Tag Archives: Harry Warren

Episode 189. Marni Nixon

March 24, 2023Art Song, Crossover, Full-Figured Baroque, In Memoriam, Interview, Lieder, Music for a World in Crisis Series, Needle Drop, Operetta, Orchestral Songs, Pop Icons, Singers in Old Age, Twentieth Century MusicAlan Jay Lerner, Alfred Newman, Allegro (Rodgers and Hammerstein), An Affair to Remember, Andre Previn, Andrew Gold, Anton Webern, Armen Guzelimian, Arnold Schoenberg, Arthur Gleghorn, Audrey Hepburn, Barbara Shik, Boomerang, Chants d’Auvergne, Charles Ives, Charles Prince, Cissy Houston, Claude Debussy, Daniel Roth, Deborah Kerr, Dorothy Remsen, Edna St. Vincent Millay, Emanuel Schikaneder, Ernest Gold, Frank Wedekind, Frederick Loewe, Gabriel Faure, Gary William Friedman, George Antheil, Harold Adamson, Harry Warren, Hildegard Jone, Igor Stravinsky, Jack Marshall, Jerome Kern, Johann Sebastian Bach, John Mauceri, John McCabe, Joseph Canteloube, Leo McCarey, Leonard Bernstein, Leonard Stein, Lincoln Mayorga, Lionel Newman, Lotte Lehmann, Louis Untermeyer, Mace Barrett, Margaret Whiting, Marni Nixon, Mary Poppins, Maurice Maeterlinck, Melissa Errico, My Fair Lady, Natalie Wood, Oscar Hammerstein II, Paul Verlaine, Pierrot lunaire, Richard Dehmel, Richard M. Sherman, Richard Rodgers, Robert B. Sherman, Robert Craft, Robert Stolz, Sheila Smith, Stan Keen, Stephen Sondheim, Susan Egan, Ted Thurston, The King and I, The Sound of Music, Thomas Bagwell, Tiger Haynes, Tutti Camarata, Vera Schwarz, Victor Griffin, Wesley Kuhnle, West Side Story, Will Holtcountermelody

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Today, in another of my Women’s History Month episodes, I present to you the extraordinarily versatile, even chameleon-like singer and actor Marni Nixon (22 February 1930 – 24 July 2016), who is no doubt best-known today as the so-called “Ghostess with the Mostest.” Born into a musical family in California, she became involved from an early age with the movies, and by a marvelous set of circumstances became The Voice for a number of Hollywood actresses not known for their singing voices, among them Deborah Kerr in The King and I, Natalie Wood in West Side Story, and Audrey Hepburn in My Fair Lady. Her skill in matching the vocal and speech characteristics of each of these performers is exceptional, but she was so much more than that. She pioneered the work of many 20th century giants, including Igor Stravinsky, Arnold Schoenberg, Charles Ives, and Anton Webern. She hosted a local Seattled children’s television program called Boomerang that netted her four Emmy Awards. She performed on opera stages and concert platforms around the world. She recorded widely, everything from Mary Poppins to Pierrot Lunaire, and in the mid-1970s was the first singer to perform and record Schoenberg’s cabaret songs, his so-called Brettl-Lieder, works that are now standard repertoire. She studied with Viennese soprano Vera Schwarz as well as the iconic Lotte Lehmann, and actively performed and recorded for more than 50 years. Her late career saw an extraordinary return to the musical stage, where she starred in both new work and revivals both on and Off-Broadway. Guiding us along the trajectory of her career is my good friend Thomas Bagwell, currently a coach and conductor at The Royal Danish Opera in Copenhagen, who was a colleague and good friend of Marni Nixon’s for the last 25 years of her life. His anecdotes and reminscences are interspersed with examples (often familiar, more often rare) of Marni’s vast recorded legacy, which give testament not only to her versatility, but to her flawless musicality and depth of expression.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Episode 128. Leslie Uggams (Black History Month 2022)

February 9, 2022African American Singers, Black History Month, Broadway, Music for a World in Crisis Series, Needle Drop, Pop Icons, Protest Songs, Singers of ColorAdolph Green, Alan Bergman, Andy Gibb, Bee Gees, Belford C. Hendricks, Betty Comden, Buster Davis, Carole King, Carousel, Cy Coleman, Dale Hawkins, Dorothy Fields, Ervin Drake, Ethel Waters, Frank DeVol, Fred Barovick, Fred Nerman, Gerry Goffin, Glen D. Hardin, Glenn Osser, Hallelujah Baby!, Harold Arlen, Harry Warren, Hello Dolly!, Her First Roman, Ivo Robić, Ivy Hunter, Jackie DeShannon, Jerry Herman, Jerry Leiber, Jimmy Bowen, Jimmy Holiday, Jimmy McHugh, John Lennon, Johnny Mercer, Jule Styne, La Cage aux Folles, Larry Collins, Leslie Uggams, Marilyn Bergman, Michel Legrand, Mike Stoller, Noel Sherman, Oscar Hammerstein II, Paul McCartney, Paul Whiteman, Peter Matz, Peter Moesser, Randy Meyers, Richard Rodgers, Richard Rose, Scott Davis, Sing Along with Mitch, Stevie Wonder, Sweet Charity, Ted Koehler, The King and I, The Sound of Music, Tom Delaney, Wayne Moorecountermelody

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I would bet (though I can’t guarantee it) that I was one of a very small number of white 8-year-old Wisconsin boys who, on Sunday nights in the summer of 1969, tuned in faithfully to watch every single episode of the short-lived variety series, The Leslie Uggams Show. Ever since encountering her on that groundbreaking show, I have loved Ms. Uggams: her combination of vivacious high spirits, powerhouse vocalism, and personal style and beauty has always enchanted me. Her performing career began long before I was born, when she appeared as a child star on various television competitions and series, later creating television history in the early sixties as a star of Sing Along with Mitch. Later she starred in a central role in 1977’s Roots, the miniseries that changed the face of television. Her popularity continues to the present day, with her appearances in such series as Empire and such films as the Deadpool franchise. Some of her more recent fans may not realize that she was also a vital performer in musicals and theatre, including her Tony-Award-winning performance in Hallelujah, Baby! in 1968 and performances in regional theatre of some of the most iconic female starring roles, including Mama Rose, Dolly Levi, and Mame Dennis. In this episode feature her in sung performances over the course of more than 60 years with special focus on her recorded work from the late 1960s. Whether you are an old or a new fan, I hope that you will be as beguiled by Leslie Uggams as I always have been.

Episode 116. Pop Songs by Lieder Singers

November 19, 2021African American Singers, Behind the Iron Curtain, Broadway, Comic Relief, Crossover, Great Baritones, Mezzo Madness, Needle Drop, Pop Icons, Singers of Color, Sylvia SassA Little Night Music, Allegro (Rodgers & Hammerstein), Andre Previn, Andrew Lloyd Webber, Andrzej Hiolski, Anna Moffo, Anne Sofie von Otter, Anneliese Rothenberger, Antônio Carlos Jobim, Astor Piazzolla, Barbara Hendricks, Brad Mehldau, Brigitte Fassbaender, Broadway, Bryn Terfel, Buddy DeSylva, Claude François, Cole Porter, Consuelo Velazquez, crossover, Dieter Reith, Donald Gramm, Duke Ellington, Eduard Künneke, Elly Ameling, Ennio Morricone, Evelyn Lear, Felicia Weathers, Franz Grothe, Frieder Weissmann, Fritz Wunderlich, George London, Gerard Souzay, Gloria Davy, Grace Bumbry, Guido Masanetz, Harold Arlen, Harry Warren, Heikki Sarmanto, Helen Donath, Hermann Prey, J. Fred Coots, Jacques Revaux, Jean-Louis Rassinfosse, Jean-Philippe Collard-Neven, Jerzy Harald, Johnny Green, Joni Mitchell, José Van Dam, Jule Styne, Jürgen Hermann, Karita Mattila, Kim Borg, Klaus Donath, Kurt Weill, Leonard Bernstein, Leontyne Price, Lotte Lehmann, Louis van Dijk, Mack Gordon, Maxwell Anderson, Monty Alexander, Oscar Hammerstein II, Paul Bonneau, Paul Daniel, Peter Cetera, Peter Schreier, Péter Wolf, pop standards, Regine Crespin, Richard Rodgers, Richard Tauber, Robert Katscher, Roberta Alexander, Roland Shaw, Skitch Henderson, South Pacific, Stephen Sondheim, Sylvia Sass, Thomas Stewart, West Side Story, Willi Stech, Yip Harburgcountermelody

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This week I feature nearly a century’s worth of recordings of pop music by singers who also, and in some cases primarily, were great singers of art song. Many of my favorite singers figure into the mix, including Hermann Prey (who was the inspiration for this episode), Grace Bumbry, Helen Donath, Roberta Alexander, Elly Ameling, Peter Schreier, Lotte Lehmann, Gérard Souzay, Brigitte Fassbaender, Bryn Terfel, Richard Tauber, José van Dam, Peter Schreier, Leontyne Price, Donald Gramm, and many, many others. They perform everything from Broadway standards to jazz to Deutsche Schlager to tangos to the Great American Songbook to 80s power ballads. This episode was such a joy to put together and I hope that you will enjoy this cornucopia of vocal and interpretive bounty.

Episode 97. Owen Williams and Leslie Scott: Two Forgotten Black Pop Baritones

July 11, 2021African American Singers, Broadway, Crossover, Great Baritones, Music for a World in Crisis Series, Needle Drop, Pop Icons, Protest SongsAfrican-American singers, Andre Previn, Billy Moore Jr., Burton Lane, Carolyn Leigh, Charles Trenet, Cy Coleman, George Gershwin, Harold Arlen, Harry Warren, Henri Salvador, Ira Gershwin, Irene Williams, Jan Corduwener, Jerry Herman, Leslie Scott, Mack Gordon, Michael Jary, Nana Gualdi, Owen Williams, Paul Abraham, Porgy and Bess (Gershwin), Richard Rodgers, Spirituals, Sy Oliver, Victor Young, Walter Kollo, Willy Hoffmann, Xavier Cugat, Yip Harburgcountermelody

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Today I present to you two Black baritones who made their mark in Europe and the United States over the course of several decades. Leslie Scott (ca. 1920-1969), who appeared on the State Department-sponsored tour of Porgy and Bess in the 1950s, and who played Jake in the now-obscure 1959 film version of the piece, began his career as a big-band singer. About his fellow singer, bass-baritone Owen Williams, I have been unable to discover much of anything, in spite of the fact that, like his compatriot Kenneth Spencer, he was featured in German film and television in the 1950s and 1960s and also recorded extensively in the 1960s, in his case, for Philips Records. Both Williams and Scott display undeniable vocal and interpretive gifts that are sometimes obscured by other factors, such as the tackiness of the arrangements and the pervasive and unchecked plantation nostalgia of the period, especially in Germany. Close examination of the recorded legacies of both Williams and Scott provides a partial glimpse into their lives and careers, even if too much of it today remains hidden in obscurity.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.

Episode 50. Rogue Tenors (Crossover Classics VI)

August 30, 2020African American Singers, CrossoverAgustín Lara, Ah Sweet Mystery of Life, Al Dubin, Ay ay ay, Beniamino Gigli, Boudleaux and Faye Bryant, Bronislau Kaper, Camille Nickerson, Carlo Bergonzi, Cesare Andrea Bixio, Charles Kullman, Charles Marshall, Dermot Macmurrough, Erich Korngold, Ernesto de Curtis, Fernando de Lucia, Francisco Araiza, Franco Corelli, Fritz Wunderlich, Gene Pitney, Georges Thill, Granada, Hans May, Harry Warren, Hello Mary Lou, Irving Berlin, James Melton, Jan Kiepura, Javier Camarena, Jerry Hadley, John McCormack, Joseph Schmidt, Júrame, Jussi Bjorling, Knut O.W. Almroth, Lao Silésu, Lauritz Melchior, Lennon & McCartney, Leonello Casucci, Love Hurts, Macushla, Mamma, Marcel Wittrisch, María Grever, Miguel Fleta, Oh What a Beautiful Mornin’, Osmán Pérez Freire, Paolo Tosti, Peter Hofmann, René Kollo, Richard Crooks, Richard Tauber, Rodgers & Hammerstein, Roland Hayes, Sammy Fain, Schöner Gigolo [Just a Gigolo], September in the Rain, Tandy MacKenzie, Tito Schipa, Tu ca non chiagne, W.J. Coelho, What’ll I Do?, Yesterdaycountermelody

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Our crossover series continues, this time with a full episode dedicated to more than a century of great tenors singing crossover material, beginning in 1902 with Fernando de Lucia’s recording of “Serenata” by Paolo Tosti . Along the way we observe the evolution of the genre from Victorian ballads through Neapolitan songs and Spanish-tinged material (you have not lived until you have heard Fritz Wunderlich sing “Granada”!); from folk songs and musicals to international film theme songs and popular rock hits. Other featured singers include John McCormack, Richard Crooks, Charles Kullman, Tito Schipa, Carlo Bergonzi, Franco Corelli, Miguel Fleta, Jussi Björling, Roland Hayes, Tandy MacKenzie, Francisco Araiza, Joseph Schmidt, Beniamino Gigli, Marcel Wittrisch, Georges Thill, Richard Tauber, Jan Kiepura, James Melton, Lauritz Melchior, René Kollo, Peter Hofmann, Javier Camarena, and Jerry Hadley. Today’s episode is pure escapism, until you find yourself weeping at the unexpected beauty and pathos of it all.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available!