Tag Archives: Janis Ian

Episode 79. Dusty Springfield Sings Carole King



How exciting to go straight from Black History Month to Women’s History Month! Over the course of this coming month, I am going to feature programs on my favoritest singers of all time! For the first episode, I break with normal Countermelody protocol and feature the quintessential pop singer, Dusty Springfield, whose career spanned the early 1960s through the mid-1990s. I’ve been waiting for an excuse to do an all-Dusty episode and since this past week was the 22nd anniversary of her premature death at the age of 59 of cancer, the time seemed right to present her to my listeners in all her eclectic glory. Because we are celebrating women this month, I decided to present Dusty singing material exclusively by female composers and lyricists, including all of extant recordings of songs by the great Carole King, most in collaboration with her longtime songwriting partner, the late Gerry Goffin. Other songwriters represented include Janis Ian, Karla Bonoff, Scherrie Payne, Norma Tanega, and Carole Pope; lyricists include Dorothy Fields and Marilyn Bergman, and vocal guest stars include Tom Jones and Martha Reeves and The Vandellas. This week’s bonus episode, available to Patreon subscribers, features further Dusty performances, both live and studio. Come and let me guide you through the glory of All Things Dusty!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.


Episode 40. Sisters in Sappho [Queer Pride I]



The first of my two Queer Pride episodes is devoted to a group of pioneering lesbians in the 1970s and beyond, in both classical and pop music. Two iconic mezzo-sopranos whose careers began in the 1960s and extended through the 1990s are the Greek-American Tatiana Troyanos and Brigitte Fassbaender, daughter of the German baritone Willi Domgraf-Fassbaender. I explore the similarities and differences in the repertoire and career paths of these two unique artists, and share examples of them singing repertoire from Handel to Weill, Scarlatti to Penderecki, with particular focus on Fassbaender’s Lieder performances and Troyanos’s work in bel canto. Then I turn to key figures in the Women’s Music Movement of the 1970s, including Meg Christian, Cris Williamson, Margie Adam, Holly Near, and Deidre McCalla, while also paying tribute to those who, in turn, paved the way for them, including Janis Ian, Dusty Springfield, and Ronnie Gilbert. We also acknowledge the work of queer African American singers, including Deidre McCalla, Meshell Ndegeocello, and Toshi Reagon. We all owe an enormous debt of gratitude to these extraordinary artists, who created a world of possibility for their musical and artistic descendants, at the same time setting standards that will stand the test of time. Vocal guest stars include Janet Baker, Ileana Cotrubas, Margaret Price, Nicolai Gedda, Gundula Janowitz, Arleen Augér, Cecilia Gasdia, and Reri Grist.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford.


Episode 26. Calling You (Music for a World in Crisis)



The world is in chaos. We don’t know from one day to the next, or one hour to the next, what is going to happen. I am currently halfway around the world from home and wondering what the coming weeks will bring. This week I have decided to feature music that addresses reaching out to loved ones across enormous gaps of time and space, the yearning for a home lost and the ambivalence with which we face the changing seasons. But all is not hopelessness: at the end of the episode, I offer several pop songs by some of my favorite singers that address the promise of healing and reunion, no matter how difficult the process. In this episode, marking the six-month anniversary of Countermelody, I’m featuring Lorraine Hunt Lieberson, Hina Spani, Rosa Ponselle, Meta Seinemeyer, Anne Roselle, Claudia Muzio, Eidé Noréna, Eileen Farrell, Kathleen Ferrier, Martha Flowers, Janis Ian, Chi Coltrane, and Dusty Springfield. I also offer a recording I made in 2006 of “Danny Boy,” and I explain the song’s significance to me.

Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com