Tag Archives: John Bröcheler

Episode 495. A Birthday Potpourri II (Sneak Preview Edition)

October 15, 2026African American Singers, Art Song, Behind the Iron Curtain, Black History Month 2026, Bubbles on the Nile, Countertenors, Ein Opernabend mit..., Forgotten DivasAdriana Maliponte, Agostino Steffani, Alfred Jerger, Alfredo Silipigni, Alkman, Amor vien dal destino, André Emilianoff, Andrea Maffei, Ángel de Saavedra, Arabella, Cesar Franck, Charles Gounod, Charles Ives, Clemens Krauss, Constantine Cassolas, Daniel Gundlach, Die Macht des Schicksals, Erik Sædén, Francesco Maria Piave, Franz Werfel, Frederick Hammond, Giuseppe Verdi, Halina Łukomska, Hans Udo Müller, Heinz Fricke, Hilda Harris, Hugo von Hofmannsthal, Iris, Jarosław Iwaszkiewicz, Jean Sibelius, Jerzy Sulikowski, Joan Tower, Joaquin Rodrigo, Joel Lester, Johan Ludvig Runeberg, John Angelo Messana, John Bröcheler, John Keats, Joséphine-Blanche Colomb, Karol Szymanowski, Kenneth Montgomery, Kostas Paskalis, La forza del destino, Langston Hughes, Laura Flax, Leonidas Zoras, Les Béatitudes, Luigi Illica, Macbeth, Margaret Bonds, Margarete Teschemacher, Michael Isador, Miriam Gideon, Newell Jenkins, Ortensio Mauro, Parsifal, Patricia Spencer, Paul Hofstede, Pentti Koskimies, Pieśni muezina szalonego, Pietro Mascagni, Reginald Boardman, Richard Strauss, Richard Wagner, Ritva Auvinen, Roland Hayes, Rudolf Jansen, Sandra Browne, Scott Gilmore, Songs of the Lovesick Muezzin, Spas Wenkovv, Sten Envik, Teodoro Llorente, Victor Hugo, Viorica Ursuleac, Virgil, Voices from Elysium, Walther Ludwig, Willis Barnstonecountermelody

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Welcome to the second of my birthday potpourri episodes! I recorded this the day before we left on vacation, in other words, exactly a week ago. The focus this week is on Coming Attractions for the rest of the year and the new season (Season Eight already!) of Countermelody coming in January. We begin with a tribute to Dutch bass-baritone John Bröcheler, who died on September 30 at the age of 81. I have been collecting his recordings for a couple years now and will do a full memorial tribute in the months to come. I’m also planning a series on songs by important twentieth century composers, including Karol Szymanowski (sinuously represented here by Polish soprano Halina Łukomska), Jean Sibelius (powerfully voiced by Finnish soprano Ritva Auvinen) and Miriam Gideon (performed here by the exceptional Greek-American tenor Constantine Cassolas, one of the composer’s favorite collaborators). I’m also planning a special episode on creators of Richard Strauss operas, and as a foretaste we hear an excerpt from Arabella featuring the controversial soprano Viorica Ursuleac and baritone Alfred Jerger. My series of recordings in the Opernabend series on the Eterna label also continues, and the “placeholder” here is Bulgarian heldentenor Spas Wenkoff, heard in an excerpt from Parsifal. I’m also putting together an episode on great German sopranos singing Verdi in German, as represented here by the great Margarete Teschemacher. This will be in tandem with an episode on international Verdi baritones, as exemplified by one of the greatest ever, the Greek Kostas Paskalis. I’ll also be doing individual episodes on singers I’ve been collecting for some time now, including the pathbreaking African American tenor Roland Hayes, the versatile Swedish bass-baritone Erik Sædén, the fearless French-Italian spinto Adriana Maliponte, and two Black mezzos: the velvet-voiced Hilda Harris and the pioneering Trinidadian Sandra Browne. Finally, a pair of episodes paying tribute to the countertenor voice, one entitled “Our Countertenor Forebears,” represented by the heroic-voiced John Angelo Messana. The other, which has been planned and promised for years now as Episode 500, will feature yours truly, Daniel Gundlach, in an episode to be called “Dansplaining,” which will feature sound recordings unearthed from the ashes of my own archives. So, my friends, much to look forward to on Countermelody in the seasons, months, and years to come.

Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 466. Baritones Both Butch and Bonnie

May 25, 2026African American Singers, Art Song, Behind the Iron Curtain, Black History Month, Black History Month 2026, Broadway, Canadian Singers, Great Baritones, Lieder, Music for a World in Crisis Series, Needle Drop, Opera in Translation, Operetta, Pop Icons, Richard Strauss, Richard Wagner, Schubert, Singers of Color, Twentieth Century Music, Voiceless WondersAdam Wiernik, Alexander Borodin, Alfred Drake, Alfred Grünwald, Allan Evans, Antonin Kubalek, Antonina Afanassieva, Antônio Maria, Apollo Granforte, Arne Dorumsgaard, Arthur Schwartz, Bernard Diamant, Bernard Ładysz, Bernd Weikl, Carlo Sabajno, Charles Mackerras, Christian Morgenstern, David Lutz, Doda Conrad, Edvard Grieg, Erik Bergman, Erik Sædén, Eva Knardahl, Franz Rupp, Franz Schubert, Frederick Fuller, Frederick Prausnitz, Fritz Löhner-Beda, Georg Kouroupos, George Forrest, George Frideric Handel, Gerhard Hüsch, Gustaf Fröding, Harald Andersén, Harve Presnell, Heinrich Heine, Heinrich Schlusnus, Henri René, Henrik Ibsen, Howard Dietz, Imre Földes, Irwin Gage, Jerzy Vidal, Johann Chrysostomus Senn, Johann Mayrhofer, Johann Rochlitz, John Bröcheler, John Milton, John Newmark, Kalervo Hortamo, Karl Gottfried von Leitner, Kismet, Knut Skram, Konstantin Konstantinovich Romanov, Kurt Eichhorn, Lieder um den Tod, Lili Kraus, Luigi Dallapiccola, Luiz Bonfá, Manha de Carneval, Manuel de Falla, Marcel Camus, Margaret Kilpinen, Martti Talvela, Matti Lehtinen, Max van Egmond, Newburgh Hamilton, Norman Shetler, Otto Julius Bierbaum, Paul Abraham, Pentti Koskimies, Pyotr Il’yich Tchaikovsky, Ray Charles, Revenge with Music, Richard Strauss, Richard Wagner, Robert Cornman, Robert Holl, Robert Schumann, Robert Wright, Salvatore Quasimodo, Samson, Seppo Nummi, Siegfried Lorenz, Siete canciones populares españolas, Spyros Sakkas, Stig Westerberg, Tan Crone, Tannhäuser, Thomas Stewart, Veikko Koskenniemi, Victor Braun, Viktoria und ihr Husar, Wiktor Maksymkin, Wilhelm Stenhammar, Yrjö Kilpinen, Yuri Mazurokcountermelody

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Today’s episode features baritones of all stripes (with the occasional bass-baritone) in a program focusing primarily on song in its various manifestations. Whether that be Broadway and pop tunes (sung by Alfred Drake, Allan Evans, and Harve Presnell); Schubert (performed by Doda Conrad, Bernard Diamant, Max van Egmond, Robert Holl, and Siegfried Lorenz); other German Lieder (with Victor Braun and Heinrich Schlusnus); Russian and Nordic song (sung by Matti Lehtinen, Yuri Mazurok, Erik Sædén, Martti Talvela, Knut Skram, and Gerhard Hüsch); or folk song (as recorded by Arne Dørumsgaard, John Bröcheler, and Spyros Sakkas), there’s something here for everyone. And to avoid accusations of prejudice against arias, I round off the episode with three arias: one from opera (Tannhäuser, sung – in Italian! – by Apollo Granforte), one oratorio (Handel’s Samson, with Thomas Stewart), and one operetta (from Viktoria und ihr Husar, performed by Bernd Weikl).

Episode 389. Rescue Mission (Operatic Duet Edition)

August 29, 2025African American Singers, Black History Month, Black History Month 2025, Forgotten Divas, French Opera, Full-Figured Baroque, Giuseppe Verdi, Great Baritones, Great Tenors, Ileana Cotrubas, Listeners' Favorites, Music for a World in Crisis Series, Needle Drop, NYCO Divas, Opera in Translation, Renata Scotto, Rescue Mission, Richard Strauss, Richard Wagner, Singers of Color, Twentieth Century Opera, Wolfgang Amadeus MozartAntigonae, April Cantelo, Cardillac, Carl Maria von Weber, Carl Orff, Carlo Bergonzi, Carlo Franci, Carol Neblett, Christa Ludwig, Claude Debussy, Claudio Monteverdi, David Rendall, Deborah Voigt, Der Besuch der alten Dame, Der fliegende Holländer, Die Ägyptische Helena, Die drei Pintos, Don Giovanni, E.T.A. Hoffmann, Eberhard Wächter, Edda Moser, Elena Vink, Eugène Scribe, Fabio Luisi, Felice Romani, Fernand Lion, Friedrich Dürrenmatt, Friedrich Hölderlin, Gaetano Donizetti, Giacomo Badoaro, Giuseppe Verdi, Gottfried von Einem, Grace Bumbry, Gustav Mahler, Helen Donath, Horst Stein, Hugo von Hofmannsthal, Il ritorno d’Ulisse in patria, Ileana Cotrubas, Imre Pallo, John Bröcheler, John Pritchard, John Reardon, Jorma Hynninen, Julius Rudel, Kenneth Montgomery, L’elisir d’amore, Lanford Wilson, Lee Hoiby, Leo Blech, Lorenzo da Ponte, Lorin Maazel, Mary Beth Peil, Maurice Maeterlinck, Nabucco, Paul Daniel, Paul Hindemith, Pelleas et Melisande, Renata Scotto, Richard Stilwell, Richard Strauss, Richard Wagner, Rita Cullis, Roberta Alexander, Roland Hermann, Sophocles, Stafford Dean, Summer and Smoke, Temistocle Solera, Tennessee Williams, The Flying Dutchman, Thomas Hemsley, Ulf Schirmer, Walter Süsskind, Wolfgang Amadeus Mozartcountermelody

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I have spent the past week planning forthcoming episodes and last night I realized I had to “throw together” something for this weekend’s episode. When this happens, it can often result in a very eclectic program, indeed, and one which many of my listeners find to be among the most enjoyable Countermelody episodes. I have collected more than enough material for at least a dozen of my so-called “Rescue Mission” episodes, in which I feature artists to whom an entire episode has already been devoted, but for whom I have unearthed additional recordings. For today’s episode, I decided to focus exclusively on duets, featuring at least one singer of each pair who has already been heard (sometimes quite recently) on the podcast. And thus we have David Rendall singing Erik in The Flying Dutchman opposite Rita Cullis; Renata Scotto (with Carlo Bergonzi) in Elisir; April Cantelo in Paul Hindemith’s Cardillac; Maureen Lehane as Penelope in Il ritorno d’Ulisse in Patria; Carol Neblett as Donna Elvira; and Helen Donath (with Deborah Voigt in Strauss’s rare Die ägyptische Helena). Also heard are operas by Gottfried von Einem, Giuseppe Verdi, Lee Hoiby, and Carl Orff featuring Christa Ludwig, John Reardon, Grace Bumbry, Edda Moser, and upcoming Countermelody featured artists John Bröcheler, Roland Hermann, and Eberhard Wächter. The episode concludes with the unlikely pair of Ileana Cotrubaş (pictured) and Jorma Hynninen (two of my most revered singers) as the title characters in a transcendent live recording of Pelléas et Mélisande.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 388. Sopranos en détresse, Part Deux

August 24, 2025Bel canto, Black History Month, Black History Month 2025, Forgotten Divas, French Opera, Great Baritones, Great Tenors, Honor Your Mentors, In Memoriam, Listeners' Favorites, Music for a World in Crisis Series, Needle Drop, NYCO Divas, Singers in Old Age, Singers of Color, Twentieth Century Music, Twentieth Century Opera, VerismoAbbé Prevost, Adolphe d’Ennery, Alain Vanzo, Albert Wolff, Alfred Bruneau, Alfred Cortot, Alphonse Daudet, Ambroise Thomas, Anatole France, André Cluytens, Anna Caterina Antonacci, Anton Guadagno, Antonio de Almeida, Arthur Bernède, Beverly Sills, Camille du Locle, Carol Vaness, Charles Chaynes, Charles Gounod, Christiane Eda-Pierre, Édouard Blau, Elgar Howarth, Emerson Buckley, Emma Calvé, Emmanuel Bondeville, Ernest Reyer, Erzsébet (Chaynes), Faust, Félia Litvinne, François-Hippolyte Leroy, Georges Bizet, Georges Tzipine, Gerard Souzay, Germaine Féraldy, Germaine Martinelli, Gustave Flaubert, Hector Berlioz, Henri Cain, Henri Duvernois, Henri Meilhac, Henri Trianon, Ivan IV (Bizet), Jacqueline Brumaire, James Morris, Janine Micheau, Jerry Hadley, Johann Wolfgang von Goethe, John Bröcheler, Jules Barbier, Jules Claretie, Jules Massenet, Julius Rudel, La Navarraise, Le Cid, Les Troyens, Louis Gallet, Lucia Popp, Ludovic Janvier, Madame Bovary, Manon, Michel Carré, Michel Dens, Michel Sénéchal, Mignon, Nelly Miricioiu, Norman Treigle, Patricia Brooks, Philippe Gille, Pierre Corneille, René Fauchois, Salammbô (Reyer), Sapho (Massenet), Sergiu Comissiona, Thaïs, Vicente Sardinero, Virginie (Bruneau), Yolanda Marcoulescoucountermelody

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A few months ago I published the first of a series of episodes honoring “Over the Top Sopranos,” which presented French repertoire performed by a batch of supremely distressed divas. And today is a follow-up, again featuring “sopranos en détresse” in which I spread the net even wider, featuring every type of soprano from perky coloratura to hefty dramatic and everything in between. The characters represented range from reformed Alexandrian courtesans to vampiric Hungarian murderers. And the chronological spread is wide, too: we sample a wide variety of singers from Félia Litvinne, recorded in 1902, to Anna Caterina Antonacci, recorded in 2009. In between we hear, among others, Germaine Féraldy, Beverly Sills, Emma Calvé, Lucia Popp, Christiane Eda-Pierre (pictured), Patricia Brooks, Germaine Martinelli, Jacqueline Brumaire, Carol Vaness, Nelly Miricioiu, and Janine Micheau. Works range from the familiar (Mignon by Thomas, Manon by Massenet, and Faust by Gounod) to the obscure (Ivan IV by Bizet, Salammbô by Ernest Reyer, Erzsébet by Charles Chaynes, and Virginie by Alfred Bruneau). Attachez vos ceintures; ce sera encore une soirée extravagante!