Tag Archives: Die Teufel von Loudun

Episode 168. The Haunted (Opera) House



This week’s episode celebrates Halloween while at the same time initiating my new ongoing series on Twentieth Century Opera. From Dvořák’s Rusalka, premiered in Prague in 1901, through Corigliano’s The Ghosts of Versailles, premiered in New York in 1991, there is a wealth of operatic material, some barely remembered today, that touches upon various aspects of the occult, be that witches, devils, exorcisms, demonic possessions, or those that conjure the dead. Alongside the aforementioned works, this episode also features work by Benjamin Britten, Gian Carlo Menotti, Igor Stravinsky, Ferruccio Busoni, Franz Schreker, Serge Prokofiev, Ottorino Respighi, and Krzysztof Penderecki, performed by Teresa Stratas. Tatiana Troyanos, George Shirley, Anna Moffo, Mack Harrell, Maralin Niska, Gwendolyn Killebrew, Jane Rhodes, and others in performances recorded between 1949 and… nearly yesterday. Some of it is folksy, some humorous, some creepy, some horrific, but it is peopled by characters that either haunt or are haunted.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

 

 


Episode 40. Sisters in Sappho [Queer Pride I]



The first of my two Queer Pride episodes is devoted to a group of pioneering lesbians in the 1970s and beyond, in both classical and pop music. Two iconic mezzo-sopranos whose careers began in the 1960s and extended through the 1990s are the Greek-American Tatiana Troyanos and Brigitte Fassbaender, daughter of the German baritone Willi Domgraf-Fassbaender. I explore the similarities and differences in the repertoire and career paths of these two unique artists, and share examples of them singing repertoire from Handel to Weill, Scarlatti to Penderecki, with particular focus on Fassbaender’s Lieder performances and Troyanos’s work in bel canto. Then I turn to key figures in the Women’s Music Movement of the 1970s, including Meg Christian, Cris Williamson, Margie Adam, Holly Near, and Deidre McCalla, while also paying tribute to those who, in turn, paved the way for them, including Janis Ian, Dusty Springfield, and Ronnie Gilbert. We also acknowledge the work of queer African American singers, including Deidre McCalla, Meshell Ndegeocello, and Toshi Reagon. We all owe an enormous debt of gratitude to these extraordinary artists, who created a world of possibility for their musical and artistic descendants, at the same time setting standards that will stand the test of time. Vocal guest stars include Janet Baker, Ileana Cotrubas, Margaret Price, Nicolai Gedda, Gundula Janowitz, Arleen Augér, Cecilia Gasdia, and Reri Grist.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford.