Monthly Archives: September 2026

Episode 492. Mommie Dearest, One Year Later

September 23, 2026African American Singers, Broadway, Comic Relief, Forgotten Divas, Full-Figured Baroque, Giacomo Puccini, Giuseppe Verdi, Great Baritones, In Memoriam, Johann Sebastian Bach, Listeners' Favorites, Needle Drop, Pop Icons, Queer Pride, Renata Scotto, Singers in Old Age, Singers of Color, SpiritualsAlfred de Musset, Alfred Newman, Ángel de Saavedra, Bernie Toorish, Bruno Balz, Carl Boberg, Carmen Dragon, Carmen Miranda, Cecil Sharp, Christfried Bickenbach, Clifton Bingham, Daniel Chorzempa, Edgar, Edwin Greene, Eileen Farrell, Ein deutsches Requiem, Eleanor Steber, Elly Ameling, Erika Köth, Eve Queler, Ferdinando Fontana, Francesco Maria Piave, Frederick Weatherly, Gabriel Faure, George Cory, George Frideric Handel, George Mzlloy, George Szell, Gerald Moore, Gerhard Schmidt-Gaden, Giacomo Puccini, Giuseppe Verdi, Gottfried Heinrich Stölzel, Harold Arlen, Harry Warren, Haven Gillespie, Henriette Louise von Haym, Howard Barlow, Igor Gorin, Irving Berlin, J. Fred Coots, Jean Fournet, Joan Baez, Johann Sebastian Bach, Johannes Brahms, John Jacob Niles, John Shirley-Quirk, Johnnie Ray, Johnny Mercer, Kenneth Spencer, La forza del destino, Leigh Harline, Leo Robin, Leontyne Price, Lloyd Arriola, Mabel Mercer, Manfred Hübler, Michelangelo Veltri, Ned Washington, Neville Marriner, Norman Luboff, Odetta, Pinocchio, Renata Scotto, Shirley Verrett, Stuart K. Hine, Sy Mann, The Four Lads, The Holmes Brothers, The Wizard of Oz, Tom Krause, Tom Lehrer, Wilhelm Schüchter, Yip Harburgcountermelody

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Today is the one-year anniversary of my dear mother’s death. Yesterday, in preparing for my own private commemoration, I remembered that almost exactly a year ago, just two days after she died, I recorded the narration for a memorial episode in her honor that at the time I never published. Listening to the raw material for that episode, I realized that today would be the perfect time to publish that episode. I assumed that I would be so choked up with grief that I would not even be able to organize my thoughts, but I think I did a pretty good job of commemorating her in a way that only I could. As I remark, though my mother and I had a sometimes conflicted relationship because of her religious beliefs and conservative politics, we also shared the preternatural bond that mothers sometimes share with their children when they perceive the presence of a kindred spirit. For in spite of all the mutual head-butting in which we partook over the years, we were kindred spirits. And we both had to work extremely hard to keep those channels of love and respect open when, according to all our opposing vantage points, we should have been in enmity. This episode was wrung out of me just as the wave of my grief was cresting, but it’s so much better for that. I supplement my anecdotes and memories with a lot of music, from many different performers: everyone and everything from Bach to Johnnie Ray to “I Am Jesus’ Little Lamb” to Joan Baez to Mabel Mercer to Tom Lehrer to “Danny Boy” to the Brahms Deutsches Requiem and back again. I’m not sure that, after a year as an orphan (what the Germans would call a Vollwaise, , I would have the perspective to delve into my memories in the same way. Please give this episode a listen; maybe it will help you put certain things in perspective as well.

Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode 491. Bubbles on the Nile, Verdi Edition

September 18, 2026African American Singers, Bel canto, Bubbles on the Nile, Claudia Muzio, Forgotten Divas, Giuseppe Verdi, Listeners' Favorites, Margaret Price, Mezzo Madness, Needle Drop, NYCO Divas, Renata Scotto, Singers of ColorAchille de Lauzières, Alexandre Dumas fils, Andrea Maffei, Angelo Zanardini, Anna Moffo, Anton Guadagno, Antonio García Gutiérrez, Antonio Piazza, Antonio Somma, Arrigo Boito, Attila, Beverly Sills, Camille du Locle, Carol Neblett, Chris Nance, Claudia Catania, Claudia Muzio, Don Carlo, Edward Downes, Ernani, Ernst Märzendorfer, Eugène Scribe, Fiorenza Cossotto, Francesco Maria Piave, Friedrich Schiller, Georges Pretre, Giovanna d’Arco, Giuseppe Patanè, Giuseppe Verdi, Grace Bumbry, Gundula Janowitz, I Lombardi, John Stewart, John Wustman, Joseph Méry, La Traviata, Macbeth, Margaret Price, Margaret Tynes, Maria Callas, Massimo Freccia, Nabucco, Nello Santi, Oberto, Otello, Pál Varga, Renata Scotto, Richard Bradshaw, Salvadore Cammarano, Shirley Verrett, Temistocle Solera, Un ballo in maschera, Victor Hugo, William Shakespeare, Zacharias Wernercountermelody

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Here’s another edition of what has beocme one of my (and my listeners’) favorite series of episodes, one that I have entitled “Bubbles on the Nile.” The title refers to a wonderful 1985 LP of the same name which featured favorite divas in unfamiliar or unexpected repertoire. Since publishing my first Bubbles on the Nile episode last spring, I have revisited the “franchise” with an all-Handel episode, and today, I’m back with an all-Verdi edition. The format of these episodes is thus: we always begin with Beverly herself singing a role or aria not typically associated with her, in this case, “Ernani, involami” from a 1967 radio recording for German radio. From there, I bring you a series of surprising performances from some of my (and, I hope your) favorite singers: Gundula Janowitz singing Odabella in Attila, Claudio Muzio singing Giselda in Lombardi, Margaret Price singing the title role of Giovanna d’Arco, Shirley Verrett singing Cuniza in Verdi’s first opera Oberto, Fiorenza Cossotto singing Amelia in Ballo, Callas singing Eboli, Bumbry singing the Trovatore Leonora, a rare 1960 RAI recording of Anna Moffo singing Desdemona, Carol Neblett as the Violetta of one’s dreams, a hair-raising live performance of Renata Scotto singing Abigaille in Nabucco, and Margaret Tynes as a compelling, idiosyncratic Lady Macbeth. Be prepared for some thrilling singing coming at you from all over the place!

Episode 490. José van Dam chante l’éternité

September 11, 2026Art Song, Crossover, French Opera, Giuseppe Verdi, Great Baritones, Gustav Mahler, In Memoriam, Lieder, Music for a World in Crisis Series, Needle Drop, Operetta, Orchestral Songs, Schubert, Singers in Old Age, Twentieth Century Music, Twentieth Century OperaAlain Fondary, Alexandre Arnoux, Antonio García Gutiérrez, Arrigo Boito, Charles Gounod, Charles Trenet, Ciboulette, Cyril Diederich, Dalton Baldwin, Deux mélodies hébraïques, Don Quichotte (Massenet), Don Quichotte à Dulcinée, Francesco Maria Piave, Franz Schubert, Friedrich Rückert, Gabriel Faure, Giuseppe Verdi, Gustav Mahler, Henri Cain, Hugo Wolf, Jacques Ibert, Jacques Le Lorrain, Jean-Claude vanden Eynden, Jean-Louis Rassinfosse, Jean-Philippe Collard, Jean-Philippe Collard-Neven, Johann Wolfgang von Goethe, Johannes Brahms, José Van Dam, Jules Massenet, Justinus Kerner, Kent Nagano, Kerner-Lieder, Le Fou (Landowski), Léo Chauliac, Louise Bertin, Maciej Pikulski, Marcel Landowski, Maurice Ravel, Michel Plasson, Miguel Gómez-Martínez, Olivier Messiaen, Patrice de La Tour du Pin, Paul Morand, Pierre Boulez, Reynaldo Hahn, Robert de Flers, Robert Schumann, Rückert-Lieder, Saint François d’Assise, Seiji Ozawa, Simon Boccanegra, Sully Prudhomme, Teresa Berganza, Vier ernste Gesänge, Wilhelm Müller, Winterreisecountermelody

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Today we commemorate the quarter century since 9/11, an event that sent shockwaves throughout the world as it was transpiring (and who can forget where they were in those first awful hours?) And yet the aftermath has been so much worse than one could even imagine at the time, and with no end in sight (witness the right-wing populism and divisiveness which have become the order of the day). My heart and spirit cry out in pain every single day and the only consolation, the only balm, my soul receives these days is through art, and particularly for me, as for many of us, music. 2026 has also seen an inordinate number of deaths of people who made a different in the world. As I struggled to come up with a theme and a setlist for today’s episode, one figure kept reappearing at the door: Belgian bass-baritone José van Dam, who died last February at the age of 85. Though I was a lifelong admirer of the singer, and was deeply saddened by his death, I have not yet presented a suitable memorial tribute in his honor. His voice exuded a warmth and humanity that gave his performances and portrayals a particular glow. So I have chosen to present him today singing music appropriate to this solemn occasion: songs of Ravel, Schubert, Gounod, Schumann, Fauré, Brahms, Ibert, Wolf, Mahler, and Trenet; supplemented by arias and scenes by Verdi, Massenet, Landowski, and Messiaen. I’m keeping chatter to a bare minimum on this episode, letting the music, the texts, and van Dam’s voice and artistry, create a patina of consolation for all the complicated emotions raised by this day of mourning and meditation.

Episode 489. The Infinite Variety of Regina Resnik

September 6, 2026Arie antiche, Art Song, Broadway, Crossover, French Opera, Full-Figured Baroque, Giuseppe Verdi, Great Contraltos, Gustav Mahler, Happy Birthday, In Memoriam, Lieder, Mezzo Madness, Music for a World in Crisis Series, NYCO Divas, Richard Wagner, Singers in Old Age, Twentieth Century Music, VerismoA Little Night Music, Achille de Lauzières, Achim von Arnim, Alexander Borodin, Andrea Maffei, Angelo Zanardini, Cabaret, Camille du Locle, Camille Saint-Saens, Charles Gounod, Charles Simon, Clemens Brentano, Des Knaben Wunderhorn, Die Walküre, Don Carlo, Donald Chan, Edward Downes, Félix Lope de Vega, Ferdinand Lemaire, Francesco Maria Piave, Fred Ebb, Friedrich Schiller, George Forrest, Gérard de Nerval, Gustav Mahler, Homenaje a Lope de Vega, Ingmar Bergman, Ivan Zakharovich Surikov, Jean-Paul-Égide Martini, Jean-Pierre Claris de Florian, Joaquín Turina, John Kander, Joseph Méry, Jules Barbier, Kismet, Konstantin Balmont, La Reine de Saba, Macbeth, Mantovani, Michel Carré, Paul Gemignani, Pierre Berton, Pyotr Il’yich Tchaikovsky, Regina Resnik, Richard Wagner, Richard Woitach, Robert Merrill, Robert Wright, Ruggero Leoncavallo, Samson et Dalila, Serge Prokofiev, Stephen Sondheim, The Maid of Orleans, William Shakespeare, Zazacountermelody

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On August 30 we observed (posthumously) the 104th birthday of the unique, the phenomenal Regina Resnik, who died in 2013 just a few short days before her 91st birthday. This commemoration, combined with my recent acquisition (at the flea market in my Berlin neighborhood) of the LP of her single operatic recital recording, provided the impetus for this long-overdue Countermelody celebration of an exceptional career that spanned nearly 50 years and encompassed exceptional portrayals on the world’s operatic stages, Broadway, and the concert platform. This episode presents Resnik in the very earliest days of her career as a soprano singing arias from Macbeth, Zazà, and La Reine de Saba, then following her vocal trajectory downward into the dramatic mezzo fach in which she celebrated her greatest career triumphs. Excerpts from her “On the Wings of Opera” operatic recital offer a fuller picture of her in that repertoire, in arias of Saint-Saëns, Wagner, Verdi, and Tchaikovsky. Then we dip into a rare 1968 recording of art song with pianist Richard Woitach, which offers a dazzling program of French, Geman, Russian, and Spanish song, amply sampled. The program ends with Resnik in three Broadway selections, including live stage performances of both Cabaret and A Little Night Music. I’m thrilled to pay tribute to this iconic New Yorker whose incandescent artistic sensibility turned everything she touched into gold.