Tag Archives: Adele Addison

Episode 78. Twentieth Century Pioneers (Black History Month 2021 VI)



To round off #BlackHistoryMonth2021, I bring you an array of artists singing a wide range of 20th Century repertoire. Included are singers who have previously been featured in full episodes (including Lawrence Winters, Gloria Davy, Charles Holland, and Carol Brice), legendary favorites (including Leontyne Price, Martina Arroyo, Roberta Alexander, and Barbara Hendricks), important concert singers (including Adele Addison and Betty Allen), lesser-known artists (including Helen Thipgen, Martha Flowers, William Pearson, Mareda Gaither, and Olive Moorefield), and iconic singers (including Jessye Norman, Kathleen Battle, and Christiane Eda-Pierre) for whom important new work was created by Judith Weir, André Previn, and Charles Chaynes. The range of composers represented is equally vast and includes Leonard Bernstein, Karlheinz Stockhausen, Virgil Thomson, Michael Tippett, Lee Hoiby, Shulamit Ran, Gian Carlo Menotti, Judith Weir, Paul Bowles, Lukas Foss, and David Del Tredici. with special attention given to African American composers Margaret Bonds, Howard Swanson, William Grant Still, Hall Johnson, and Robert Nathaniel Dett. In other words: something for everyone and just a foretaste of future Countermelody programs that will continue to celebrate the contributions of African American singers.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.


Episode 23. Lawrence Winters and Robert McFerrin (Black History Month IV)



Episode 23 – Winters and McFerrin: A Tale of Two Baritones (Black History Month IV)

Today’s episode, the fourth in a sequence honoring African American singers, this one pays tribute to two great baritones, Lawrence Winters (1915-1965) and Robert McFerrin (1921-2006). Winters was a trailblazer on records and on stage at the New York City Opera and in major German opera houses; while McFerrin, the first African American male to sing a major role at the Metropolitan Opera, made his debut in 1955 as Amonasro in Aida three weeks after Marian Anderson made history on the same stage as the first black solo singer to perform there. This episode examines the early life and rise to prominence of each singer; the role that Porgy played in the careers of both singers; and each one’s credentials as a Verdi baritone par excellence. Highlights include an excerpt from William Grant Still’s opera Troubled Island, which premiered at NYCO in 1949, and a memorable cache of spirituals recordings from both singers. Guest aritsts heard on this episode include Todd Duncan, Camilla Williams, Marie Powers, Maria Stader, Adele Addison, Laurel Hurley, and Grace de la Cruz.

Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com