Tag Archives: Angelo Anelli

Episode 413. Get to Know Geraint Evans



This past September 19th, we observed the anniversary of the death in 1992 of the great Welsh bass-baritone Geraint Evans at the age of 70. A vivid actor and a skilled singer, he both began and ended his career at the Royal Opera House Covent Garden, but was a treasured guest at opera houses all over the globe. In 1966, London/Decca records released a recording designed to give full display to his musical, stylistic, and dramatic versatility. In its US issue it was entitled, appropriately enough, Three Centuries of Baritone Art, and in it many of his greatest roles are highlighted, as well as a number of parts, unusual or uncharacteristic for him, which he never performed onstage.  Needless to say, his Mozart roles are in the forefront, as is his exceptional characterization of Verdi’s Falstaff, to which he brought a light buffo touch while still retaining a full vocal palette bolstered by a vivid characterization. On this episode, I supplement this album with a delightful recording of Evans singing from Mahler’s Knaben Wunderhorn, a wrenching one of his legendary Wozzeck, and a monumental one of Elegy for a Prince, a work for voice and orchestra by William Mathias, written for and dedicated to Evans, who sang the premiere in 1972 and subsequently recorded it in 1977.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.


Episode 405. Rescue Mission (Belated Birthday Edition)



Today’s episode is the latest installment in my series entitled “Rescue Mission,” which reintroduces great singers who have already been featured on the podcast. This is the Belated Birthday edition of that series, which reintroduces us to a wide range of Countermelody favorites, including jazz singer Ethel Ennis; baritones Robert Massard, Gérard Souzay, and Andrzej Hiolski; sopranos Sylvia Sass (pictured), Veronica Tyler, April Cantelo, Elly Ameling, Gloria Davy, Margaret Marshall, Rosanna Carteri, Sarah Reese, Ilse Wolf, and Carol Neblett; mezzo-sopranos Jennie Tourel, Maureen Lehane, and Shannon Bolin; and tenors David Rendall and Stuart Burrows. The repertoire is as varied and rare as are the artists featured, including songs by Rimsky-Korsakov, Chopin, Malcolm Williamson, and Alec Wilder; opera arias by Schreker, Mozart, Mascagni, and Verdi; and selections by Bach and Schütz. I love doing this kind of episode, because it allows me to cast my net wide and share with you the kinds of singers and repertoire that are bringing me comfort and joy in these trying times.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.


Episode 387. Zauberwelt der Oper [Black Diva Edition]



I’m on holiday this week, but it would be most unGundlachian of me not to provide an episode to sustain my listeners in my absence. I recently purchased a mammoth 13-LP set on the Concert Hall Society label. The release promises a variety of excerpts that illustrate the history of opera from Monteverdi through Puccini. As such it makes use of a number of complete operatic recordings made for the now-nearly-forgotten label, as well as some impressive individual performances recorded in the early 1960s. One of the attractions of this release to me is that it presents rare recordings by three of the supreme African American divas of that era: Mattiwilda Dobbs, Reri Grist, and Felicia Weathers, the latter two at the very beginning of their international careers in the early 1960s, when they were both fest at the Zürich Opera (where, my astute listeners will remember, contralto Carol Smith) was also ensconced. None of these recordings has received wide distribution (in fact, to my knowledge the majority of them were never re-released in any form). So it is my particularly pleasure to present to you each of these three estimable artists in peak form on recordings that I (at least) had never before encountered: Dobbs as Zerlina in Don Giovanni and Olympia and Antonia in Tales of Hoffmann; Grist as Norina in Don Pasquale; and Weathers as Dido, Manon (by Massenet, not Puccini!), and Butterfly! A number of interesting male singers are nearby to provide assistance in duets: the Swiss tenor Fritz Peters, the American Glade Peterson (both of whom were also fest in Zürich at that time), the legendary French-Canadian Léopold Simoneau and Italian dramatic baritone Scipio Colombo. Far be it from me to throw together an episode that was not as fascinating as some of my more deeply-researched efforts! I’m also celebrating this week 100,000 downloads of the podcast. I’ve often referred to Countermelody as “the Little Podcast that Could,” so this milestone is particularly gratifying to me. Finally, this episode also serves as a belated birthday tribute to Felicia Weathers, who just last week turned 88 years old.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.