Tag Archives: Irving Berlin

Episode 65: 1935 (HB2U, Mommie Dearest!)



This coming Saturday, December 19, is an important day for my family: it’s my mother Jane’s 85th birthday. To pay tribute to this event, and to this very special woman, I’m presenting a program focusing on the year 1935, and important milestones in film, musicals, and the hit parade. There was such a dizzying variety of musical material in this year that it was challenging to organize, but I focus on young artists who were just entering the scene (Judy Garland, Carmen Miranda, and Édith Piaf) to émigrés to and from America (including Marlene Dietrich, Paul Robeson, Joséphine Baker, Kurt Weill, Elisabeth Welch, and Erich Korngold), to Broadway shows that debuted in that year (in performances by, among others, Ethel Merman, Libby Holman, and Nat King Cole). Along the way I pay particular focus to what was, in retrospect, the most important Broadway event of the year, the premiere of Porgy and Bess. From that show, I present performances by Todd Duncan, Anne Brown, and Ruby Elzy, all of whom created their roles. I also examine the “Latin” influence on US culture from artists like Xavier Cugat, Carlos Gardel, and Miranda, and of the enormous cultural impact (in spite of repression and discrimination) that African American artists were making (Bessie Smith, Billie Holiday, Ella Fitzgerald, Alberta Hunter, Fats Wallter, and Adelaide Hall.) Finally I look at musicians who were also born in 1935 who made their mark in subsequent decades in a wide variety of styles (including Johnny Mathis, Julie Andrews, Diahann Carroll, Elvis Presley, Nancy Ford and Gretchen Cryer, and Jerry Orbach). This is not to forget figures ranging from Ruth Etting to Grace Moore to Fred Astaire to Patsy Montana to Allan Jones to Noël Coward to Benny Goodman to Lucienne Boyer to the Comedian Harmonists to Bette Davis. Please join me in celebrating all these artists, and in wishing my mother a very Happy Birthday!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available, including a new extra episode further exploring today’s topic.


Episode 52. Operaish Broadway (Crossover Classics VIII)



Today’s episode (in celebration of Countermelody’s first birthday!) picks up where the last one left off: more musicals, more opera (and operaish) singers! Excerpts from cast recordings, radio broadcasts, telecasts, and live performances highlight the work of singers who divided their time, to a greater or lesser extent, between the Broadway stage and the operatic stage. We begin with the great bass-baritones (Ezio Pinza, Cesare Siepi, Giorgio Tozzi, and José Van Dam) and move through the great Broadway (and sometime opera) baritones (Alfred Drake, John Raitt, Bruce Yarnell, Robert Trehy, Leslie Scott, Lawrence Winters, and John Reardon) with a nod to other opera singers who have also graced the Broadway stage (Helen Traubel, Shirley Verrett, Mona Paulee, Dorothy Sarnoff, Risë Stevens, Lee Venora, Camilla Williams, and Carol Brice). We then consider singers whose vocal abilities could easily have put them on the opera stage, had they chosen to so devote themselves (Alice Ghostley, Madeline Kahn, Barbara Cook, Florence Henderson, Judy Kaye, Lisa Vroman, Audra McDonald, Victoria Clark, Rebecca Luker, and the late Marin Mazzie). The episode also features tributes to two recently deceased divas (Gabriella Tucci and Christiane Eda-Pierre) as well as a spotlight on the gorgeous soprano Margaret Tynes, who just celebrated her 101st birthday.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available!

 


Episode 50. Rogue Tenors (Crossover Classics VI)



Our crossover series continues, this time with a full episode dedicated to more than a century of great tenors singing crossover material, beginning in 1902 with Fernando de Lucia’s recording of “Serenata” by Paolo Tosti . Along the way we observe the evolution of the genre from Victorian ballads through Neapolitan songs and Spanish-tinged material (you have not lived until you have heard Fritz Wunderlich sing “Granada”!); from folk songs and musicals to international film theme songs and  popular rock hits. Other featured singers include John McCormack, Richard Crooks, Charles Kullman, Tito Schipa, Carlo Bergonzi, Franco Corelli, Miguel Fleta, Jussi Björling, Roland Hayes, Tandy MacKenzie, Francisco Araiza, Joseph Schmidt, Beniamino Gigli, Marcel Wittrisch, Georges Thill, Richard Tauber, Jan Kiepura, James Melton, Lauritz Melchior, René Kollo, Peter Hofmann, Javier Camarena, and Jerry Hadley. Today’s episode is pure escapism, until you find yourself weeping at the unexpected beauty and pathos of it all.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available!


Episode 13. Christmas with the Tenors



This week is the first of two episodes featuring Christmas music. I decided to feature tenors, but with a difference: none of The Three Tenors will put in an appearance. In compensation, this week I feature a panoply of superb tenors (including Fritz Wunderlich, Georges Thill, Richard Lewis, Roland Hayes, Tino Rossi, Franco Corelli, Ernst Haefliger, Richard Tauber, Karl Erb, and Matthew Swensen) in repertoire ranging across the spectrum (Handel, Adam, Gounod, Bach, Berlin, and traditional Weihnachtsmusik, with some surprises along the way). The episode concludes with a brief musical tribute to Dalton Baldwin, Gérard Souzay’s partner and collaborator, who died on 12 December, a week to the day before his 88th birthday.

Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com