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Today I offer three different recordings of excerpts, sung in German, from Charles Gounod’s opera Faust, which was known in the day in Germany as Margarethe. The Germans have always regarded this work with more than a little scorn because it has so little to do with Goethe’s towering masterpiece upon which it is based. The earliest of today’s excerpts is from a complete 1908 recording on the Berlin branch of the Grammophon label (when such a thing as a complete operatic recording was virtually unheard of), featuring Emmy Destinn, Karl Jörn and Paul Knüpfer under the baton of Bruno Seidler-Winkler. Much later came two recordings of excerpts in German: the first released on Deutsche Grammophon in 1958 with stalwart recording artist Maria Stader; nonpareil Kavalierbariton Eberhard Wächter; fierce Finnish bass Kim Borg; and the late German lyric tenor Heinz Hoppe under Ferdinand Leitner. The latter was released on Philips in 1963 with Ernst Kozub (recently featured on a “rehabilitational” Countermelody episode; the extraordinary German bass Franz Crass, and Swiss mega-soprano Colette Lorand (soon to be featured in her own Countermelody episode) under Marcel Couraud. As a bonus, I also feature a very young Sylvia Sass in one of her very first recordings from 1975 singing Marguerite’s Jewel Song in Hungarian.
Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.
