Tag Archives: Max Reger

Episode 316. Christmas with Elly Ameling

December 16, 2024Art Song, Comic Relief, Full-Figured Baroque, Great Baritones, Happy Birthday, Holiday Music, Lieder, Listeners' Favorites, Needle Drop, Richard Strauss, Twentieth Century MusicAlbert de Klerk, Alessandro Scarlatti, Barry McDaniel, Bernard Kruysen, Bernhard Michaelis, Charles van Lerberghe, Christmas music, Dalton Baldwin, Eduard Mörike, Elly Ameling, Hans-Martin Linde, Hans-Ulrich Mielsch, Hugo de Groot, Hugo Wolf, Ilse Brix-Meinert, Joaquín Nin, Johann Sebastian Bach, Johann Wolfgang von Goethe, Johannes Eccard, Johannes Koch, Joseph Haydn, Katja Phillabaum, Ludwig Helmbold, Martin Boelitz, Martin Greif, Maurice Ravel, Max Reger, Peter Cornelius, Richard Strauss, Rogier van Otterloo, Thijs van Leer, Walter Gerwig, Yolanda Marcoulescoucountermelody

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In February our beloved Elly Ameling turns 92. I cannot think of another classical singer who recorded more Christmas albums over the course of her career. One of the most obscure of these is the 1980 release “Christmas with Elly Ameling,” which was briefly available on LP, but never re-released in any format. I present it to you here complete, albeit reordered. A highlight is her performance of the delightful “Weihnachtslieder” by the German romantic composer Peter Cornelius, accompanied by Dalton Baldwin. Also included are works by Alphons Diepenbrock, Hugo Wolf, Alessandro Scarlatti, Richard Strauss, and Max Reger. That record is supplemented by excerpts from two of her earliest recordings, 1960’s “A Christmas Fantasy,” alongside Countermelody favorite Bernard Kruysen; and 1963’s “Christmas Music of the Renaissance.” Also included are a Haydn Advent cantata and two traditional Spanish carols 1977’s “Christmas Songs from Europe,” arranged by Joaquín Nin; rounded off by two exquisite Bach selections from an even rarer Elly recording, a 1979 festive Christmas concert at the Grote Kerk in Monnickendam. All of these represent Elly Ameling at her charming and exquisite best and are sure to put even the Scroogiest of my listeners in the Christmas spirit.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 228. Song Cycles for Christmas

December 18, 2023Art Song, Great Baritones, Great Tenors, Holiday Music, In Memoriam, Lieder, Music for a World in Crisis Series, Needle Drop, Orchestral Songs, Twentieth Century MusicAdolf Holst, Albert Sergel, Alice Freiin von Gaudy, Angelus Silesius, Anton Müller, Christoph Fraskamp, Erik Werba, Helmut Deutsch, Inge Karsten, Irmgard Seefried, Joseph Haas, Julius Severin, Lulu von Strauss und Torney, Mark Lothar, Martin Boelitz, Max Reger, Nikolaus Hillebrand, Norman Shetler, Olaf Bär, P. Gaudentius Koch, Peter Cornelius, Peter Schreier, Richard Trunk, Robert Stolz, Siegfried von Vegesack, Wolfgang Anheisser, Wolfgang Schneiderhancountermelody

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For my second holiday episode this year, I turn to the music of my “other” country, Germany, the land of my forebears, where I have lived for the last decade. Christmas is celebrated in a different way here than anywhere else in the world in my experience. I have chosen to play music by German composers who in effect created a subgenre, the Christmas song cycle. The most famous of these is no doubt the Weihnachtslieder cycle by the 19th century German composer Peter Cornelius, who set a standard that was furthered by a number of 20th century composers as well: Joseph Haas (Krippenlieder), Richard Trunk (Weihnachtslieder), and Mark Lothar (Kleine Weihnachtsgeschichte). In these works certain interesting tropes recur, both theological (primary among them the inner thoughts and premonitions of Mary) and psychological (experiencing the return of a more innocent time by seeing the joy of the season through the eyes of a child). I have chosen recordings by singers both celebrated (Irmgard Seefried, Peter Schreier) and less well-known (Wolfgang Anheisser, Nikolaus Hillebrand), all of whom give performances that I hope will bring us closer to the spirit of the season.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Episode 227. A Golden Age Christmas

December 9, 2023African American Singers, Art Song, Great Tenors, Holiday Music, In Memoriam, Mezzo Madness, Needle Drop, NYCO Divas, Orchestral Songs, Pop Icons, Protest Songs, Renata Scotto, Richard Strauss, Richard Wagner, Twentieth Century MusicAdolphe Adam, Alexis Contant, Alphonse Daudet, André d’Arkor, André Kostelanetz, Anton Guadagno, Arthur Bergh, Beverly Sills, Cesar Franck, Charles Gilibert, Clarence Dickinson, Dalton Baldwin, Dorothy Maynor, Douglas Gamley, Easthope Martin, Eddie Sauer, Elena Gerhardt, Elisabeth Schumann, Elly Ameling, Elsa Alsen, Erik Werba, Franz Xaver Gruber, Frederick G. Martens, George Frideric Handel, Giovanni Martinelli, Herbert von Karajan, Irmgard Seefried, Joan Sutherland, John Henry Hopkins Jr., John McCormack, Joseph Mohr, Leontyne Price, Lotte Lehmann, Louis H. Redner, Margarete Matzenauer, Martin Boelitz, Max Bloch, Max Reger, Nathaniel Shilkret, Olive Fremstad, Peter Cornelius, Phillips Brooks, Phyllis Curtin, Pietro Yon, Renata Tebaldi, Richard Bonynge, Richard Crooks, Richard Lert, Robert McGimsey, Rosario Bourdoncountermelody

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In the midst of our recent move, I came across a stash of old “mixtapes” (actually CDs and much other archival material. One such item which particularly moved me was one entitled “A Golden Age Christmas 2003” which I handed out to my colleagues and friends twenty years ago. Looking over the tracklist, I realized that this was a sort of early iteration of Countermelody: me sharing music that I particularly loved with people that I cared about. Today’s podcast uses as its basis that same CD (slightly trimmed in length) and features performances by a glorious group of singers ranging from Olive Fremstad, Charles Gilibert, and Margarete Matzenauer from the early years of the twentieth century to such later favorites as Elly Ameling, Beverly Sills, and Leontyne Price. I can’t guarantee that this episode will put you in the holiday spirit, but I sure hope it does!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Episode 14. Christmas Potpourri II: Hard/Try

December 21, 2019African American Singers, Broadway, Full-Figured Baroque, Holiday Music, In Memoriam, Music for a World in Crisis Series, Pop Icons, Singers of ColorAdeste fideles, Adolphe Adam, After the Holidays, Alice Parker, August von Haxthausen, Augusta Holmès, Brian Sullivan, Cantique de Noël, Cesar Franck, Christmas for the Brokenhearted, Christmas Hymns and Carols Volume 2, Daniel Gundlach, David Shire, Dietrich Bocholtz-Asseburg, Edmund Sears, Eduard Ebel, Eduard Mörike, Eileen Farrell, Farrold Stephens, Firestone Christmas Albums, Fritz Wunderlich, Have Yourself a Merry Little Christmas, Henri Contet, Hermann Prey, Hugh Martin, Hugo Wolf, It Came Upon the Midnight Clear, It Must Have Been Love, James Melton, Johannes David Falk, John McCormack, John Meyer, Joni Mitchell, Judy Garland, Le Noel de la Rue, Leise rieselt der Schnee, Leonard De Paur, Little Boy How Old Are You, Lotte Lehmann, Marc Heyral, Maria durch ein Dornwald ging, Mariä Wiegenlied, Marie Frederiksson, Mary Had a Baby, Max Reger, Meet Me in St. Louis, Mel Tormé, Minuit Chrétiens, Noël, Norman Shetler, O Come All Ye Faithful, O du fröhliche, O helga natt, O sanctissima, Panis angelicus, Per Gessle, Peter Schreier, Ralph Blane, René Kollo, Richard Maltby Jr., Richard Storrs Willis, Rita Gardner, River, Robert MacGimsey, Robert Shaw, Robert Shaw Chorale, Robert Wells, Roland Hayes, Roxette, Rudolf Schock, Schlafendes Jesuskind, Schlichte Weisen, Starting Here Starting Now, Still still still, Sweet Little Jesus Boy, tenor, The Christmas Song, The De Paur Chorus, The Leonard De Paur Chorus, Trois anges sont venus du ciel, Vinzenz Maria Süßcountermelody

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Another week of Christmas music! The first part of the episode is a continuation of last week’s All-Tenor Extravaganza. We hear from Farrold Stephens, Luther Saxon, Roland Hayes, James Melton, Brian Sullivan, Richard Crooks, Raoul Jobin, Jussi Björling, Richard Verreau, Fritz Wunderlich (with an assist from Hermann Prey), Rudolf Schock, René Kollo, John McCormack, Peter Schreier, and Mel Tormé (with an assist from Judy herself!) And for those who have ambivalent feelings about this holiday, the second half of the program foregrounds six of my most favoritest Depressing Christmas Pop Songs, sung by Eileen Farrell, Rita Gardner, Joni Mitchell, Edith Piaf, Judy Garland and (in memory of the recently deceased Marie Fredriksson), Roxette. A line from Judy’s song “After the Holidays” (by John Meyer) provides the inspiration to the episode title: “I know it’s hard, but try.”

Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com