Tag Archives: Carolyn Leigh

Episode 138. Cabaret Risqué: Broadway Edition



At Countermelody, this April Fool’s Day begins with a dirty musical joke, and a great one! The episode continues with nearly a century’s worth of performances of risqué songs, most but not all of them from musicals. Among the composers and lyricists, the great Cole Porter, Rodgers and Hart, Brecht and Weill, Comden and Green, Carolyn Leigh, Alec Wilder, Stephen Sondheim, Bolcom and Weinstein, Fred Barton, the late Francesca Blumenthal, my friends Richard Pearson Thomas and Lawrence Rush, and the mysterious Durwood Douché. Among the performers, who really let their raunchy side out, Pearl Bailey, Eddie Cantor, Judy Holliday, Mabel Mercer, Gertrude Lawrence, Ann Miller, Vivienne Segal, Marlene Dietrich, Elisabeth Welch, Martha Wright, Raul Julia, Gertrude Niesen, Chita Rivera, Nina Hagen, Mary Martin, Julie Wilson, and Lea DeLaria, among many others. Fasten your seat belts: this is a long episode, but a beautifully down and dirty one!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 124. Dave’s Picks



Today’s special episode is in honor of my best friend, partner-in-crime and Corona-lockdown buddy, the distinguished theater scholar and author David Savran, who this week once again celebrated another journey around the sun. I invited him to be the first guest in a new series I will be presenting on Countermelody featuring colleagues and friends speaking about the music (and the singers!) that have most deeply affected and inspired them. Perhaps it’s not surprising that in the nearly two decades that we have known each other, that David’s taste in music and singers often falls neatly in step with mine. But there are many other musical paths and byways that he has explored that have taken him in quite different directions. Our spirited dialogue is punctuated by music that spoke to him most deeply in the first 25 years of his life. We hear samples of everything and everyone from Sammy Davis, Jr. to Grace Slick, from Cathy Berberian to Joni Mitchell, from Lisa della Casa to Nina Hagen, from Alfred Drake to Frank Zappa. The episode also constitutes a fascinating exploration of the role that memory and nostalgia play in the creation of musical tastes and preferences. Happy Birthday, Davey, and thanks for being my guest!

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

 


Episode 97. Owen Williams and Leslie Scott: Two Forgotten Black Pop Baritones



Today I present to you two Black baritones who made their mark in Europe and the United States over the course of several decades. Leslie Scott (ca. 1920-1969), who appeared on the State Department-sponsored tour of Porgy and Bess in the 1950s, and who played Jake in the now-obscure 1959 film version of the piece, began his career as a big-band singer. About his fellow singer, bass-baritone Owen Williams, I have been unable to discover much of anything, in spite of the fact that, like his compatriot Kenneth Spencer, he was featured in German film and television in the 1950s and 1960s and also recorded extensively in the 1960s, in his case, for Philips Records. Both Williams and Scott display undeniable vocal and interpretive gifts that are sometimes obscured by other factors, such as the tackiness of the arrangements and the pervasive and unchecked plantation nostalgia of the period, especially in Germany. Close examination of the recorded legacies of both Williams and Scott provides a partial glimpse into their lives and careers, even if too much of it today remains hidden in obscurity.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.


Episode 52. Operaish Broadway (Crossover Classics VIII)



Today’s episode (in celebration of Countermelody’s first birthday!) picks up where the last one left off: more musicals, more opera (and operaish) singers! Excerpts from cast recordings, radio broadcasts, telecasts, and live performances highlight the work of singers who divided their time, to a greater or lesser extent, between the Broadway stage and the operatic stage. We begin with the great bass-baritones (Ezio Pinza, Cesare Siepi, Giorgio Tozzi, and José Van Dam) and move through the great Broadway (and sometime opera) baritones (Alfred Drake, John Raitt, Bruce Yarnell, Robert Trehy, Leslie Scott, Lawrence Winters, and John Reardon) with a nod to other opera singers who have also graced the Broadway stage (Helen Traubel, Shirley Verrett, Mona Paulee, Dorothy Sarnoff, Risë Stevens, Lee Venora, Camilla Williams, and Carol Brice). We then consider singers whose vocal abilities could easily have put them on the opera stage, had they chosen to so devote themselves (Alice Ghostley, Madeline Kahn, Barbara Cook, Florence Henderson, Judy Kaye, Lisa Vroman, Audra McDonald, Victoria Clark, Rebecca Luker, and the late Marin Mazzie). The episode also features tributes to two recently deceased divas (Gabriella Tucci and Christiane Eda-Pierre) as well as a spotlight on the gorgeous soprano Margaret Tynes, who just celebrated her 101st birthday.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available!