Tag Archives: Stafford Dean

Episode 389. Rescue Mission (Operatic Duet Edition)



I have spent the past week planning forthcoming episodes and last night I realized I had to “throw together” something for this weekend’s episode. When this happens, it can often result in a very eclectic program, indeed, and one which many of my listeners find to be among the most enjoyable Countermelody episodes. I have collected more than enough material for at least a dozen of my so-called “Rescue Mission” episodes, in which I feature artists to whom an entire episode has already been devoted, but for whom I have unearthed additional recordings. For today’s episode, I decided to focus exclusively on duets, featuring at least one singer of each pair who has already been heard (sometimes quite recently) on the podcast. And thus we have David Rendall singing Erik in The Flying Dutchman opposite Rita Cullis; Renata Scotto (with Carlo Bergonzi) in Elisir; April Cantelo in Paul Hindemith’s Cardillac; Maureen Lehane as Penelope in Il ritorno d’Ulisse in Patria; Carol Neblett as Donna Elvira; and Helen Donath (with Deborah Voigt in Strauss’s rare Die ägyptische Helena). Also heard are operas by Gottfried von Einem, Giuseppe Verdi, Lee Hoiby, and Carl Orff featuring Christa Ludwig, John Reardon, Grace Bumbry, Edda Moser, and upcoming Countermelody featured artists John Bröcheler, Roland Hermann, and Eberhard Wächter. The episode concludes with the unlikely pair of Ileana Cotrubaş (pictured) and Jorma Hynninen (two of my most revered singers) as the title characters in a transcendent live recording of Pelléas et Mélisande.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.


Episode 156. Barely Sang at the Met II



This week is the conclusion of my presentation on world-class singers who made a minimal number of appearances at the Metropolitan Opera. My arbitrary parameters for this episode were singers who appeared (approximately) between the years 1950 and 1975 and sang fewer than ten performances in total at that venerable institution. Among the artists featured are the British singers Josephine Veasey and Anne Howells (both of whom we lost earlier this year), as well as Stafford Dean and Alberto Remedios; the French-Canadian tenors Léopold Simoneau and Richard Verreau; the Romanians Ludovic Spiess and Marina Krilovici; the US-American dramatic coloratura Margherita Roberti; the Australian super-soprano Joan Carden; the Italian sopranos Maria Chiara and Luisa Malagrida; the French falcon Jane Rhodes; the Austrians Eberhard Wächter and Otto Wiener; the Finnish heldentenor Pekka Nuotio; and the Germans Josef Greindl, Walburga Wegner, Erna Schlüter and Christel Goltz. Met stalwarts Monserrat Caballé, Shirley Verrett, Ramón Vinay, and Jorma Hynninen are featured as vocal guest stars; conductors include such greats as Dimitri Mitroupoulos, Gianandrea Gavazzeni, Thomas Beecham, Carlo Felice Cillario, and Arthur Rodziński..

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.