Tag Archives: Die Ägyptische Helena

Episode 390. Donath Sings Strauss



Beloved Countermelody favorite Helen Donath celebrated her 85th birthday on 10 July. In honor of that milestone, I once again celebrate her (which I’ve done so often, but I don’t think anyone is complaining!) This episode features the venerated soprano singing the music of Richard Strauss. In 1976 and 1981 she recorded two albums of Lieder for EMI, both accompanied by her husband, pianist and conductor Klaus Donath, each of which included a selection of songs by Strauss. In addition, I offer recordings of Donath singing various operatic excerpts, both live and studio, of her acclaimed Sophie in Rosenkavalier and Zdenka/o in Arabella. In addition, two late career Donath rarities. First is a concert performance of Die ägyptische Helena live from the Salzburg Festival in the summer of 2003 in which Donath sings the challenging role of Aithra with a freshness and radiance that is breathtaking. The episode concludes with an extraordinary live 2000 recording of Donath performing the Vier letzte Lieder, a tribute to the natural progression of her voice into the jugendlich dramatisch repertoire as she aged. Vocal guest stars include Júlia Várady (who today celebrates her 84th birthday!), Doris Soffel, and Deborah Voigt. Let us extend our hearty good wishes and affection to La Donath, who is finally living in well-earned Ruhestand, after a career that extended well into her 70s.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.


Episode 389. Rescue Mission (Operatic Duet Edition)



I have spent the past week planning forthcoming episodes and last night I realized I had to “throw together” something for this weekend’s episode. When this happens, it can often result in a very eclectic program, indeed, and one which many of my listeners find to be among the most enjoyable Countermelody episodes. I have collected more than enough material for at least a dozen of my so-called “Rescue Mission” episodes, in which I feature artists to whom an entire episode has already been devoted, but for whom I have unearthed additional recordings. For today’s episode, I decided to focus exclusively on duets, featuring at least one singer of each pair who has already been heard (sometimes quite recently) on the podcast. And thus we have David Rendall singing Erik in The Flying Dutchman opposite Rita Cullis; Renata Scotto (with Carlo Bergonzi) in Elisir; April Cantelo in Paul Hindemith’s Cardillac; Maureen Lehane as Penelope in Il ritorno d’Ulisse in Patria; Carol Neblett as Donna Elvira; and Helen Donath (with Deborah Voigt in Strauss’s rare Die ägyptische Helena). Also heard are operas by Gottfried von Einem, Giuseppe Verdi, Lee Hoiby, and Carl Orff featuring Christa Ludwig, John Reardon, Grace Bumbry, Edda Moser, and upcoming Countermelody featured artists John Bröcheler, Roland Hermann, and Eberhard Wächter. The episode concludes with the unlikely pair of Ileana Cotrubaş (pictured) and Jorma Hynninen (two of my most revered singers) as the title characters in a transcendent live recording of Pelléas et Mélisande.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.


Episode 166. Dan’s Picks



This week I celebrated my birthday, so today is the second of this month’s birthday celebrations. A number of my listeners have been asking me for a while to post an episode featuring my favorite singers and recordings. So here it is! We lead off with a brief memorial tribute to Angela Lansbury, who died in the early California morning of my birthday. The rest of the episode features many recordings that I first got to know as I began exploring the world of great singing on records. Leontyne Price, Maria Callas, Alexander Kipnis, Elisabeth Söderström, Richard Lewis, Renata Scotto, Adele Addison, Gundula Janowitz, Margaret Price, Teresa Stratas, Gérard Souzay: all of these artists were formative figures in my early listening experience. My appreciation of some others came later: Hina Spani, Brigitte Fassbaender, Georges Thill, Sylvia Sass, Nicolai Gedda, Kirsten Flagstad. By this late date, all of them have been favorite artists of mine for decades and are represented on the episode by some of their greatest recordings. The episode concludes with a brief tribute to the English composer Ralph Vaughan Williams on the occasion of his 150th birthday, also celebrated this week.

P.S. Two years ago I did another Happy Birthday To Me episode, which featured performances by some of my favorite pop divas. The episode can be found for a limited time at the top of my LinkTree chain.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 58. Richard Strauss’s Vier letzte Lieder (Music for a World in Crisis IV)



As the worldwide pandemic renews its threat and creates general unrest, panic, anger, and depression, as well as illness and death for so many, we turn as always to music for solace. One of the central pieces that I have always turned to in times of personal turmoil has been Richard Strauss’s Vier letzte Lieder. Over the years I have listened to and derived comfort from dozens and dozens of recordings and live performances. In this episode, I feature eight different sopranos, (Elisabeth Söderström, Anna Tomowa-Sintow, Edda Moser, Soile Isokoski, Margaret Price, Teresa Żylis-Gara, Lucia Popp, and Sena Jurinac), each of whom makes her mark in a distinctive way on one of the four songs in the series. I also read each of the poems in my own English translation. These performances are supplemented by excerpts from Elektra, Daphne, and Die Ägyptische Helena performed by Rose Pauly, Hilde Güden, Christa Ludwig, and Walter Berry, as well as the world premiere 1985 performance of “Malven,” Strauss’s last completed work, sung by Kiri Te Kanawa; and the Oboe Concerto played by Léon Goossens in its first commercial recording from 1947.  Featured conductors in the episode include Claudio Abbado, Bernard Haitink, Zubin Mehta, Marek Janowski, Georg Solti, Karl Böhm, Heinrich Hollreiser, Fritz Busch, Alceo Galliera, and Milan Horvat. A bonus episode for my Patreon supporters will feature twelve more of my favorite sopranos, each one singing one of these autumnal Lieder. As we world citizens face the great unknown, these artists help lift our spirits and reorient our perspective.

Links to my previous Music for a World in Crisis episodes:

Episode 26: Calling You

Episode 27: That Time of Evening

Episode 29: A Social Isolation Schubertiade

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available, including a new extra episode further exploring today’s topic.