Tag Archives: René Fauchois

Episode 448. Get to Know Germaine Cernay



Today’s featured artist is, I hope, a name that some of you will at least have heard of: the French mezzo-soprano Germaine Cernay, born Germaine Pointu in Le Havre in 1900 and dying tragically young of an epileptic event in war-torn Paris at the age of only 43. Here is an artist who strikes a balance between poise and white heat, with a voice of exquisite timbre anchored by a flawless technique. Between making her debut at the Opéra-Comique in 1927 and her early retirement from her singing career the year before her death with the intention of becoming a nun, Cernay was a prodigious recording artist and a habituée of both the operatic stage and the concert platform. Today’s episode presents her in her core operatic repertoire (Debussy, Fauré, Mascagni, Bizet, Thomas, and Saint-Saëns), with a strong emphasis on the works of Jules Massenet (Werther, Don Quichotte, Thérèse, Le Cid, Hérodiade, Sapho). Cernay is also heard at the outer edges of the mélodie repertoire, singing songs by Charles Bordes, Xavier Leroux, and Georges Dandelot, alongside the more familiar Lalo, Chabrier, and Brahms, not to forget a smattering of operetta. Some of her strongest recordings feature stellar contributions by fellow singers Georges Thill, Arthur Endrèze, André d’Arkor, Roger Bourdin, and Charles Friant. In recent years, even without a sytstematic reissue of her recorded oeuvre, her reputation has only increased, and she is now recognized as a standard-bearer of the French mezzo-soprano repertoire.

Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

 


Episode 388. Sopranos en détresse, Part Deux



A few months ago I published the first of a series of episodes honoring “Over the Top Sopranos,” which presented French repertoire performed by a batch of supremely distressed divas. And today is a follow-up, again featuring “sopranos en détresse” in which I spread the net even wider, featuring every type of soprano from perky coloratura to hefty dramatic and everything in between. The characters represented range from reformed Alexandrian courtesans to vampiric Hungarian murderers. And the chronological spread is wide, too: we sample a wide variety of singers from Félia Litvinne, recorded in 1902, to Anna Caterina Antonacci, recorded in 2009. In between we hear, among others, Germaine Féraldy, Beverly Sills, Emma Calvé, Lucia Popp, Christiane Eda-Pierre (pictured), Patricia Brooks, Germaine Martinelli, Jacqueline Brumaire, Carol Vaness, Nelly Miricioiu, and Janine Micheau. Works range from the familiar (Mignon by Thomas, Manon by Massenet, and Faust by Gounod) to the obscure (Ivan IV by Bizet, Salammbô by Ernest Reyer, Erzsébet by Charles Chaynes, and Virginie by Alfred Bruneau). Attachez vos ceintures; ce sera encore une soirée extravagante!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

 


Episode 221. Robert Massard



This is an episode I have been planning for years now! This past August 15, the great French baritone Robert Massard turned 98 years old. As many of my listeners know, I have a thing for baritones in general, and I have devoted episodes to artists of the baritone persuasion from world-renowned to virtually unknown to somewhere in-between. Just think of it: Gérard Souzay, Jorma Hynninen, Eugene Holmes, Andrzej Hiolski, Gabriel Bacquier, Will Parker, Gilbert Price: these and many more have already been featured with more (Hugo Hasslo, Eric Sædén) on the horizon for next season. But I would be hard-pressed to think of a baritone who possessed a more beautiful natural voice, a more refined technique, or a more elegant artistry than did Robert Massard, who in his thirty-odd years of career chalked up approximately 2,500 performances, including 1,003 at the Paris Opéra alone (the same number, he himself points out, as Don Giovanni’s conquests)! Massard also sang an incredibly varied (though primarily operatic) repertoire, and this episode presents highlights from both the standard to the more obscure repertoire, from Gluck, Gounod, Verdi, and Massenet; to Reyer, Milhaud, Lalo, and Diaz (who?). These recordings are supplemented by a number of excerpts from French operetta (Planquette, Varney, Messager, and Beydts) which provide unalloyed melodic delight, the Massard voice heard at its absolute peak. And the colleagues who appear opposite Massard are like a Who’s Who of great opera singers (French and otherwise) of the era: Régine Crespin, Mady Mesplé, Denise Duval, Shirley Verrett (subject of next week’s episode!), Andréa Guiot, Jean Giraudeau, André Turp, Marilyn Horne, Renée Doria, Jane Rhodes, Andrée Esposito, Rita Gorr, and the falcon Suzanne Sarroca, who died last month at the age of 96. And if you listen very closely, you will also catch fleeting glimpses of favorites Patricia Neway and George Shirley. I know I say this too often, but if you only listen to one episode of Countermelody, make it this one!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.