Tag Archives: Léo Delibes

Episode 131. Happy Birthday, Reri Grist! (Black History Month 2022)



The great African American coloratura Reri Grist was born on leap year 1932. We celebrate her upcoming 90th birthday with a tribute featuring many of her greatest roles and recordings. After appearing as Consuelo in the 1957 Broadway premiere of West Side Story, and encouraged by Leonard Bernstein, Grist began a career in opera that took her around the world to all of the greatest opera houses. Reri Grist was the perfect exemplar of the so-called “-ina” roles: soubrette parts in Mozart and Strauss operas (Blondchen, Susanna, Despina, Zerlina, Zerbinetta, and Sophie), as well as the comic operas of Donizetti and Rossini (including Adina, Norina, and Rosina). This episode features her in most of these roles and concludes with the glorious finale of the second act of Richard Strauss’s 1935 comedy Die schweigsame Frau, one of her most notable successes. Vocal guest stars today include Christa Ludwig, Luciano Pavarotti, Sena Jurinac, Nicolai Gedda, Gwyneth Jones, Luigi Alva, Judith Raskin, Donald Grobe, and Richard Lewis. Whether you are celebrating 90 years or 22-and-a-half leap years, we celebrate you, Frau Grist, and offer heartfelt thanks for the joys that you have offered us.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 108. Christiane Eda-Pierre



Today’s episode is a memorial tribute to the great Martinique-born French soprano Christiane Eda-Pierre on the first anniversary of her death. When this artist died on 6 September 2020 at the age of 88, I posted this episode as a bonus exclusively for my Patreon subscribers. Because a number of my listeners have inquired if I have ever devoted an episode to this artist, I have decided to release this episode to the general public. Researching Christiane Eda-Pierre was a journey of discovery for me, as I only knew the soprano’s commercial recordings and live performances from the Met. But believe me, there is so much more to this singer than this. From the French baroque repertoire through contemporary works dedicated specifically to her, Christiane Eda-Pierre brought extraordinary gifts: a voice of beauty and clarity, well-modulated from top to bottom, a near-perfect technique capped by a flawless trill, a profound musical sensibility, and a searing dramatic intensity that surprised me. I present excerpts from the full range of her repertoire, from Rameau and Handel in the Baroque period through the bel canto of Rossini and Bellini, to the glories of 19th century French opera, a genre that, in my opinion, represents her at her absolute best, to contemporary masterpieces written expressly for her by Charles Chaynes and Olivier Messiaen. It is my fervent wish that you find as much delight in this great artist as I have.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available.


Episode 43. Gl’amour I (Bastille Day 2020)



Another nation, la belle France, has a birthday right around the corner, and today I hoist the Tricolore to celebrate La Fête Nationale. I had planned this episode several weeks ago but when the worldwide #BlackLivesMatter protests began, I felt the need to respond in kind with two episodes featuring music of protest and hope. Today I present the first of two consecutive episodes on French Glamour, for after all, who does Glamour better than the French? I also consider the manner in which exoticism and imperialism make an appearance in French opera in particular. I present a veritable mad rush of great French singers, all possessed of personal poise and vocal appeal. Singers range from such classical artists as Mady Mesplé (whose recent passing we belatedly acknowledge), Régine Crespin, Janine Micheau, Germaine Cernay, Emma Calvé, Renée Doria, Jennie Tourel, Denise Duval, Andrée Esposito, Germaine Féraldy, Françoise Pollet (as well as exemplary Belgian sopranos Emma Luart and Fanny Heldy) to pop singers Joséphine Baker (French by adoption!), and Maurice Chevalier. We allow such non-French interlopers as Geraldine Farrar, Giuseppe di Stefano, Grace Bumbry, Mary Lewis, Teresa Żylis-Gara, Lisette Oropesa, and my beloved Shirley Verrett, many of whom also lived extensively in France, to make their contributions in song to this celebration. And who better than the late Jessye Norman to cap the episode with her rousing rendition of La Marseillaise, as she did in 1989 for the French Bicentennial?

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford.


Episode 8: Williams and Williams



Episode 8: Williams and WilliamsAs a supplement to the first part of my interview last week with Janet Williams, I offer a cache of rare studio recordings by Camilla Williams, supplemented by live material sung by Janet Williams from the artist’s private archives. Among other material featured are excerpts from Camilla’s rarely-heard album of spirituals on the MGM Records label, and a concert given by Janet Williams in her home town of Detroit in 1989, capped by a stunning rendition of Undine Smith Moore’s arrangement of the spiritual “Watch and Pray,” dedicated to Camilla Williams.

Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com


Episode 1: Welcome to Countermelody



Episode 1: Welcome to Countermelody, or Claudia and Zazà. Our first episode answers the question on everyone’s lips: “Where did the logo and the theme music come from?” We discuss the legendary Italian diva Claudia Muzio whose series of iconic recordings, particularly those recorded shortly before her premature death in 1936, are so extraordinary that they have kept her reputation intact to this day. We consider in particular her November 1920 recording of an aria from Ruggero Leoncavallo’s little-remembered verismo opera Zazà, in which her extraordinary artistry is on full display.

Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com