Tag Archives: Kurt Eichhorn

Episode 180. Anna Moffo Reappraised



The Italian-American lyric coloratura soprano Anna Moffo (1932-2006) is, for many, one of the great singers of the past century. My first exposure to this artist was one of two, frankly, disastrous recordings released in the mid-1970s, in which the voice was a mere shadow of its former self, and in which her vocal defects and mannerisms had overtaken the intrinsic beauty of her voice. But there are so many exceptional qualities to Moffo as an artist, musician, and media star, that I felt compelled to do a frank reappraisal of her contribution to the lyric art. And am I glad that I did! I discovered an artist of great integrity who, in her best work, attained a similar level to any of the other great singers performing during that period. Unlike any other opera singer that I can think of, she conquered three distinct markets with equal success: first in Italy (where she rose to overnight stardom in the late 1950s and went on in the 1960s to become the star of her own eponymous television series); then in the United States throughout the 1960s; and finally, in the late 1960s and 70s, in Germany. But hers is also a cautionary tale of “too much, too soon” and the potentially destructive power of the media which has significance also in today’s opera world. Throughout the episode, live and studio examples of Moffo’s work, both bad and (mostly) good over the course of more than twenty years, are offered to support my discussion of her importance and influence as an artist, one that continues to this day. Vocal guest stars include tenors Carlo Bergonzi, Rudolf Schock, Giuseppe di Stefano, and Sergio Franchi, and musical collaborators include Tullio Serafin, Gerald Moore, Lorin Maazel, Hans Rosbaud, Fernando Previtali, Lehman Engel, Oliviero de Fabritiis, René Leibowitz, Kurt Eichhorn, Berislav Klobučar, and Franco Ferrara. For those who love Moffo, for those who hate her, and for those who find themselves somewhere in between, this episode is (dare I say it?) required listening.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 176. Helen Donath



Today’s episode is a celebration of the Texas-born, German-assimilated soprano Helen Donath. Very few singers can boast of a career lasting more than 50 years which yielded such consistently superb vocalism and artistry. Donath began as a soubrette with lyric-coloratura capabilities which blossomed into a jugendlich dramatisch voice capable of successfully assuming roles in Wagner, Strauss, and Weber. Today’s episode has two “gimmicks,” the first of which is that all of the selections are sung in German, even if they were originally set in French or Italian. The second gimmick is that strewn in amongst the other selections, there is a smattering of holiday-related material including works by Bach, Handel, Mozart, Humperdinck, and Pfitzner. Other composers heard include Otto Nicolai, Friedrich von Flotow, Paul Hindemith, as well as numerous examples of Donath’s peerless Mozart singing and a generous helping of operettas by Lehár, Millöcker, and Johann Strauss II. Vocal guest stars are legion, and include Julia Varady, Siegfried Jerusalem, Anna Moffo, Peter Schreier, Edda Moser, Theo Adam, Werner Hollweg, and Günther Leib in performances conducted by Leonard Bernstein, Herbert von Karajan, Kurt Eichhorn, Rafael Kubelik, Herbert Blomstedt, Wolfgang Sawallisch, Bernhard Klee, Otmar Suitner, Hans Schmidt-Isserstedt, Gerd Albrecht, and Willi Boskovsky, as well as Klaus Donath, Helen’s husband since 1965.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 114. James King



This week I turn my attention once again to the tenors, who have been getting rather short shrift of late. This week I feature the US-American jugendlicher heldentenor James King, who died 16 years ago this month. Trained as a baritone, he “converted” to tenor in his early thirties under the tutelage of the great French baritone and teacher Martial Singher. In the very early 1960s, he ended up in the ensemble of the Deutsche Oper Berlin, where he quickly established himself as a talent to be reckoned with. He sang countless performances of a relatively small number of roles, beginning with Florestan in Fidelio and including Wagner (Lohengrin, Walther in Meistersinger, Parsifal, Siegmund), Strauss (the Kaiser in Frau ohne Schatten, Bacchus, Apollo, Aegisth, and Herodes), Verdi (Otello, Don Carlo, Radames) Puccini (Cavaradossi, Calaf, Rodolfo), and a select number of French roles (Don José, Samson). I am letting Mr. King do the heavy lifting today: I have four LPs in my collection that have never been reissued since their original release in the 1960s: two operatic recital recordings, an operetta album, and a volume of songs by Schubert and Strauss. I feature generous excerpts from each of these, as well as an excerpt from his recording with the late Bernard Haitink of Mahler’s Das Lied von der Erde. It is my joy to bring this exceptional singer to your attention: a superb technician who combines powerful utterance with interpretive sensitivity and musical nuance.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.


Episode 92. Blessed Memory (In Memoriam III)



The final episode (for now) in my series commemorating recent deaths in the musical community, this one presents a further group of treasurable (and often less well-known) musical artists, refracted through the lens of memory: personal memory, collective memory, eternal memory, blessed memory. Prepare to make or renew acquaintance with Adele Stolte, Silvano Carroli, Inés Rivadeneira, Eugenia Ratti, Caroline Kaart, Galina Savova, Bernard Ładysz, Cora Canne Meijer, Arthur Woodley, Jolanda Meneguzzer, Eldar Aliev, Sophie Boulin, and Edith Thallaug, among many others. Some were “voiceless wonders,” relatively speaking, others were gifted with enormous vocal gifts. All were artists and human beings who each made their mark in their own distinctive way. Guest stars include Vasile Moldoveanu, Cesare Siepi, Aimé Doniat, and Ralf Gothóni.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.