Tag Archives: Suor Angelica

Episode 33. Florence Quivar (Mezzo Madness IV)



Today I am thrilled and proud to present the superlative American mezzo-soprano Florence Quivar in a selection from her 1990 recording of spirituals. I am not the only person out there who thinks that her work here represents the pinnacle in the performance of African American spirituals as well as a high point in her singing career. I also feature live recordings of the artist in recital and in opera. And just when you least expect it, a certain gay icon pops in to offer some relevant and valuable musical commentary. Also included are brief tributes to two artists: the pop singer India Adams, who died on 25 April at the age of 93 and who provided the ghost voice for iconic performances by Cyd Charisse and Joan Crawford; and the Greek soprano Jeannette Pilou, who left an indelible mark in the 1970s with her performances around the globe of French opera in particular, and who died on 28 April at the age of 83.

Countermelody is a podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford.


Episode 32. Fedora Barbieri (Mezzo Madness III)



The Italian mezzo-soprano Fedora Barbieri (1920-2003) was never a great favorite of mine. That is, until I recently came across her rare 1953 recording entitled Fedora Barbieri Sings Old Italian Songs and Airs, accompanied by Dick Marzollo, an assistant of Toscanini’s and one of the principal coaches at the Met in the 1950s. Though possessed of an extraordinary voice, Barbieri’s vocal problems prevented her from making her full mark in much of the dramatic mezzo-soprano repertoire in which her compatriot and arch-rival Giulietta Simionato excelled. However, in this recording of songs by Vivaldi, Pergolesi, Paisiello, Cherubini, Scarlatti, and others, recorded in New York for the Vox label, Barbieri reveals herself as that true rara avis, a classicist with guts. The episode also includes recordings from either end of Barbieri’s five-decade-long career and begins with a tribute to the great American jugendlich dramatisch Sopran Arlene Saunders, who died last week at the age of 89.

Countermelody is a podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford.


Episode 1: Welcome to Countermelody



Episode 1: Welcome to Countermelody, or Claudia and Zazà. Our first episode answers the question on everyone’s lips: “Where did the logo and the theme music come from?” We discuss the legendary Italian diva Claudia Muzio whose series of iconic recordings, particularly those recorded shortly before her premature death in 1936, are so extraordinary that they have kept her reputation intact to this day. We consider in particular her November 1920 recording of an aria from Ruggero Leoncavallo’s little-remembered verismo opera Zazà, in which her extraordinary artistry is on full display.

Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com