Tag Archives: Arthur Siegel

Episode 368. Gay Eccentrics (Pride 2025)

June 17, 2025African American Singers, Art Song, Broadway, Full-Figured Baroque, Great Baritones, Honor Your Mentors, In Memoriam, Music for a World in Crisis Series, Needle Drop, Pop Icons, Queer Pride, Singers of Color, Twentieth Century Opera, Voiceless WondersArthur Siegel, Bea Arthur, Beatrice Arthur, Ben Bagley, Bernard Dickerson, Bill McCutcheon, Bobby Short, Bud McCreery, Charles Strouse, Charlotte Rae, Cole Porter, David Baker, David Brynley, Dody Goodman, Dorothea Freitag, Dorothy Greener, Dorothy Loudon, Eddie Hilton, Esther Lilian Duff, Fay De Witt, Felicity Lott, G. Wood, George Marcy, Georges Jean-Aubry, Gerald Hugh Tyrwhitt-Wilson, Heinrich Heine, Henry Lawes, Herb Hartig, Hugo Wolf, Ian Caddy, Ian Partridge, Joel Grey, John Bartis, John Hilton the Younger, John Masefield, John Winfield, Kaye Ballard, Le Carrosse du Saint-Sacrement, Lee Adams, Len Vorster, Liza Redfield, Lord Berners, Lorenz Hart, Meriel Dickinson, Mike Stewart, Nicholas Cleobury, Norman Notley, Norman Paris, Panama Hattie, Paul Wolfe, Peter Dickinson, Peter Lawson, Prosper Mérimée, Ralph Roberts, Richard Rodgers, Richard Rodney Bennett, Robert Graves, Robert Jones, Sheldon Harnick, Shoestring ’57, Skip Redwine, Tammy Grimes, Tennessee Williams, The Littlest Revue, The Shoestring Revue, Thomas Campion, Thomas Dekker, Thomas Morley, Tommy Morton, Vernon Duke Ogden Nash, Will Irwin, William Hickeycountermelody

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Somewhere along the line in planning my Pride 2025 episodes, I hit upon the idea of paying tribute to Gay Eccentrics. (Maybe because I am one of them myself?) There are many mad queer geniuses in the history of music, and I have chosen today to focus on three twentieth-century case studies. First, the husband and husband team of Norman Notley (1890 – 1980) and David Brynley (1902 – 1981), musical and artistic polymaths who settled in the small Dorset village of Corfe Castle. They were both members of the innocuously-named New English Singers, which was actually an early version of the high-caliber vocal chamber ensembles in such profusion today. In recent times their archives have been digitized and exhibited at the Dorset Museum and Art Gallery, which has led to their story going viral. In 1957 while living in the US, the pair made a recording of Elizabethan Songs that is a model of its kind and is featured on the episode. Next up us Gerald Hugh Tyrwhitt-Wilson (1883 – 1950), much better known as Lord Berners, the quintessential upper-class British eccentric who also happened to be the leading British avant-garde composer of his day (as well as a “notorious” homosexual!) I feature an excerpt from his single opera as well as a passel of songs from his small output. Finally, we cross the Atlantic to encounter the prescience, acerbic wit and borderline insanity of Ben Bagley (1933 – 1998), the producer of off-Broadway theatrical revues and a series of recordings featuring unknown material by the top Broadway composers of the day, including fellow gay eccentrics Cole Porter and Lorenz Hart. I may be a day late with this week’s episode, but I’m definitely not a dollar short! This episode has something for everyone!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 312. John Reardon Revisited (World AIDS Day 2024)

December 2, 2024Art Song, Broadway, Crossover, Full-Figured Baroque, Giacomo Puccini, Giuseppe Verdi, Great Baritones, In Memoriam, Interview, Listeners' Favorites, Music for a World in Crisis Series, Needle Drop, Opera in Translation, Orchestral Songs, Queer Pride, Richard Strauss, Twentieth Century Music, Twentieth Century Opera, Wolfgang Amadeus MozartAdolph Green, Alan Jay Lerner, Alban Berg, Angiolo Poliziano, Anja Silja, Ariadne auf Naxos, Arrigo Boito, Arthur Siegel, Betty Comden, Beverly Sills, Beverly Wolff, Bliss Hebert, Carole Bogard, Cesare Siepi, Christoph von Dohnányi, Colette Collage, Denis Deal, Der Struwwelpeter, Erich Leinsdorf, Evelyn Lear, Fred Ebb, Frederic Waldman, George Frideric Handel, Giacomo Puccini, Gian Carlo Menotti, Giorgio Tozzi, Giuseppe Giacosa, Giuseppe Verdi, Harvey Schmidt, Heinrich Hoffmann, Henri Murger, Henry Butler, Herbert Grossman, Hugo von Hofmannsthal, James McCracken, James Pease, Janis Ian, Jo Sullivan, John Kander, John Reardon, Jorge Mester, Joseph Haydn, Judith Blegen, Judith Raskin, Jule Styne, Jussi Bjorling, Karl Paul Reichert, Kurt Weill, La Boheme, Lehman Engel, Leonard Bernstein, Lorenzo da Ponte, Luigi Illica, Lukas Foss, Maria Callas, Marvin David Levy, Otello, Paul Reif, Peter Herman Adler, Richard Hundley, Richard Strauss, Robert Merrill, Robert Sutherland, Sarah Caldwell, T.S. Eliot, The Rink, Thomas Beecham, Tom Jones, Vittorio Rieti, W.H. Auden, William Shakespeare, Wolfgang Amadeus Mozart, Zubin Mehtacountermelody

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Yesterday was World AIDS Day and many of the people I admire and follow on various social media platforms made beautiful and heartfelt posts in commemoration of this day and all the many souls that have been lost over the decades to this hideous disease. I want to weigh in today with my own tribute: to the exceptional American baritone John Reardon, who died of this disease in 1988 at the age of 58. This is an expanded version of a bonus episode I published more than four years ago which constituted a deep exploration of his recorded legacy, in both live or studio recordings, of musical, opera (especially contemporary works), and art song. You’ll hear guest contributions from the two Judys, (Raskin and Blegen; sorry, no Garland today), as well as Jo Sullivan, Beverly Wolff, Anja Silja, Evelyn Lear, and James McCracken, conducted by Leonard Bernstein, Thomas Beecham, Sarah Caldwell, Erich Leinsdorf, Frederic Waldman, Lehman Engel, Jorge Mester, as well as that great stage director Bliss Hebert doing a guest turn tickling the ivories in two song cycles. If you listen extra closely, you may even hear a line or two from Beverly Sills, Robert Merrill, Cesare Siepi, and Jussi Björling! The episode also includes a birthday tribute to Maria Callas and, as a memorial to all who have succumbed to AIDS, “When Angels Cry,” a song by Janis Ian.

Episode 102. John Reardon

August 15, 2021African American Singers, Art Song, Bel canto, Broadway, Crossover, Giuseppe Verdi, Great Baritones, In Memoriam, Music for a World in Crisis Series, Needle Drop, Operetta, Queer Pride, Twentieth Century MusicAdolph Green, Alban Berg, Alexander Young, Arrigo Boito, Arthur Siegel, Betty Comden, Bliss Hebert, Candide, Chester Biscardi, Chester Kallman, Christoph von Dohnányi, Denis Deal, Douglass Cross, Edvard Grieg, Evelyn Lear, Franz Allers, Franz Lehár, Fred Rogers, George Cory, George Forrest, Gian Carlo Menotti, Gioacchino Rossini, Giuseppe Verdi, Helena Scott, Henry Butler, Herbert Grossman, Igor Stravinsky, Ira Gershwin, Jerome Kern, Jo Sullivan Lehman Engel, John Koch, John Reardon, Jorge Mester, Judith Raskin, Jule Styne, June Carroll, Kurt Weill, Leonard Bernstein, Leontyne Price, Lisa Della Casa, Marie Collier, Marvin David Levy, NBC Opera, New Faces of 1956, Newell Jenkins, Nicholas Flagello, On the Town, Oscar Hammerstein II, Peter Herman Adler, Ragnar Ulfung, Richard Owen, Robert Craft, Robert Oliver, Robert Wright, Samuel Krachmalnick, Sarah Caldwell, Song of Norway, Stephen Crane, The Flood, The Magic Flute, The Merry Widow, The Rake’s Progress, The Saint of Bleecker Street, W.H. Auden, Walter de la Mare, William Blake, William Orvis, Wolfgang Amadeus Mozartcountermelody

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Here’s another great baritone to help get us through another week: the extraordinarily versatile and talented John Reardon (1930-1988). Possessed of a voice of extraordinary beauty and flexibility, as well as deeply intuitive interpretive powers and a profound musicality and dramatic sensibility, he had everything it took to make his mark in the fields of musicals, operetta, and opera (the latter in both standard, and, even more significantly, contemporary repertoire). I have several rare live recordings as well as some uncommon studio recordings to share with my listeners. Guest stars include Leontyne Price, Judith Raskin, Jo Sullivan, Lisa Della Casa, Alexander Young, Ragnar Ulfung, Evelyn Lear, and Bliss Hebert, in a rare outing as a pianist accompanying Reardon in a 1967 recording of American art songs. I also pay homage to his television appearances, both on NBC Opera and, especially, between 1968 and 1986, as the character “Reardon” in Mister Rogers’ Neighborhood, which served to introduce countless multitudes of children to the glories of opera.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.