Tag Archives: Robert Bodanzky

Episode 485. Anneliese Rothenberger singt Stolz und Lehár

Broadway, Crossover, Great Tenors, Music for a World in Crisis Series, Needle Drop, Operetta, Twentieth Century Music, Twentieth Century Opera, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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The theme of today’s episode is “escapism,” a valuable and even necessary pursuit in the world in which we find ourselves currently existing. What more glorious escapism could there be then Operettenlieder by composers Robert Stolz and Franz Lehár as performed by beloved German soprano Anneliese Rothenberger (1919 – 2010). She was one of the most prominent and glamorous musical figures in Germany by virtue of her resplendent voice and splendidly vivid performances, as well as her ubiquitous presence on German-language television in the 1970s. For today’s episode I draw primarily on two EMI releases,1969’s Anneliese Rothenberger singt Robert Stolz and 1970’s Anneliese Rothenberger singt Franz Lehár, the latter a compilation released in honor of Lehár’s 100th birthday, all recorded at various points in the 1960s. Along the way, I consider the lives and careers of both composers, and contrast Stolz’s authentic heroism during the Nazi era with Lehár’s sometimes egrerious opportunism. And yet, in keeping with today’s theme of escapism, the music of both of these composers provides us with a temporary respite from today’s cares, especially as performed by the resplendent Rothenberger.

Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 200. Whole Lotta Lotte (Lehmann!)

Art Song, Giacomo Puccini, Lieder, Music for a World in Crisis Series, Needle Drop, Operetta, Orchestral Songs, Richard Strauss, Richard Wagner, Schubert, Singers in Old Age, Twentieth Century Music, Twentieth Century Opera, Verismo, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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Today we observe a significant event in the history of Countermelody, namely, our 200th episode! I decided that there was no better way to celebrate than to devote a full episode to the great Lotte Lehmann (1888-1976), who vies with Claudia Muzio as one of my two favorite singers of all time. Lehmann was originally a conservatory flunkie, but somehow got her act together to become one of the most expressive and imaginative singers, both of opera and of art song, that ever lived. From the first time I heard this warm, enveloping voice allied to a theatrical, emotional style of delivery, I was in love. Though I have frequently featured her in individual cuts on the podcast, this is the first time she has been featured on her own episode. She is heard in live, studio, and radio recordings made between the years 1916 and 1958, all of which reveal her in all aspects of her sublime artistry and in the company of some of the greatest artists of her era, from Arturo Toscanini to Richard Tauber to George Szell, to her preferred accompanist, Paul Ulanowsky. Choosing the selections for this week’s program was like reencountering an old friend. The episode begins with a brief tribute to the late Finnish composer Kaija Saariaho, who died a week ago at the age of 70 and to the evocative singer Astrud Gilberto, who died this past week at the age of 83.

Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.