly, Manon Lescaut, Marco Praga, Richard Lewiscountermelody

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Every so often I discover a singer who had previously not come under my radar, but who simply blows me away with their voice, artistry, and communicative powers. Such an artist is the Baton Rouge-born African American soprano Lenora Lafayette (1926-1975), historically important as the first Black artist to perform at Covent Garden. Relocating to Basel shortly after finishing her training under Dusolina Giannini at Juilliard, Lafayette encountered early career success in Switzerland, winning the Geneva Competition and making a highly successful debut at the Basel Opera as Aida, a role which, along with Madama Butterfly, she performed hundreds of times. And yet, despite enormous career success in Europe, she was never able to establish herself in her native country. Her recorded legacy is slim but revelatory: an Aida in German under Clemens Krauss; a 1958 BBC recording of Frederick Delius’s opera Koanga; and a single commercial recording of Puccini duets with Welsh tenor Richard Lewis under the baton of John Barbirolli, who also led her Covent Garden debut. All of these precious documents are sampled on this episode. She was struck down with cancer in her early forties and died prematurely at the age of 49. And yet listening to her recordings, one is struck by the emotional power of her utterance, the firmness of her vocal technique, and the bloom of her exquisite voice. Lenora Lafayette deserves a place among the greatest singers of her generation. This episode was first published during Countermelody’s second season; listening to Lafayette again, I realize just how accurate my initial impressions of her were.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Episode 75. Lenora Lafayette (BHM2021 III)

February 14, 2021African American Singers, BHM2023WK1, Black History Month, Music for a World in Crisis Series, Needle Drop, Opera in TranslationAida (Verdi), Baton Rouge Louisiana, Black History Month 2021, Clemens Krauss, Dusolina Giannini, Frederick Delius, Georgine von Milinkovič. Georgine von Milinkovic, Giacomo Puccini, Giuseppe Verdi, John Barbirolli, Josef Gostic, Koanga (Delius), Lenora Lafayette, Madama Butterfly (Puccini), Richard Lewiscountermelody

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Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.