Tag Archives: Giovanni Martinelli

Episode 227. A Golden Age Christmas



In the midst of our recent move, I came across a stash of old “mixtapes” (actually CDs and much other archival material. One such item which particularly moved me was one entitled “A Golden Age Christmas 2003” which I handed out to my colleagues and friends twenty years ago. Looking over the tracklist, I realized that this was a sort of early iteration of Countermelody: me sharing music that I particularly loved with people that I cared about. Today’s podcast uses as its basis that same CD (slightly trimmed in length) and features performances by a glorious group of singers ranging from Olive Fremstad, Charles Gilibert, and Margarete Matzenauer from the early years of the twentieth century to such later favorites as Elly Ameling, Beverly Sills, and Leontyne Price. I can’t guarantee that this episode will put you in the holiday spirit, but I sure hope it does!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 197. Theatre Dreams



I’ve been plotting an episode on the subject of Dreams for a while. Given the profusion of music that references that altered state of consciousness, my challenge was narrowing down the topic. I chose to focus today on theater music (opera, operetta, and musicals) that references actual rather than figurative dreams. Even within these parameters, there was a plethora of material and as usual my repertoire choices are strangely and uniquely my own. So on this episode you’ll hear everything from a 1965 recording of Tevye’s Dream from Fiddler on the Roof in Yiddish, from the first Israeli production of the musical; Renata Scotto in late career essaying the haunted dreamscapes of Arnold Schoenberg’s monodrama Erwartung; Mattiwilda Dobbs in a rare 1952 recording of “Ruhe sanft, mein holdes Leben” from Mozart’s Zaide; excerpts from unusual French and German operettas featuring Robert Massard and Charles Kullman, respectively; birthday tributes to Birgit Nilsson and Richard Tauber; and the great Welsh bass Geraint Evans in a live performance of Bottom’s Dream from Britten’s A Midsummer Night’s Dream. And much, much more, including a teaser of next week’s subject the Italian lyric tenor Cesare Valletti; and Janet Baker live in recital in 1966, a preview of the first in a series of bonus episodes that will feature rare LPs from my personal collection. As always, thanks for your support; enjoy!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 1: Welcome to Countermelody



Episode 1: Welcome to Countermelody, or Claudia and Zazà. Our first episode answers the question on everyone’s lips: “Where did the logo and the theme music come from?” We discuss the legendary Italian diva Claudia Muzio whose series of iconic recordings, particularly those recorded shortly before her premature death in 1936, are so extraordinary that they have kept her reputation intact to this day. We consider in particular her November 1920 recording of an aria from Ruggero Leoncavallo’s little-remembered verismo opera Zazà, in which her extraordinary artistry is on full display.

Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com