Tag Archives: John Dankworth

Episode 460. A Countermelody Nosegay (Mostly Mezzos Edition)

Art Song, Behind the Iron Curtain, Broadway, Canadian Singers, Comic Relief, Crossover, Forgotten Divas, French Opera, Full-Figured Baroque, Great Contraltos, In Memoriam, Lieder, Mezzo Madness, Music for a World in Crisis Series, Needle Drop, Pop Icons, Singers in Old Age, Twentieth Century Music, Voiceless Wonders, Wolfgang Amadeus Mozart, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Podcast: Play in new window | Download (Duration: 1:16:23 — 104.9MB) | Embed

Subscribe: Spotify | TuneIn | RSS | More

One of my favorite kinds of Countermelody episode is a potpourri of singers, music, and recordings that charm and enchant to me at that given moment. Today’s episode, which began as a compiled setlist about six months ago, is a particularly enchanting bouquet of musical delights, or, to coin a favorite word from my childhood, a “nosegay.” Today’s bevy of mostly mezzos and contraltos includes such old favorites of mine as Helen Watts, Ninon Vallin, Lisa Kirk, Mitsuko Shirai, Tatiana Troyanos, Elena Obraztsova, Sarah Walker, and Françoise Hardy, joined by new favorites Gertrude Niesen, Mimi Hines, Viorica Cortez, Marie-Thérèse Escribano, and Helen Merrill, with the slender but delectable voice of long-lived Swiss tenor Hugues Cuénod guiding the way to a similar treasure trove of tenors that will follow in a few weeks.

Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 381. I Got a Name (Pride Edition)

African American Singers, Black History Month, Black History Month 2025, Broadway, Comic Relief, Crossover, Great Contraltos, In Memoriam, Listeners' Favorites, Music for a World in Crisis Series, Needle Drop, Pop Icons, Protest Songs, Singers in Old Age, Singers of Color, Twentieth Century Music, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Podcast: Play in new window | Download (Duration: 1:41:08 — 109.6MB) | Embed

Subscribe: Spotify | TuneIn | RSS | More

At first blush, this episode may look a bit slapdash, but it actually reflects very much where I am at this moment. It’s got a bit more of a narrative than most of my episodes do, and somehow in this story a number of different strands come together. The starting point was a Pride bonus episode I published in June 2024 exploring a rare and fascinating 1964 LP of a live recital by “female impersonator” (Mr.) Jean Fredericks that also somehow folded into the mix hidden family narratives, Gilbert Godfrey, Charles Fox, Jim Croce, and the song “I Got a Name.” I have taken that episode and both streamlined and expanded it, including memorial tributes to four significant artists who have died in the past several weeks: Connie Francis, Tom Lehrer, Cleo Laine, and (just yesterday) Robert Wilson. I talk much more about myself on this episode than I ever have before, including meditations on my conservative upbringing, my senior prom, and The Muppet Show! I’ve also included two additional performances of “I Got a Name” by Lena Horne and Cher which drive home the importance of carrying your name and your dream with pride. If I’ve ever published an artistic credo, this is it.

If, as I have done, you wish to explore and/or support J.D. Doyle and his Queer Music Heritage website, where I first discovered Jean Fredericks, you can find it at www.queermusicheritage.com.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.