Tag Archives: Tom Lehrer

Episode 492. Mommie Dearest, One Year Later

September 23, 2026African American Singers, Broadway, Comic Relief, Forgotten Divas, Full-Figured Baroque, Giacomo Puccini, Giuseppe Verdi, Great Baritones, In Memoriam, Johann Sebastian Bach, Listeners' Favorites, Needle Drop, Pop Icons, Queer Pride, Renata Scotto, Singers in Old Age, Singers of Color, SpiritualsAlfred de Musset, Alfred Newman, Ángel de Saavedra, Bernie Toorish, Bruno Balz, Carl Boberg, Carmen Dragon, Carmen Miranda, Cecil Sharp, Christfried Bickenbach, Clifton Bingham, Daniel Chorzempa, Edgar, Edwin Greene, Eileen Farrell, Ein deutsches Requiem, Eleanor Steber, Elly Ameling, Erika Köth, Eve Queler, Ferdinando Fontana, Francesco Maria Piave, Frederick Weatherly, Gabriel Faure, George Cory, George Frideric Handel, George Mzlloy, George Szell, Gerald Moore, Gerhard Schmidt-Gaden, Giacomo Puccini, Giuseppe Verdi, Gottfried Heinrich Stölzel, Harold Arlen, Harry Warren, Haven Gillespie, Henriette Louise von Haym, Howard Barlow, Igor Gorin, Irving Berlin, J. Fred Coots, Jean Fournet, Joan Baez, Johann Sebastian Bach, Johannes Brahms, John Jacob Niles, John Shirley-Quirk, Johnnie Ray, Johnny Mercer, Kenneth Spencer, La forza del destino, Leigh Harline, Leo Robin, Leontyne Price, Lloyd Arriola, Mabel Mercer, Manfred Hübler, Michelangelo Veltri, Ned Washington, Neville Marriner, Norman Luboff, Odetta, Pinocchio, Renata Scotto, Shirley Verrett, Stuart K. Hine, Sy Mann, The Four Lads, The Holmes Brothers, The Wizard of Oz, Tom Krause, Tom Lehrer, Wilhelm Schüchter, Yip Harburgcountermelody

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Today is the one-year anniversary of my dear mother’s death. Yesterday, in preparing for my own private commemoration, I remembered that almost exactly a year ago, just two days after she died, I recorded the narration for a memorial episode in her honor that at the time I never published. Listening to the raw material for that episode, I realized that today would be the perfect time to publish that episode. I assumed that I would be so choked up with grief that I would not even be able to organize my thoughts, but I think I did a pretty good job of commemorating her in a way that only I could. As I remark, though my mother and I had a sometimes conflicted relationship because of her religious beliefs and conservative politics, we also shared the preternatural bond that mothers sometimes share with their children when they perceive the presence of a kindred spirit. For in spite of all the mutual head-butting in which we partook over the years, we were kindred spirits. And we both had to work extremely hard to keep those channels of love and respect open when, according to all our opposing vantage points, we should have been in enmity. This episode was wrung out of me just as the wave of my grief was cresting, but it’s so much better for that. I supplement my anecdotes and memories with a lot of music, from many different performers: everyone and everything from Bach to Johnnie Ray to “I Am Jesus’ Little Lamb” to Joan Baez to Mabel Mercer to Tom Lehrer to “Danny Boy” to the Brahms Deutsches Requiem and back again. I’m not sure that, after a year as an orphan (what the Germans would call a Vollwaise, , I would have the perspective to delve into my memories in the same way. Please give this episode a listen; maybe it will help you put certain things in perspective as well.

Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 381. I Got a Name (Pride Edition)

August 1, 2025African American Singers, Black History Month, Black History Month 2025, Broadway, Comic Relief, Crossover, Great Contraltos, In Memoriam, Listeners' Favorites, Music for a World in Crisis Series, Needle Drop, Pop Icons, Protest Songs, Singers in Old Age, Singers of Color, Twentieth Century MusicAlbert Giraud, Anthony Newley, Antony Pay, Arnold Schoenberg, Arthur Sullivan, Brian Benedict, Burt Bacharach, Cecil Gray, Charles Fox, Cher, Christa Schuenke, Christopher Nell, Christopher van Kampen, Claus Ogerman, Cleo Laine, Clifford Benson, Connie Francis, David Frost, David Gates, Don Giovanni, Elgar Howarth, Ernest MacMillan, George Frideric Handel, Giuseppe Verdi, Granfranco Intra, H.M.S Pinafore, Hal David, Harold Arlen, J.D. Doyle, Jack Parnell, Jean Fredericks, Jean Malin, Jim Croce, John Dankworth, Judith Pearce, Jule Styne, Julian Eltinge, Jürgen Holtz, Lena Horne, Leslie Bricusse, Marcia Crayford, Marty Paich, Mike Bongiorno. Tom Lehrer, Neil Sedaka, Norman Gimbel, Otto Erich Hartleben, Pierrot lunaire, Ramsete Ciampi, Robert Chabrier, Robert Wilson, Roberto Ciampi, Rufus Wainwright, Semele, Stan Applebaum, Stephen Sondheim, Ted Koehler, The Midnight Special, The Muppet Show, Thomas Arne, Tom Lehrer, W.S. Gilbert, William Shakespeare, Wolfgang Amadeus Mozartcountermelody

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At first blush, this episode may look a bit slapdash, but it actually reflects very much where I am at this moment. It’s got a bit more of a narrative than most of my episodes do, and somehow in this story a number of different strands come together. The starting point was a Pride bonus episode I published in June 2024 exploring a rare and fascinating 1964 LP of a live recital by “female impersonator” (Mr.) Jean Fredericks that also somehow folded into the mix hidden family narratives, Gilbert Godfrey, Charles Fox, Jim Croce, and the song “I Got a Name.” I have taken that episode and both streamlined and expanded it, including memorial tributes to four significant artists who have died in the past several weeks: Connie Francis, Tom Lehrer, Cleo Laine, and (just yesterday) Robert Wilson. I talk much more about myself on this episode than I ever have before, including meditations on my conservative upbringing, my senior prom, and The Muppet Show! I’ve also included two additional performances of “I Got a Name” by Lena Horne and Cher which drive home the importance of carrying your name and your dream with pride. If I’ve ever published an artistic credo, this is it.

If, as I have done, you wish to explore and/or support J.D. Doyle and his Queer Music Heritage website, where I first discovered Jean Fredericks, you can find it at www.queermusicheritage.com.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 204. Roberta Alexander Sings America

July 4, 2023African American Singers, Art Song, Broadway, Comic Relief, Crossover, Music for a World in Crisis Series, Needle Drop, Singers of Color, Twentieth Century Music, Twentieth Century OperaAaron Copland, Alec Wilder, Alfred Heller, Brian Masuda, Charles Ives, David Triestram, Du Bose Heyward, Edo de Waart, Emily Dickinson, Eric Stern, Florence Price, Gary Miller, George Gershwin, George Meredith, Girl Crazy, Harry T. Burleigh, Heitor Villa-Lobos, Ira Gershwin, Irving Berlin, James Agee, James Joyce, Jerry Bock, Jerry Hadley, John Avery Lomax, John Greenleaf Whittier, John Jacob Niles, Kees Bakels, Larry Moore, Leonard Bernstein, Nikolaus Harnoncourt, Old American Songs, Porgy and Bess, Reinbert de Leeuw, Roberta Alexander, Roger VIgnoles, Samuel Barber, Sheldon Harnick, Spirituals, Stephen Sondheim, Tan Crone, Thomas Hampson, Tom Lehrercountermelody

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Posting a few days early in celebration of the Fourth of July and in further recognition of the beloved American soprano Roberta Alexander, whose birthday we celebrated on Countermelody last March. Ms. Alexander has made a number of exquisite recordings over the years, many of them for the small Dutch label Etcetera. Many of these releases feature songs by the greatest American composers: Charles Ives, Aaron Copland, Leonard Bernstein, and Samuel Barber, as well as two releases featuring light classical and Broadway songs. The recordings range in date from 1976 (a live performance of Ives at the Holland Festival, in honor of the American Bicentennial) through 2009 (a live performance of Roberta as Maria in Porgy and Bess conducted by Nikolaus Harnoncourt). We also hear material by Berlin, Sondheim, Kander and Ebb, Alec Wilder, Bock and Harnick, John Jacob Niles, and Tom Lehrer, accompanied by pianists Reinbert de Leeuw, Roger Vignoles, Alfred Heller, Brian Masuda, Tan Crone, and David Triestram and conductors Kees Bakels and Edo de Waart. Throughout, Roberta Alexander’s approach to this material is perfectly on target, revealing both pathos and a crackling sense of (often sardonic) humor, all grounded in a love of the music of her native country and wrapped in a red, white, and blue bow.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Episode 83: Frühlingslieder [Spring Songs]

April 4, 2021African American Singers, Art Song, Broadway, Comic Relief, Crossover, Great Baritones, Holiday Music, Lieder, Mezzo Madness, Music for a World in Crisis Series, Needle Drop, Pop Icons, Twentieth Century Music, Voiceless WondersAksel Schiotz, Alan Jay Lerner, Alec Wilder, Benjamin Luxon, Bernard Kruysen, Brigitte Fassbaender, Bryn Terfel, Buddy Clark, Burt Bacharach, Charles Gounod, Claude Debussy, Comedian Harmonists, David Triestram, Dionne Warwick, Dorothy Fields, Edith Mathis, Edvard Grieg, Elly Ameling, Emilio de Gogorza, Emily Skinner, Erik Werba, Felix Mendelssohn, Fran Landesman, Frank Loesser, Franz Schubert, Georgia Brown, Gerald Moore, Gilbert Kalish, Gordon MacRae, Hans Hotter, Hugo Wolf, Jan DeGaetani, Jean Fournet, Jean-Paul Jeannotte, Jerome Kern, John Ireland, Judith Raskin, Kirsten Flagstad, Kurt Weill, Liane Augustin, Luther Henderson, Mabel Mercer, Martina Arroyo, Mattiwilda Dobbs, Milton Babbitt, Ned Rorem, Noël Lee, Oscar Hammerstein II, Paul Weston, Peter Schreier, Polly Bergen, Rebecca Luker, Richard Rodgers, Roberta Alexander, Sergei Rachmaninov, Tamara Milashkina, Tom Lehrer, Tommy Wolf, Vernon Duke, Walter Jurmann, Wilhelm Müller, Wolfgang Sawallisch, Yip Harburgcountermelody

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Dear listeners, it is Easter Sunday. While we are strictly non-sectarian at Countermelody, I did want to offer a program of spring favorites to welcome in the earth’s rebirth. (I also had to scramble to create a “filler” episode due to having lost two days of work this week after receiving my first jab on Wednesday.) Hence today’s offering: a Blumenstrauss of songs celebrating the beloved season of spring. I decided to limit today’s selections exclusively to song, omitting opera, operetta, and oratorio, but somewhat arbitrarily including songs from musicals amidst the classical and pop offerings. Even so, what a lineup of stars today: everyone from Mabel Mercer to Jan DeGaetani, from Hans Hotter to Dionne Warwick, from Georgia Brown to Roberta Alexander, from Kirsten Flagstad to Gordon MacRae. We hear composers ranging from Alec Wilder to Franz Schubert, from Milton Babbitt to Burt Bacharach, and from Hugo Wolf to Tom Lehrer. May these songs and songsters help us to welcome in the long-awaited spring!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.