Tag Archives: Evelyn Lear

Episode 312. John Reardon Revisited (World AIDS Day 2024)



Yesterday was World AIDS Day and many of the people I admire and follow on various social media platforms made beautiful and heartfelt posts in commemoration of this day and all the many souls that have been lost over the decades to this hideous disease. I want to weigh in today with my own tribute: to the exceptional American baritone John Reardon, who died of this disease in 1988 at the age of 58. This is an expanded version of a bonus episode I published more than four years ago which constituted a deep exploration of his recorded legacy, in both live or studio recordings, of musical, opera (especially contemporary works), and art song. You’ll hear guest contributions from the two Judys, (Raskin and Blegen; sorry, no Garland today), as well as Jo Sullivan, Beverly Wolff, Anja Silja, Evelyn Lear, and James McCracken, conducted by Leonard Bernstein, Thomas Beecham, Sarah Caldwell, Erich Leinsdorf, Frederic Waldman, Lehman Engel, Jorge Mester, as well as that great stage director Bliss Hebert doing a guest turn tickling the ivories in two song cycles. If you listen extra closely, you may even hear a line or two from Beverly Sills, Robert Merrill, Cesare Siepi, and Jussi Björling! The episode also includes a birthday tribute to Maria Callas and, as a memorial to all who have succumbed to AIDS, “When Angels Cry,” a song by Janis Ian.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford.


Episode 116. Pop Songs by Lieder Singers



This week I feature nearly a century’s worth of recordings of pop music by singers who also, and in some cases primarily, were great singers of art song. Many of my favorite singers figure into the mix, including Hermann Prey (who was the inspiration for this episode), Grace Bumbry, Helen Donath, Roberta Alexander, Elly Ameling, Peter Schreier, Lotte Lehmann, Gérard Souzay, Brigitte Fassbaender, Bryn Terfel, Richard Tauber, José van Dam, Peter Schreier, Leontyne Price, Donald Gramm, and many, many others. They perform everything from Broadway standards to jazz to Deutsche Schlager to tangos to the Great American Songbook to 80s power ballads. This episode was such a joy to put together and I hope that you will enjoy this cornucopia of vocal and interpretive bounty.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 102. John Reardon



Here’s another great baritone to help get us through another week: the extraordinarily versatile and talented John Reardon (1930-1988). Possessed of a voice of extraordinary beauty and flexibility, as well as deeply intuitive interpretive powers and a profound musicality and dramatic sensibility, he had everything it took to make his mark in the fields of musicals, operetta, and opera (the latter in both standard, and, even more significantly, contemporary repertoire). I have several rare live recordings as well as some uncommon studio recordings to share with my listeners. Guest stars include Leontyne Price, Judith Raskin, Jo Sullivan, Lisa Della Casa, Alexander Young, Ragnar Ulfung, Evelyn Lear, and Bliss Hebert, in a rare outing as a pianist accompanying Reardon in a 1967 recording of American art songs. I also pay homage to his television appearances, both on NBC Opera and, especially, between 1968 and 1986, as the character “Reardon” in Mister Rogers’ Neighborhood, which served to introduce countless multitudes of children to the glories of opera.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.


Episode 93. Evelyn Lear sings Sondheim and Bernstein (and other Queer Composers)



I had intended a no-holds-barred Queer Pride extravaganza for this week’s episode, but life got in the way, so I elected to do a more modest, chamber-music-sized celebration instead, which encompasses both the life and artistry of Evelyn Lear, the ninth anniversary of whose death we observe on July First. Her 1980 release Evelyn Lear sings Sondheim and Bernstein, recorded in collaboration with her most frequent recital partner, pianist Martin Katz, finds this artist lending her distinctive voice, style, and interpretive flair to ten songs by these two composers, who are seen today as, among other things, queer icons. I round out the episode with performances by Evelyn Lear and her husband Thomas Stewart, of songs by a number of other composers (Schubert, Hahn, Tchaikovsky, Copland and Foster) who are, by my assessment at least, also guiding beacons for the queer community.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.