Tag Archives: John Bröcheler

Episode 389. Rescue Mission (Operatic Duet Edition)



I have spent the past week planning forthcoming episodes and last night I realized I had to “throw together” something for this weekend’s episode. When this happens, it can often result in a very eclectic program, indeed, and one which many of my listeners find to be among the most enjoyable Countermelody episodes. I have collected more than enough material for at least a dozen of my so-called “Rescue Mission” episodes, in which I feature artists to whom an entire episode has already been devoted, but for whom I have unearthed additional recordings. For today’s episode, I decided to focus exclusively on duets, featuring at least one singer of each pair who has already been heard (sometimes quite recently) on the podcast. And thus we have David Rendall singing Erik in The Flying Dutchman opposite Rita Cullis; Renata Scotto (with Carlo Bergonzi) in Elisir; April Cantelo in Paul Hindemith’s Cardillac; Maureen Lehane as Penelope in Il ritorno d’Ulisse in Patria; Carol Neblett as Donna Elvira; and Helen Donath (with Deborah Voigt in Strauss’s rare Die ägyptische Helena). Also heard are operas by Gottfried von Einem, Giuseppe Verdi, Lee Hoiby, and Carl Orff featuring Christa Ludwig, John Reardon, Grace Bumbry, Edda Moser, and upcoming Countermelody featured artists John Bröcheler, Roland Hermann, and Eberhard Wächter. The episode concludes with the unlikely pair of Ileana Cotrubaş (pictured) and Jorma Hynninen (two of my most revered singers) as the title characters in a transcendent live recording of Pelléas et Mélisande.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.


Episode 388. Sopranos en détresse, Part Deux



A few months ago I published the first of a series of episodes honoring “Over the Top Sopranos,” which presented French repertoire performed by a batch of supremely distressed divas. And today is a follow-up, again featuring “sopranos en détresse” in which I spread the net even wider, featuring every type of soprano from perky coloratura to hefty dramatic and everything in between. The characters represented range from reformed Alexandrian courtesans to vampiric Hungarian murderers. And the chronological spread is wide, too: we sample a wide variety of singers from Félia Litvinne, recorded in 1902, to Anna Caterina Antonacci, recorded in 2009. In between we hear, among others, Germaine Féraldy, Beverly Sills, Emma Calvé, Lucia Popp, Christiane Eda-Pierre (pictured), Patricia Brooks, Germaine Martinelli, Jacqueline Brumaire, Carol Vaness, Nelly Miricioiu, and Janine Micheau. Works range from the familiar (Mignon by Thomas, Manon by Massenet, and Faust by Gounod) to the obscure (Ivan IV by Bizet, Salammbô by Ernest Reyer, Erzsébet by Charles Chaynes, and Virginie by Alfred Bruneau). Attachez vos ceintures; ce sera encore une soirée extravagante!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.